Call Number:
|
File:
|
Title:
|
Date(s):
|
Note:
|
|
| 1994-039/001 | (1) | "The Boys of St. Cashel", Newfoundland Project, Story, Time Lines, Scenes, (First Draft) | | |
| 1994-039/001 | (2) | "The Boys of St. Cashel", Incomplete Draft Synopsis | March 30, 1990 | |
| 1994-039/001 | (3) | "The Boys of St. Cashel", Story Outline For a Film | April 1990 | |
| 1994-039/001 | (4) | "Les Garcons de Mount Cashel", Synopsis, le 15 avril, 1990 | April 15, 1990 | |
| 1994-039/001 | (5) | "The Boys of St. Cashel", Story Outline, (First Revision) | June 1990 | |
| 1994-039/001 | (6) | "The Boys of St. Cashel", Screenplay, (First Draft) | July 1990 | |
| 1994-039/001 | (7) | "The Boys of St. Cashel -- 15 Years Later", Story Outline, (First Draft) | October 1990 | |
| 1994-039/001 | (8) | "The Boys of St. Vincent", Part One, Screenplay, (Third Draft) | March 1991 | |
| 1994-039/001 | (9) | "The Boys of St. Vincent", Part One, Screenplay, (Fourth Draft) | May 1991 | |
| 1994-039/001 | (10) | "The Boys of St. Vincent", Part One, Screenplay, (Fifth Draft) | June 1991 | |
| 1994-039/001 | (11) | "The Boys of St. Vincent", Part One, Screenplay, (Sixth Draft) | June 1991 | |
| 1994-039/002 | (1) | "The Boys of St. Vincent", Part One, Screenplay, (Seventh Draft) | July 1991 | |
| 1994-039/002 | (2) | "The Boys of St. Vincent", Part One, Screenplay, (Eighth Draft) | July 1991 | |
| 1994-039/002 | (3) | "The Boys of St. Vincent", Part One, Screenplay, (Ninth Draft) | August 1991 | |
| 1994-039/002 | (4) | "The Boys of St. Vincent", Part One, Screenplay, (Ninth Draft, First Revision) | October 1991 | |
| 1994-039/002 | (5) | "The Boys of St. Vincent", Part One, Screenplay, (Ninth Draft, Second Revision) | October 1991 | |
| 1994-039/002 | (6) | "The Boys of St. Vincent", Part One, Screenplay, (Tenth Draft) | October 1991 | |
| 1994-039/002 | (7) | "The Boys of St. Vincent", Part One, (Script Revisions) | November 6, 1991 | |
| 1994-039/002 | (8) | "The Boys of St. Vincent", Part One, (Script Revisions) | November 8, 1991 | |
| 1994-039/002 | (9) | "The Boys of St. Vincent", Part One, (Script Revisions) | November 11, 1991 | |
| 1994-039/002 | (10) | "The Boys of St. Vincent", Part One, (Script Revisions and Related Notes) | December 1991 | |
| 1994-039/002 | (11) | "The Boys of St. Vincent", Part One, Screenplay, (Eleventh Draft) | January 1992 | |
| 1994-039/002 | (12) | "The Boys of St. Vincent", Part One, Plan B, Screenplay (First Draft) | January 1992 | |
| 1994-039/002 | (13) | "The Boys of St. Vincent", Screenplay | | |
| 1994-039/003 | (1) | "The Boys of St. Vincent - 15 Years Later", Story for a Film, (First Draft) | October 1990 | |
| 1994-039/003 | (2) | "The Boys of St. Vincent -- 15 Years Later", Screenplay, (First Draft) | January 1991 | |
| 1994-039/003 | (3) | "The Boys of St. Vincent -- 15 Years Later", Part One, Plan B, Screenplay, (First Draft) | January 1991 | |
| 1994-039/003 | (4) | "The Boys of St. Vincent -- 15 Years Later", Screenplay, (Third Draft) | July 1991 | |
| 1994-039/003 | (5) | "The Boys of St. Vincent -- 15 Years Later", Screenplay, (Fifth Draft) | August 1991 | |
