Call Number:
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File:
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Title:
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Date(s):
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Note:
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1978-018/001 | (1) | Music Scores by Tenney : Music exercise notebooks | | |
1978-018/001 | (2) | Music Scores by Tenney : Alkibiades by Robert Kelly, music by James Tenney | | |
1978-018/001 | (3) | Music Scores by Tenney : for Bassoon | | |
1978-018/001 | (4) | Music Scores by Tenney : Faust | | |
1978-018/001 | (5) | Music Scores by Tenney : Motet | | |
1978-018/001 | (6) | Music Scores by Tenney : Motet for flute, oboe, cello | | |
1978-018/001 | (7) | Music Scores by Tenney : Music for the film, "Unglassed windows cast a terrible reflection" | | |
1978-018/001 | (8) | Music Scores by Tenney : Study for Quintext V | | |
1978-018/001 | (9) | Music Scores by Tenney : Trio for flute, oboe, clarinet in A | | |
1978-018/001 | (10) | Music Scores by Tenney : for Viola | | |
1978-018/001 | (11) | Music Scores by Tenney : 4 Inventions for Piano | 1953-1954 | |
1978-018/001 | (12) | Music Scores by Tenney : Orchestral Variations | [1954 or 1955] | |
1978-018/001 | (13) | Music Scores by Tenney : Poem for a flute | 1955 | |
1978-018/001 | (14) | Music Scores by Tenney : String Quartet in One Movement | 1955 | |
1978-018/001 | (15) | Music Scores by Tenney : Variations, in A on a theme by my father for Piano | 1955 | |
1978-018/001 | (16) | Music Scores by Tenney : From the "Blue Books" | 1956 | |
1978-018/001 | (17) | Music Scores by Tenney : "Improvisation" for 8 instruments | 1956 | |
1978-018/001 | (18) | Music Scores by Tenney : Improvisation for cello | 1956 | |
1978-018/001 | (19) | Music Scores by Tenney : Essay #1 for Ten Wind Instruments | 1955-1956 | |
1978-018/001 | (20) | Music Scores by Tenney : Essay #2 for chamber orchestra | [1956?] | |
1978-018/002 | (1) | Music Scores by Tenney : Essay #3 for Chamber Orchestra (printed) | 1957 | |
1978-018/002 | (2) | Music Scores by Tenney : Essay #3 for Chamber Orchestra | [1957] | |
1978-018/002 | (3) | Music Scores by Tenney : Essay #3 for Chamber Orchestra | 1957 | |
1978-018/002 | (4) | Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird, by Wallace Stevens, music by James Tenney | [ca. 1958] | |
1978-018/002 | (5) | Music Scores by Tenney : Thirteen Ways of Looking at a Blackbird (printed) | 1958 | |
1978-018/002 | (6) | Music Scores by Tenney : For viola | 1959 | |
1978-018/002 | (7) | Music Scores by Tenney : Monody for solo clarinet | 1959 | |
1978-018/002 | (8) | Music Scores by Tenney : Sonata for Nine Wind Instruments (printed) | 1959 | |
1978-018/002 | (9) | Music Scores by Tenney : Sonata for Nine Wind Instruments (printed with revisions) | 1959 | |
1978-018/002 | (10) | Music Scores by Tenney : Sonata for Nine Wind Instruments (manuscript and paste-up) | 1959 | |
1978-018/002 | (11) | Music Scores by Tenney : Sonata for Ten Wind Instruments | 1959-1960 | |
1978-018/002 | (12) | Music Scores by Tenney : Sonata for Ten Wind Instruments | 1959-1960 |
negs
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1978-018/002 | (13) | Music Scores by Tenney : String Quartet | 1960 | |
1978-018/002 | (14) | Music Scores by Tenney : Stockastic Quartet for Strings | 1963 | |
