Call Number:
|
File:
|
Title:
|
Date(s):
|
Note:
|
|
| 1994-039/020 | (1) | "Angie I Says" by Todd Graff | | |
| 1994-039/020 | (2) | "Anchor Zone", a Feature Film by T.H. Hatte (Red Ochre Productions) | | |
| 1994-039/020 | (3) | "At Large", Written by Barry Morrow (Tri-Star Pictures) | October 28, 1993 | |
| 1994-039/020 | (4) | "Broken Promise", by Sharon Riis, (First Draft) | | |
| 1994-039/020 | (5) | "By the Sea of Crystal", by Paul Shrader, (First Draft) | February 1, 1993 | |
| 1994-039/020 | (6) | "Celia, a Slave", a Screenplay by Peter Prince (Baltimore Pictures) | May 1994 | |
| 1994-039/021 | (1) | "The Colour of Heaven" by Clyde Hayes, (Paradigm) | | |
| 1994-039/021 | (2) | "Copycat", Rewrite by Ann Biderman | April 14, 1993 | |
| 1994-039/021 | (3) | "The Crowded Room" (First Draft) | November 19, 1990 | |
| 1994-039/021 | (4) | "Cryin' Not To Whine" by C. Gaby Mitchell, (Colombia Pictures) | November 9, 1992 | |
| 1994-039/021 | (5) | "The Cure" by Robert Kuhn | | |
| 1994-039/021 | (6) | "Dead Sleep", by Scott Fields and John Stockwell, Rewrite by Amy "Holden Jones" | March 27, 1994 | |
| 1994-039/021 | (7) | "The Deep End", Screenplay by Roger Towne; (Sixth Draft) | December 2, 1993 | |
| 1994-039/022 | (1) | "The Director" by Larry and Paul Barber, (First Draft) | September 28, 1993 | |
| 1994-039/022 | (2) | "Don Quixote", Written by Waldo Salt, revised by Susan Shilliday, (Second Draft) | February 27, 1994 | |
| 1994-039/022 | (3) | "Eye for an Eye", by Amanda Silver and Rick Jaffa | September 30, 1994 | |
| 1994-039/022 | (4) | "Firefront", Screenplay by Marc Strange, (Fourth Draft) | January 29, 1993 | |
| 1994-039/022 | (5) | "The Forget-Me-Not" by C. Gaby Mitchell | | |
| 1994-039/022 | (6) | "Freak City", Screenplay by Jane Shepard | July 1994 | |
| 1994-039/022 | (7) | "The Ghost and the Darkness", Screenplay by William Goldman (First Draft) | January 1990 | |
| 1994-039/022 | (8) | "Goalie", Written by Jarre Fees (First Draft) | April 18, 1994 | |
| 1994-039/023 | (1) | "Grosse Pointe Blank" by Tom Jankiewicz, (First Draft), revised by "D.V. deVincentis", S.K. Boatman and John Cusack | May 4, 1994 | |
| 1994-039/023 | (2) | "The Gulf", Screenplay by Tom Epperson and Billy Bob Thorton | September 9, 1994 | |
| 1994-039/023 | (3) | "In Nomine Dei", a Screenplay by Laeta Kalogridos (First Revision) | July 29, 1994 | |
| 1994-039/023 | (4) | "The Initiation of Adrian Pope", Original Story and Screenplay by David Cambel, (Power Pictures Production) | | |
| 1994-039/023 | (5) | "Ironman", a Novel by Chris Cutcher (Pleshette & Green Literary Agency) | | |
| 1994-039/023 | (6) | "John Q", Screenplay by James Kearns (Columbia Pictures) | | |
| 1994-039/023 | (7) | "Little Women" (First Draft) | | |
| 1994-039/024 | (1) | "Love Letters", Based on the play by A. R. Gurney (Third Revision) | March 22, 1994 | |
| 1994-039/024 | (2) | "Marvin's Room" by Scott McPherson | June 22, 1992 | |
| 1994-039/024 | (3) | "Marvin's Room" by Scott McPherson | | |
| 1994-039/024 | (4) | "Mentir", scenario et dialogues par Michelle Allen, (Deuxieme Version Dialoguee), avril 1994 | April 1994 | |