| 1994-039/003 | (6) | "The Boys of St. Vincent -- 15 Years Later", Screenplay, (Sixth Draft) | September 1991 | |
| 1994-039/003 | (7) | "The Boys of St. Vincent -- 15 Years Later", Screenplay, (Seventh Draft) | September 1991 | |
| 1994-039/003 | (8) | "The Boys of St. Vincent -- 15 years Later", Screenplay, (Eighth Draft) | January 1992 | |
| 1994-039/003 | (9) | "The Boys of St. Vincent -- 15 Years Later", Screenplay, (Ninth Draft) | January 1992 | |
| 1994-039/003 | (10) | "The Boys of St. Vincent -- 15 Years Later", Screenplay, (Tenth Draft) | January 1992 | |
| 1994-039/003 | (11) | "The Boys of St. Vincent -- 15 Years Later", Screenplay, (Eleventh Draft) | January 1992 | |
| 1994-039/004 | (1) | Notebooks, (1. Brief Notes, November 1990 - April 1991; 2. Messages, Contacts, and Memos) | November 1990-April 1991 | |
| 1994-039/004 | (2) | "The Boys of St. Vincent", Second Draft Notes, Full Assembly, Reels 1-6 | | |
| 1994-039/004 | (3) | "The Boys of St. Vincent", Ninth Draft Notes (Rough) | | |
| 1994-039/004 | (4) | Typed Notes on Various Scenes and Outlines | | |
| 1994-039/004 | (5) | Handwritten Notes on Various Scenes (Rough) | | |
| 1994-039/004 | (6) | John Smith's Expenses (Hotel) | | |
| 1994-039/004 | (7) | Financial Arrangements | March-April 1993 | |
| 1994-039/004 | (8) | Legal Appeal (Restraining the Broadcasting of "The Boys of St. Vincent" in Canada) | December 15, 1992 | |
| 1994-039/004 | (9) | Photographs on the set (John Smith) | | |
| 1994-039/004 | (10) | Possible Title Arrangements | July 1992 | |
| 1994-039/004 | (11) | Scene Cards | | |
| 1994-039/004 | (12) | Breakdown Chart for the Different Scenes | January-February 1992 | |
| 1994-039/004 | (13) | Shot List | November 11, 1991 | |
| 1994-039/004 | (14) | Chronologies (Shots) | November 11, 1991 | |
| 1994-039/004 | (15) | Partial Shooting Schedule | January 1992 | |
| 1994-039/004 | (16) | Production Reports and Shooting Schedules, Including Notes | January-February 1992 | |
| 1994-039/004 | (17) | Casting, (Montreal and St. John) | November 1991 | |
| 1994-039/004 | (18) | Casting Notes and Memos | | |
| 1994-039/004 | (19) | Contact List | | |
| 1994-039/005 | (1) | Call Sheets and Schedules | | |
| 1994-039/005 | (2) | John Smith, National Film Board, Interview with D. O'Brien, Re: Mount Cashel (Transcript) | | |
| 1994-039/005 | (3) | "The Boys of St. Vincent", Part One, Transcript | September 1992 | |
| 1994-039/005 | (4) | "The Boys of St. Vincent", Incomplete Transcript | October 1992 | |
| 1994-039/005 | (5) | "The Boys of St. Vincent", Incomplete Transcript | January 1992 | |
| 1994-039/005 | (6) | Transcript of Therapy Session (Psy and Pretre) | | |
| 1994-039/005 | (7) | National CBC Broadcast of "The Boys of St. Vincent", Information Folder, Includes: Production/Cast Biographies, Press Releases, Credits, Production Notes etc. | | |
| 1994-039/005 | (8) | "The Boys of St. Vincent", Publicity Reports | | |
| 1994-039/005 | (9) | Press and Media Reports | | |
| 1994-039/005 | (10) | Umbrification TV 93, Festivale Internazionale: "The Boys of St. Vincent" Advertisement and Summary | | |
| 1994-039/005 | (11) | Film Festivals | | |