1978-018/002 | (15) | Music Scores by Tenney : For Varese | 1966 | |
1978-018/002 | (16) | Music Scores by Tenney : Rags -- original manuscripts (includes: Milk and Honey (Meille's Rag), Raggedy Ann, and Tangled Rag) | 1969 | |
1978-018/003 | (1) | Music Scores by Tenney : Postal pieces : sketches, proof, negatives | [197-] | |
1978-018/003 | (2) | Music Scores by Tenney : Quiet Fan for Erik Satie (1st. Version) | 1970 | |
1978-018/003 | (3) | Music Scores by Tenney : Maple Leaf for 13 Instruments | 1971 | |
1978-018/003 | (4) | Music Scores by Tenney : Canon for Bass Quartet | 1973 | |
1978-018/003 | (5) | Music Scores by Tenney : Phrygian Mode | 1973 | |
1978-018/003 | (6) | Music Scores by Tenney : Chorales for Orchestra (printed) | 1974 | |
1978-018/003 | (7) | Music Scores by Tenney : Three Harmonic Studies for Small Orchestra | 1974 | |
1978-018/003 | (8) | Music Scores by Tenney : Orchestral Study #1 ("The Creation Field") | 1974 | |
1978-018/003 | (9) | Music Scores by Tenney : Wake for Charles Ives | 1974 | |
1978-018/003 | (10) | Music Scores by Tenney : Crystal Canon for Edgard Varese, for four snare drums (drafts) | 1974-1975 | |
1978-018/003 | (11) | Music Scores by Tenney : Crystal Canon for Edgard Varese, for four snare drums | 1974-1975 | |
1978-018/003 | (12) | Music Scores by Tenney : Hocket for Henry Cowell, for four bass drums | 1975 | |
1978-018/003 | (13) | Music Scores by Tenney : Spectral Canon for Conlon Nancarrow (computer calculations) | 1975 | |
1978-018/003 | (14) | Music Scores by Tenney : Harmonium : York Ensemble version (hand written) | [ca. 1976] | |
1978-018/003 | (15) | Music Scores by Tenney : Harmonium #1 for large orchestra | 1976 | |
1978-018/003 | (16) | Music Scores by Tenney : Blues : first York version | 1976-1977 | |
1978-018/003 | (17) | Music Scores by Tenney : Chromatic Canon, Band, 'Hey, When I Sing this Song...' | 1980 | |
1978-018/004 | (1) | Music Scores by Tenney (oversize) : Beast for String Bass (transparency) | 1971 | |
1978-018/004 | (2) | Music Scores by Tenney (oversize) : Chorales for Orchestra | 1974 | |
1978-018/004 | (3) | Music Scores by Tenney (oversize) : Spectral Canon for Conlon Nancarrow -- for Harmonic Player Piano | 1974 | |
1978-018/004 | (4) | Music Scores by Tenney (oversize) : Chorale for Orchestra for Ann Holloway | 1974-1975 | |
1978-018/004 | (5) | Music Scores by Tenney (oversize) : String Complement (text) | 1964 | |
1978-018/004 | (6) | Music Scores by Tenney (oversize) : String Complement (pattern) | 1964 | |
1978-018/004 | (7) | Music Scores by Tenney (oversize) : String Complement (text and pattern in mirror image) | 1964 | |
1978-018/005 | (5) | Postal Pieces (printed cards) | 1954-1971 | |
1978-018/005 | (6) | In the Aeolian Mode | 1973 | |
1978-018/005 | (7) | Symphony for Woodwind Quintet and Tape-delay System | 1975 | |
1978-018/005 | (8) | Meta-Hodos | 1975 | |
1998-038/014 | (1) | Notes and computer outputs : New pieces, notes | 1968 | |
1998-038/014 | (2) | Notes and computer outputs : "Road to Ubud" | 1986 | |
1998-038/014 | (3) | Notes and computer outputs : "Road to Ubud," program | | |
1998-038/014 | (4) | Notes and computer outputs : "Bridge" programs | | |
1998-038/014 | (5) | Notes and computer outputs : Notes for "Bridge II," unfinished | 1984-1985 | |
1998-038/014 | (6) | Notes and computer outputs : "Pika-Don" | | |