| 1994-039/024 | (5) | "Mr. Herrick's Opus", Written by Patrick Duncan, (First Draft), revised | June 9, 1993 | |
| 1994-039/024 | (6) | "The Mitchell Brothers", Screenplay by Henry Bean | February 14, 1994 | |
| 1994-039/024 | (7) | "Mulholland Falls", by Pete Dexter, revised by Henry Bean | July 21, 1994 | |
| 1994-039/024 | (8) | "The Murderer Next Door" by Rafeal Yglesias, (Second Draft) | September 17, 1993 | |
| 1994-039/025 | (1) | "The Net" by Ferris/Brancato and W.F. McCowkler | April 14, 1994 | |
| 1994-039/025 | (2) | "Nickel and Dime", Story by Pen Densham, Screenplay by Garry Williams | April 7, 1994 | |
| 1994-039/025 | (3) | "Night and Fog" by Bill Penner and Jim Read | October 31, 1993 | |
| 1994-039/025 | (4) | "Night Callings", by Norman Morrill and Tim Kring | July 7, 1992 | |
| 1994-039/025 | (5) | "The Northern Lights", Written by John Robert and Kevin Kane | April 15, 1994 | |
| 1994-039/025 | (6) | "Old Friends" by Mark Andrus (Second Draft) | November 9, 1993 | |
| 1994-039/025 | (7) | "The Only Game for Grown-Ups", Written by Audrey Wells | December 3, 1993 | |
| 1994-039/025 | (8) | "Paint Me A Picture", Screenplay by David Young (Second Draft) | 1993 | |
| 1994-039/026 | (1) | "A Philosophical Investigation", Screenplay by James Dearden (Second Draft) | September 1, 1994 | |
| 1994-039/026 | (2) | "Poodle Strings", Screenplay by Jocelyn Moorhouse (Revised Second Draft) | April 1994 | |
| 1994-039/026 | (3) | "Prime Suspect", by Tom Topor (Revised Second Draft) | August 23, 1993 | |
| 1994-039/026 | (4) | "The Princess", by Camille Thomasson, (First Draft) | | |
| 1994-039/026 | (5) | "Reach for the Sun", Written by Anthony W. Lanza (First Draft) | | |
| 1994-039/026 | (6) | "Reach for the Sun", Written by Anthony W. Lanza (? Draft) | | |
| 1994-039/026 | (7) | "Regeneration", Screenplay by Allan Scott | | |
| 1994-039/026 | (8) | "Renaissance Man" by Jim Burnstein, revised by Nat Mauldin | August 2, 1993 | |
| 1994-039/027 | (1) | "Rescue Me" by Ann Biderman | | |
| 1994-039/027 | (2) | "Shakespeare's Sister", by Rick Ramage, (Interscope Communications) | July 7, 1994 | |
| 1994-039/027 | (3) | "Shelter", Screenplay by Jeffrey Abrams and David Klass | July 29. 1994 | |
| 1994-039/027 | (4) | "Slow Waltz in Cedar Bend", Screenplay by Eric Roth (Second Draft) | June 28, 1994 | |
| 1994-039/027 | (5) | "Snow White in the Black Forest", Screenplay by Tom Szollosi (Second Draft) | July 29, 1993 | |
| 1994-039/027 | (6) | "Stanley and the Boys", Screenplay by Van Pornaras (First Draft Revised) | January 10, 1994 | |
| 1994-039/027 | (7) | "Sweet Auntie Rose" by Peter Martin Wortmann and Robert Conte (First Draft) | February 14, 1994 | |
| 1994-039/028 | (1) | "Three Card Monte", Written by Tommy Swerdlow and Michael Goldberg | April 27, 1994 | |
| 1994-039/028 | (2) | "Time Files" by Alvin Sargent | July 8, 1994 | |
| 1994-039/028 | (3) | "Used People" by Todd Graff, revised | April 23, 1991 | |
| 1994-039/028 | (4) | "The Vestal Virgin Room" by Seth E. Bass and Jonathan Tolins (First Draft) | December 20, 1993 | |