| 1994-039/005 | (12) | Info-Film, Volume 7 & 8 | September 1993 | |
| 1994-039/005 | (13) | Sequences, juillet-aout 1993 | July-August 1993 | |
| 1994-039/005 | (14) | Variety | January 18, 1993 | |
| 1994-039/005 | (15) | Magazines and TV Guides | | |
| 1994-039/005 | (16) | Newspaper Articles | | |
| 1994-039/005 | (17) | Photocopied Articles | | |
| 1994-039/005 | (18) | Communication Regarding Legal Aspects | | |
| 1994-039/005 | (19) | Correspondence/Communication Regarding Grievance of Des Walsh | | |
| 1994-039/005 | (20) | Correspondence Regarding "The Boys of St. Vincent" and "Welcome to Canada" | | |
| 1994-039/005 | (21) | Congratulatory Letter from the Governor General, to John Smith and Everyone Involved with "The Boys of St. Vincent", for Winning the Grand Prize at the Banff International Television Festival | | |
| 1994-039/005 | (22) | General Correspondence | | |
| 1994-039/006 | (1) | Related Correspondence and Memos | | |
| 1994-039/006 | (2) | Miscellaneous Memos and Letters | | |
| 1994-039/006 | (3) | Research Material: Rosary and Prayer | | |
| 1994-039/006 | (4) | Research Material: Constitutions of the Congregation of the Brothers of the Christian Schools of Ireland | | |
| 1994-039/006 | (5) | Constitutions, Chapters 1-6, Congregation of Christian Brothers | | |
| 1994-039/006 | (6) | Research Material: Journey into a New Century, The History of the Apostale of the Irish Christian Brothers in Canada | | |
| 1994-039/006 | (7) | Research Material: The Christian Brothers of Ireland in Canada | | |
| 1994-039/006 | (8) | Research Material: Catechism | | |
| 1994-039/006 | (9) | Research Material: Christian Brothers of Ireland in Canada, (Article One) | 1951 | |
| 1994-039/006 | (10) | Research Material: Christian Brothers of Ireland in Canada, (Article Two) | 1951 | |
| 1994-039/006 | (11) | Research Material: Sexual Abuse in the Church | | |
| 1994-039/006 | (12) | Research Material: In Need of Protection, Children and Youth in Alberta | | |
| 1994-039/006 | (13) | Research Material: Children's Rights and Responsibilities | | |
| 1994-039/006 | (14) | Research Material: Booklet of Children's Rights | | |
| 1994-039/007 | (1) | Research Material: Canadian Press Newswire, (Archival) | January 1, 1988-November 31, 1989 | |
| 1994-039/007 | (2) | Research Material: International Events | October-December 1975 | |
| 1994-039/007 | (3) | Report of the Provincial, Paul K. Hennessy, C. F. C. to the Provincial Chapter | June 28, 1989 | |
| 1994-039/007 | (4) | Research Material: Organization of the Department of Social Services and Rehabilitation | | |
| 1994-039/007 | (5) | Research Material: Christian Brothers Jubilee (Incomplete) | | |
| 1994-039/007 | (6) | Research Material: Sex and the Confessional | | |
| 1994-039/007 | (7) | Research Material: Sex in the World's Religions | | |
| 1994-039/007 | (8) | Research Material: Gay and Lesbian Identity | | |
| 1994-039/007 | (9) | Research Material: Clergy and Religious Exposed to Aids | | |
| 1994-039/007 | (10) | Research Material: The Supreme Court of Newfoundland Trial Division | | |