1998-038/014 | (7) | Notes and computer outputs : "Rune" | [1988?] | |
1998-038/014 | (8) | Notes and computer outputs : Nexus composition, notes for "Rune" | [1988?] | |
1998-038/014 | (9) | Notes and computer outputs : "Stars," unfinished | [1985?] | |
1998-038/014 | (10) | Notes and computer outputs : Unfinished pieces | [1963-1964?] | |
1998-038/014 | (11) | Notes and computer outputs : Unfinished pieces, notes | | |
1998-038/014 | (12) | Notes and computer outputs : "Water on the Mountain...Fire in Heaven" | [1985?] | |
1998-038/014 | (13) | Notes and computer outputs : "Water on the Mountain...Fire in Heaven" | [1985?] | |
1998-038/015 | (1) | Notes and computer outputs : "Changes": 64 studies for six harps | 1985 | |
1998-038/015 | (2) | Notes and computer outputs : "Changes": 64 studies for harp sextet | 1985 | |
1998-038/015 | (3) | Notes and computer outputs : Early and obsolete notes Re: "Changes": 64 studies | | |
1998-038/015 | (4) | Notes and computer outputs : Later notes on "Changes": 64 studies for harp sextet | 1985 | |
1998-038/015 | (5) | Notes and computer outputs : Programs and data for "Changes": 64 studies for harp sextet | 1985 | |
1998-038/015 | (6) | Notes and computer outputs : Studies #1 and #2 | 1985 | |
1998-038/015 | (7) | Notes and computer outputs leading to study #3 using hexagrams 8 and 56 of "Changes" | 1985 | |
1998-038/015 | (8) | Notes and computer outputs : Study #4 | 1985 | |
1998-038/015 | (9) | Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes" | 1985 | |
1998-038/015 | (10) | Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes" | 1985 | |
1998-038/015 | (11) | Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes" | 1985 | |
1998-038/015 | (12) | Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes" | 1985 | |
1998-038/015 | (13) | Computer outputs leading to study #9 using hexagrams 36 and 29 of "Changes" | 1985 | |
1998-038/015 | (14) | Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes" | 1985 | |
1998-038/015 | (15) | Computer outputs leading to study #11 using hexagrams 25 and 62 of "Changes" | 1985 | |
1998-038/015 | (16) | Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes" | 1985 | |
1998-038/015 | (17) | Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes" | 1985 | |
1998-038/015 | (18) | Computer outputs leading to study #14 using hexagrams 11 and 32 of "Changes" | 1985 | |
1998-038/015 | (19) | Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes" | 1985 | |
1998-038/015 | (20) | Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes" | 1985 | |
1998-038/015 | (21) | Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes" | 1985 | |
1998-038/015 | (22) | Computer outputs leading to study #18 using hexagrams 7 and 22 of "Changes" | 1985 | |
1998-038/015 | (23) | Computer outputs leading to study #19 using hexagrams 5 and 42 of "Changes" | 1985 | |
1998-038/015 | (24) | Computer outputs leading to study #20 using hexagrams 14 and 6 of "Changes" | 1985 | |
1998-038/015 | (25) | Computer outputs leading to study #21 using hexagrams 20 and 44 of "Changes" | 1985 | |
1998-038/015 | (26) | Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes" | 1985 | |
1998-038/015 | (27) | Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes" | 1985 | |
1998-038/015 | (28) | Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes" | 1985 | |