| 1994-039/028 | (5) | "When She Was Good", by Amy Holden Jones | February 17, 1994 | |
| 1994-039/028 | (6) | "Worlds Apart", Screenplay by Robert Nelson Jacobs | | |
| 1994-039/028 | (7) | "Yamashita's Gold", Written by Deric Washburn | October 9, 1989 | |
| 1994-039/028 | (8) | "The Year of Frank Sinatra" by Janet Brownell | July 18, 1994 | |
| 1998-012/010 | (23) | Tamara -- Screenplay | | |
| 1998-012/010 | (24) | God's Medicine -- Screenplay | | |
| 1998-012/010 | (25) | Strangers -- Screenplay | | |
| 1998-012/010 | (26) | Force-Majeure -- Screenplay | | |
| 1998-012/010 | (27) | The Libido Factor -- Screenplay | | |
| 1998-012/010 | (28) | By the Sea of Crystal -- Screenplay | | |
| 1998-012/010 | (29) | Lie Detector -- Screenplay (2 copies) | | |
| 1998-012/010 | (30) | The Deep End -- Screenplay | | |
| 1998-012/010 | (31) | Arbus in Wonderland -- Screenplay | | |
| 1998-012/010 | (32) | Dexterity -- Screenplay | | |
| 1998-012/011 | (1) | The Day of the Jackal -- Screenplay | | |
| 1998-012/011 | (2) | Josiah's Canon -- Screenplay (2 copies) | | |
| 1998-012/011 | (3) | Dexterity -- Screenplay (another copy) | | |
| 1998-012/011 | (4) | Contact -- Screenplay | | |
| 1998-012/011 | (5) | US Marshals -- Screenplay | | |
| 1998-012/011 | (6) | Juliana Pastrana -- Screenplay | | |
| 1998-012/011 | (7) | Dmitriana -- Screenplay | | |
| 1998-012/011 | (8) | By the Sea of Crystal -- Screenplay (2 copies) | | |
| 1998-012/011 | (9) | The Sleep Room (part 1) -- Screenplay | | |
| 1998-012/011 | (10) | Elizabeth I -- Screenplay | | |
| 1998-012/011 | (11) | Girl Interrupted -- Screenplay | | |
| 1998-012/011 | (12) | One Golden Afternoon -- Screenplay | | |
| 1998-012/011 | (13) | Shields Green -- Screenplay | | |
| 1998-012/011 | (14) | Hot Zone -- Screenplay | | |
| 1998-012/011 | (15) | To Brave Every Danger -- Novel | | |
| 1998-012/011 | (16) | Voices in the Dark -- Screenplay | | |
| 1998-012/011 | (17) | Justice - Screenplay | | |
| 1998-012/011 | (18) | John Q. - Screenplay | | |
| 1998-012/011 | (19) | The Lion Sleeps -- Screenplay | | |
| 1998-012/011 | (20) | Devil Boys -- Screenplay | | |
| 1998-012/011 | (21) | The Stone Diaries -- Screenplay | | |
| 1998-012/012 | (1) | Seconds -- Screenplay | | |
| 1998-012/012 | (2) | Alicia's Book -- Screenplay | | |
| 1998-012/012 | (3) | The Good Citizen -- Screenplay (2 copies) | | |
| 1998-012/012 | (4) | Curtain Call -- Screenplay | | |
| 1998-012/012 | (5) | Arkansas -- Screenplay | | |
| 1998-012/012 | (6) | Yellow -- Screenplay | | |
| 1998-012/012 | (7) | Love of Seven Dolls -- Novel | | |
| 1998-012/012 | (8) | Girlie Night -- Screenplay (2 copies) | | |
| 1998-012/012 | (9) | the little things... -- Screenplay (2 copies) | | |
| 1998-012/012 | (10) | The Red Corner -- Screenplay | | |
| 1998-012/012 | (11) | Slay the Dreamer -- Screenplay | | |
| 1998-012/012 | (12) | The Moonflower Vine -- Fiction | | |
| 1998-012/012 | (13) | Random Passage -- Script and Treatments | | |
| 1998-012/012 | (14) | The Secret Lives of Dentists -- Screenplay | | |
| 1998-012/012 | (15) | Miscellaneous Lives -- Screenplay | | |
| 1998-012/012 | (16) | Amazing Grace -- Screenplay | | |