| 1994-039/007 | (11) | Newfoundland Constabulary, Annual Report | 1975 | |
| 1994-039/007 | (12) | Research Material: Police Procedures | | |
| 1994-039/007 | (13) | Research Material: Notes for the Preliminary Inquiries of Alan Ralph and Kevin Short | | |
| 1994-039/007 | (14) | Research Material: Court Transcript, p. 11-153 | | |
| 1994-039/007 | (15) | Research Material: Legal Information | October 1989 | |
| 1994-039/007 | (16) | Research Material: Notes made by John Smith | | |
| 1994-039/007 | (17) | Research Material: Parts of a Book, No Date, No Title | | |
| 1994-039/007 | (18) | Research Material: Various News Clippings | | |
| 1994-039/007 | (19) | Research Material: Miscellaneous Articles and Typed Notes | | |
| 1994-039/007 | (20) | Research Material: Various Articles and Papers | | |
| 1994-039/008 | (1) | "Dieppe", Part One, Screenplay (First Draft) | February 3, 1991 | |
| 1994-039/008 | (2) | "Dieppe", Part One, Screenplay (Second Draft) | April 26, 1991 | |
| 1994-039/008 | (3) | "Dieppe", Part Two, Screenplay (Second Draft) | June 1991 | |
| 1994-039/008 | (4) | "Dieppe", Part One, Screenplay (Third Draft) | August 1991 | |
| 1994-039/008 | (5) | "Dieppe", Part Two, Screenplay, (Third Draft) | August 1991 | |
| 1994-039/008 | (6) | "Dieppe", Part One, Screenplay (Revised Third Draft) | September 1991 | |
| 1994-039/009 | (1) | "Dieppe", Part Two, Screenplay (Revised Third Draft) | September 1991 | |
| 1994-039/009 | (2) | "Dieppe", Screenplay (BZ Draft) | January 1992 | |
| 1994-039/009 | (3) | "Dieppe", Screenplay (Fourth Draft) | February 3, 1992 | |
| 1994-039/009 | (4) | "Dieppe", Screenplay (Fifth Draft) | April 1992 | |
| 1994-039/009 | (5) | "Dieppe", Part One, Screenplay (Sixth Draft) | February 1993 | |
| 1994-039/009 | (6) | "Dieppe", Screenplay (Rough Seventh Draft) | February 1993 | |
| 1994-039/009 | (7) | "Dieppe", Part Two, Screenplay (Sixth Draft) | March 1993 | |
| 1994-039/009 | (8) | "Dieppe", Part Two, Screenplay (Revisions to Sixth Draft) | March 1993 | |
| 1994-039/009 | (9) | "Dieppe", Part One, Screenplay, (Seventh Draft) | April 1993 | |
| 1994-039/009 | (10) | "Dieppe", Part One, Screenplay (Production Draft, Incomplete) | April 1993 | |
| 1994-039/009 | (11) | "Dieppe", Part Two, Screenplay (Revisions) | April 13, 1993 | |
| 1994-039/010 | (1) | "Dieppe", Part Two, One Line Scene Description | August 10, 1993 | |
| 1994-039/010 | (2) | "Dieppe", Part One, Screenplay, (Revisions) | October 1993 | |
| 1994-039/010 | (3) | "Dieppe", Part Two, Screenplay (Revisions) | October 1993 | |
| 1994-039/010 | (4) | "Dieppe", Part One, Screenplay (Revisions) | | |
| 1994-039/010 | (5) | "Dieppe", Part Two, Screenplay, (Revisions) | | |
| 1994-039/010 | (6) | "Dieppe", Scene Descriptions and Changes | | |
| 1994-039/010 | (7) | Handwritten Script Notes | | |
| 1994-039/010 | (8) | Comments and Correspondence | | |
| 1994-039/010 | (9) | "Dieppe" Cost Breakdown, (Pie Chart) | | |
| 1994-039/010 | (10) | Brief Summary of Story and of the People Involved | | |
| 1994-039/010 | (11) | Itinerary | April 1993 | |
| 1994-039/010 | (12) | Rehearsals | | |
| 1994-039/010 | (13) | Casting Notes | 1993 | |