1998-038/015 | (29) | Computer outputs leading to study #25 using hexagrams 54 and 8 of "Changes" | 1985 | |
1998-038/015 | (30) | Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes" | 1985 | |
1998-038/015 | (31) | Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes" | 1985 | |
1998-038/015 | (32) | Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes" | 1985 | |
1998-038/015 | (33) | Computer outputs leading to study #29 using hexagrams 6 and 35 of "Changes" | 1985 | |
1998-038/015 | (34) | Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes" | 1985 | |
1998-038/015 | (35) | Computer outputs leading to study #31 using hexagrams 46 and 11 of "Changes" | 1985 | |
1998-038/015 | (36) | Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes" | 1985 | |
1998-038/015 | (37) | Notes and computer outputs : Studies #33 and #34 | 1985 | |
1998-038/015 | (38) | Notes and computer outputs : Studies #35 and #36 | 1985 | |
1998-038/015 | (39) | Notes and computer outputs : Studies #37 and #38 | 1985 | |
1998-038/016 | (1) | Computer Outputs, "Changes", Studies #39 and #40 | 1985 | |
1998-038/016 | (2) | Computer Outputs, "Changes", Studies #41 and #42 | 1985 | |
1998-038/016 | (3) | Computer Outputs, "Changes", Studies #43 and #44 | 1985 | |
1998-038/016 | (4) | Computer Outputs, "Changes", Studies #45 and #46 | 1985 | |
1998-038/016 | (5) | Computer Outputs, "Changes", Studies #47 and #48 | 1985 | |
1998-038/016 | (6) | Computer Outputs, "Changes", Studies #49 and #50 | 1985 | |
1998-038/016 | (7) | Computer Outputs, "Changes", Studies #51 and #52 | 1985 | |
1998-038/016 | (8) | Computer Outputs, "Changes", Studies #53 and #54 | 1985 | |
1998-038/016 | (9) | Computer Outputs, "Changes", Studies #55 and #56 | 1985 | |
1998-038/016 | (10) | Computer Outputs, "Changes", Studies #57 and #58 | 1985 | |
1998-038/016 | (11) | Computer Outputs, "Changes", Studies #59 and #60 | 1985 | |
1998-038/016 | (12) | Computer Outputs, "Changes", Studies #61 and #62 | 1985 | |
1998-038/016 | (13) | Computer Outputs, "Changes", Studies #63 and #64 | 1985 | |
1998-038/017 | (1) | Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc. | 1963-1982 | |
1998-038/017 | (2) | Computer Outputs, TPC "Spectrum 1" notes | | |
1998-038/017 | (3) | Computer Outputs, "Spectrum 2" | | |
1998-038/017 | (4) | Computer Outputs, "Spectrum 1" | | |
1998-038/017 | (5) | Computer Outputs, "Spectrum 2" DPC | | |
1998-038/017 | (6) | Computer Outputs, "Spectrum 3" | | |
1998-038/017 | (7) | Computer Outputs, "Spectrum 4" | | |
1998-038/017 | (8) | Computer Outputs, Used for "Spectrum 4" | | |
1998-038/017 | (9) | Computer Outputs, "Spectrum 4," "Maarten Altena Ensemble" | | |
1998-038/017 | (10) | Computer Outputs, "Spectrum 5" | | |
1998-038/017 | (11) | Computer Outputs, Cosine graphing for "Spectrum" | | |
1998-038/017 | (12) | Computer Outputs, "Tableaux Vivants" print-out | 1990 | |
1998-038/017 | (13) | Computer Outputs, "Tableaux" programs | | |
1998-038/018 | (1) | Scores, Sketches and Notes : Compositions | 1954-1973 | |
1998-038/018 | (2) | Scores, Sketches and Notes : 1959 "Monody" for solo clarinet negatives; 1974 part for arr. of "Tangled Rag" | 1959, 1974 | |
1998-038/018 | (3) | Scores, Sketches and Notes : String quartet notes, in memoriam for Morton Feldman, unfinished, not "Koan" | | |
1998-038/018 | (4) | Scores, Sketches and Notes : "Sneezles" | 1985/1995 | |