| 1998-012/012 | (17) | The Replacement -- Screenplay | | |
| 1998-012/012 | (18) | Family Dancing -- Screenplay (2 copies) | | |
| 1998-012/012 | (19) | Family Dancing -- Screenplay (3rd copy) | | |
| 1998-012/012 | (20) | Everyday -- Screenplay | | |
| 1998-012/013 | (1) | Vigilance -- Screenplay | | |
| 1998-012/013 | (2) | Marlowe -- Screenplay (2 copies) | | |
| 1998-012/013 | (3) | The Murderer Next Door -- Screenplay | | |
| 1998-012/013 | (4) | Heaven Can't Wait -- Screenplay | | |
| 1998-012/013 | (5) | Heaven Can't Wait -- Screenplay (2nd copy) | | |
| 1998-012/013 | (6) | Halfback -- Screenplay | | |
| 1998-012/013 | (7) | The Cider House Rules -- Screenplay | | |
| 1998-012/013 | (8) | Safecracker -- Screenplay | | |
| 1998-012/013 | (9) | The Ashley Gang -- Screenplay | | |
| 1998-012/013 | (10) | Affirmative Action -- Screenplay (2 copies) | | |
| 1998-012/013 | (11) | The Voyage of Naparina -- Screenplay | | |
| 1998-012/013 | (12) | The Voyage of Naparina -- Screenplay (2nd copy) | | |
| 1998-012/013 | (13) | Celtic Fury -- Screenplay | | |
| 1998-012/013 | (14) | The Antwone Fisher Story -- Screenplay | | |
| 1998-012/013 | (15) | Screenplay -- Fragment | | |
| 1998-012/013 | (16) | Broken Promise -- Screenplay | | |
| 1998-012/013 | (17) | Doublures -- Screenplay | | |
| 1998-012/013 | (18) | Big Bear -- Screenplay and Notes | | |
| 1998-012/014 | (1) | The Nor'westers -- Screenplay | | |
| 1998-012/014 | (2) | Caprice -- Screenplay | | |
| 1998-012/014 | (3) | Les gratte-ciels d'Ahuntsic -- Summary (Eng. copy too) | | |
| 1998-012/014 | (4) | Playing it Close -- Screenplay | | |
| 1998-012/014 | (5) | Playing it Close -- Screenplay (2nd copy) | | |
| 1998-012/014 | (6) | Billy Victor -- Screenplay (2 copies) | | |
| 1998-012/014 | (7) | Big Bear -- Screenplay | | |
| 1998-012/014 | (8) | The Corner -- Notes | | |
| 1998-012/014 | (9) | Big Bear -- Screenplay | | |
| 1998-012/014 | (10) | Big Bear -- Screenplay | | |
| 1998-012/014 | (11) | Pierre's Script | | |
| 1998-012/014 | (12) | Big Bear -- News Articles | | |
| 1998-012/014 | (13) | Earthrise -- People and Personnel | | |
| 1998-012/014 | (14) | Acadian Expression -- Sound and Camera reports | | |
| 1998-012/014 | (15) | Front and Center -- Screenplay | | |
| 1998-012/014 | (16) | Doctor Barnaville -- Screenplay | | |
| 1998-012/014 | (17) | Tucson or Bust -- Screenplay | | |
| 1998-012/014 | (18) | A Cool Dry Place -- Screenplay (2 copies) | | |
| 1998-012/015 | (1) | A Cool Dry Place -- Screenplay (2 copies) | | |
| 1998-012/015 | (2) | A Cool Dry Place -- Screenplay (2 copies) | | |
| 1998-012/015 | (3) | The Day-Glo Communique -- Screenplay | | |
| 1998-012/015 | (4) | Revolution's Orphans -- Screenplay and Notes | | |
| 1998-012/015 | (5) | The Good Citizen -- Screenplay (2 copies) | | |
| 1998-012/016 | (1) | "Dangerous Minds", Michelle Pfeiffer, Directed by John Smith | | |
| 1998-012/016 | (2) | "Sugartime", HBO Pictures Presents....., Directed by John N. Smith | | |
| 2001-030/008 | (9) | Two Worlds: George Wexler and Sam Grana | | |
| 2001-030/008 | (10) | Vow of Silence: Jennifer Evans Gardner | | |