| 1994-039/010 | (14) | Cast Personnel information | | |
| 1994-039/010 | (15) | Extras | April 1993 | |
| 1994-039/010 | (16) | Music | 1993 | |
| 1994-039/010 | (17) | Special Effects | 1993 | |
| 1994-039/010 | (18) | Production Schedules | | |
| 1994-039/010 | (19) | Production Sheets | | |
| 1994-039/010 | (20) | Call Sheets | | |
| 1994-039/010 | (21) | "Dieppe", Stills | | |
| 1994-039/010 | (22) | "Dieppe", Photographs | | |
| 1994-039/011 | (1) | Photographs -- "Blue Beach" | | |
| 1994-039/011 | (2) | Photographs -- Troopship 1 | | |
| 1994-039/011 | (3) | Photographs -- Troopship 2 | | |
| 1994-039/011 | (4) | Photographs -- Troopship 3 | | |
| 1994-039/011 | (5) | Research Material: Code Name Blue Beach, and Canadian Armed Forces World War 2 | | |
| 1994-039/011 | (6) | Research Material: Weaponry, Ships and Landing Crafts, and Principles Involved/Styles Early 1940s | | |
| 1994-039/011 | (7) | Research Material: 39-45 Magazine, (Dieppe), no. 51 & 78 | | |
| 1994-039/011 | (8) | Research Material: Compelling Story Behind Canada's Darkest day in World War 2 | | |
| 1994-039/011 | (9) | Research Material: Connaisance de Dieppe et sa region | | |
| 1994-039/011 | (10) | Research Material: Operation Jubilee | | |
| 1994-039/011 | (11) | "Dieppe", CBC Advertisements | | |
| 1994-039/011 | (12) | Press Coverage, (Newspaper and Magazine Clippings, Photocopies) | | |
| 1994-039/011 | (13) | Miscellaneous Papers and Notes | | |
| 1994-039/011 | (14) | "My Posse Don't Do Homework", Screenplay(Ronald Bass, First Draft) | July 7, 1993 | |
| 1994-039/011 | (15) | "My Posse Don't Do Homework", Screenplay(Second Draft) | January 3, 1994 | |
| 1994-039/011 | (16) | "My Posse Don't Do Homework", Screenplay (Elaine May, First Draft and Revisions) | February 7, 1994 | |
| 1994-039/011 | (17) | "My Posse Don't Do Homework", Screenplay (Revisions) | March 16, 1994 | |
| 1994-039/011 | (18) | "My Posse Don't Do Homework", Screenplay, (Revisions) | March 25 and 27, 1994 | |
| 1994-039/012 | (1) | "My Posse Don't Do Homework", Screenplay (Revisions) | April 4 and 6 , 1994 | |
| 1994-039/012 | (2) | "My Posse Don't Do Homework", Story by Louanne Johnson, Copyright | 1992 | |
| 1994-039/012 | (3) | Script Notes | | |
| 1994-039/012 | (4) | Script Meetings and Memos | | |
| 1994-039/012 | (5) | "My Posse Don't Do Homework", and "Blind Script Commitment", Agreements and Draft Revisions | | |
| 1994-039/012 | (6) | Budget | | |
| 1994-039/012 | (7) | Characters and Casting | | |
| 1994-039/012 | (8) | Composers | | |
| 1994-039/013 | (1) | Location/Set | | |
| 1994-039/013 | (2) | Storyboard | | |
| 1994-039/013 | (3) | Breakdowns and Outlines | | |
| 1994-039/013 | (4) | Miscellaneous Notes and Letters | | |
| 1994-039/013 | (5) | "Art of Acting" -- Story, Outlines, Schedules, and Notes | | |
| 1994-039/013 | (6) | "Art of Acting" -- Titling Forms and Credits | | |
| 1994-039/013 | (7) | "Art of Acting" -- Budget Forms and Notes | | |
| 1994-039/013 | (8) | "Bargain Basement" -- Advertisements and Awards | | |
| 1994-039/013 | (9) | "Big Bear", by Rudy Wiebe -- Screenplay, (First and Second Drafts) | 1992 | |