1998-038/018 | (5) | Scores, Sketches and Notes : Notes for the "Road to Ubud" | 1986 | |
1998-038/018 | (6) | Scores, Sketches and Notes : Programs and output for "Bridge" | [1982-1984?] | |
1998-038/018 | (7) | Scores, Sketches and Notes : Notes for "Glissade" | | |
1998-038/018 | (8) | Scores, Sketches and Notes : Notes for "Tableaux Vivants" | | |
1998-038/018 | (9) | Scores, Sketches and Notes : "Tableaux Vivants" for the ensemble "Sound Pressure" | | |
1998-038/019 | (1) | Scores : "Orchestra Chorales #'s 1-6"? | | |
1998-038/019 | (2) | Scores : "Chorales for Orchestra" | [1974-1975?] | |
1998-038/019 | (3) | Scores : Old "Chorales for Percussion" | [1973?] | |
1998-038/019 | (4) | Scores : "Symphony for Wind Quintet and Tape-delay System"; "Symphony for Saxophone Player with Tape Loop"; plans to write a family composition | [1975?] | |
1998-038/019 | (5) | Scores : "Clang I", Clang II", "Clang III"? | | |
1998-038/019 | (6) | Scores : "Essay #3", "Italy" | 1957 | |
1998-038/019 | (7) | Scores : "Seeds" | 1956-1962 | |
1998-038/020 | (1) | Scores : "Harmonium #2" and "(Harmonium) #3" | [1975-1977?] | |
1998-038/020 | (2) | Scores : Early notes and drafts of "3 Indigenous Songs" | [1972-1976?] | |
1998-038/020 | (3) | Scores : "General William Booth Enters Into Heaven" by Charles Ives; arr. for orchestra by James Tenney | | |
1998-038/021 | (1) | Scores : String parts of "Listen..." | | |
1998-038/021 | (2) | Scores : "Stoptime Rag" | 1973 | |
1998-038/021 | (3) | Scores : Larry's transparent copy of "Tangled Rag" | 1969 | |
1998-038/021 | (4) | Scores : "Seeds" C. S. (Carolee Schneemann) cover | 1956-1960 | |
1998-038/021 | (5) | Scores : Arr. prelude #24 in B minor from "The Well-Tempered Clavier" | | |
1998-038/021 | (6) | Scores : "Essay for 10 Wind Instruments" by James Tenney | 1956 | |
1998-038/021 | (7) | Scores : "Essay #3 for Chamber Orchestra" | 1957 | |
1998-038/021 | (8) | Scores : "Band" | 1980 | |
1998-038/021 | (9) | Scores : "#2 for Harmonic Player Piano" and sketches | 1974 | |
1998-038/021 | (10) | Scores : "In the Lydian Mode" | 1971 | |
1998-038/021 | (11) | Scores : "Orchestra piece", "Harmonium" | | |
1998-038/021 | (12) | Scores : Drand - 88? | 1967 | |
1998-038/021 | (13) | Scores : Drand? | 1967 | |
1998-038/021 | (14) | Scores : "Music for Player Piano #1" | January 21, 1964 | |
1998-038/022 | (1) | Scores : "Changes" #1-16, harp 1 | | |
1998-038/022 | (2) | Scores : "Changes" #1-16, harp 2 | | |
1998-038/022 | (3) | Scores : "Changes" #1-16, harp 3 | | |
1998-038/023 | (1) | Scores : "Changes" #1-16, harp 4 | | |
1998-038/023 | (2) | Scores : "Changes" #1-16, harp 5 | | |
1998-038/023 | (3) | Scores : "Changes" #1-16, harp 6 | | |
1998-038/050 | (1) | "Music for Player Piano" : original piano roll by James Tenney | | |
2000-045/003 | (2) | [Close #1] | 1999 | |
2000-045/003 | (3) | [Cognate, canons, aggregates, pitches] | 1999 | |
2000-045/003 | (4) | Esprit/Evergreen | 2000 | |
2000-045/003 | (5) | Seegersong #1 for solo clarinet or bass clarinet | October 23, 1999 | |
2000-045/003 | (6) | Seegersong #2 for solo flute or alto flute | October 24, 1999 | |
2000-045/003 | (7) | Writings by Tenney | | |
2000-045/003 | (8) | "Two Pianos," used for Ergados III | 1999 | |
2000-045/003 | (9) | Evergreen/Esprit, Gamelan/Orchestra | 2000 | |
2000-045/003 | (10) | Partch project | 1999 | |