| 1994-039/013 | (10) | "Big Bear", by Rudy Wiebe -- Analysis | 1992 | |
| 1994-039/013 | (11) | "Big Bear", Parts One and Two | 1992 | |
| 1994-039/013 | (12) | "Black Teenagers" -- Schedules | | |
| 1994-039/013 | (13) | "The Captain Shoots A Polar Bear" -- Story and Outlines | | |
| 1994-039/013 | (14) | Confederation Day, (King's Landing) -- Script | July 15, 1976 | |
| 1994-039/013 | (15) | "The Consular Office" -- Story and Outlines | | |
| 1994-039/013 | (16) | "The Customer", Screenplay by John Smith -- Script | | |
| 1994-039/013 | (17) | "The End of Kroll's Affair" -- Screenplay (Final Draft) | | |
| 1994-039/013 | (18) | "The Explorations", (The Canada Council) -- Proposals | | |
| 1994-039/013 | (19) | "Familiarite", (National Film Board) -- Memos and Proposals | 1992 | |
| 1994-039/013 | (20) | "Familiarite", (National Film Board) -- "Doublers", (M. Murray et M. Beaulieu), aout et novembre, 1992 | August and November 1992 | |
| 1994-039/014 | (1) | "Familiarite", (National Film Board) -- "Les enfants du reve", Scenario et dialogues, feverier at mai, 1992 | February and May 1992 | |
| 1994-039/014 | (2) | "Familiarite", (National Film Board) - "Etat de Chas", mars, 1993 | March 1993 | |
| 1994-039/014 | (3) | "Familiarite", (National Film Board) -- "Flore Benjamine et les Autres, aout et decembre 1992 | August and December 1992 | |
| 1994-039/014 | (4) | "Familiarite", (National Film Board) -- "Les hommes et les enfants...d'abord?" | | |
| 1994-039/014 | (5) | "Familiarite", (National Film Board) -- Nouvelles Realites Familles, (Recherche), octobre 1991 | October 1991 | |
| 1994-039/014 | (6) | "Familiarite", (National Film Board) -- Portraite de Famille | | |
| 1994-039/014 | (7) | "Family of Two" -- Screenplay by Steve Wright, (Revised First Draft) | | |
| 1994-039/014 | (8) | "FAREAST Tour" -- Crew, Schedules, Travel Arrangements and Notes | | |
| 1994-039/014 | (9) | "The Final Escape For Gabar Nemeth" -- Synopsis for Screenplay | | |
| 1994-039/014 | (10) | "First Stop, China" -- News Release, Dance in Canada | 1985 | |
| 1994-039/014 | (11) | "First Stop, China" -- Grands Ballets Canadiens | 1986 | |
| 1994-039/014 | (12) | "First Winter" -- Proposal and Casting Notes | | |
| 1994-039/014 | (13) | "First Winter" -- Script and Story, (Revisions and Narration) | | |
| 1994-039/014 | (14) | "First Winter" -- Screenplay, (First Draft) | January 1980 | |
| 1994-039/015 | (1) | "First Winter" -- Screenplay, (Drafts and Notes) | 1980 | |
| 1994-039/015 | (2) | "First Winter" -- Screenplay Revisions, Memos and Notes | | |
| 1994-039/015 | (3) | "First Winter" -- Brief Backgrounds, (Film, Director, Writers), Including Credits and Film Advertisement | | |
| 1994-039/015 | (4) | "First Winter" -- Editing, (Screenplay, Notes and Revisions) | | |
| 1994-039/015 | (5) | "First Winter" -- Research | | |
| 1994-039/015 | (6) | "The Found Boat" -- Screenplay, Story and Notes | | |
| 1994-039/015 | (7) | "Frobisher Story" -- Screenplay | | |
| 1994-039/015 | (8) | "The Gift" -- Screenplay, (Revisions) | June 27, 1985 | |
| 1994-039/015 | (9) | "The Gift" -- Screenplay, (Revisions) | June 29, 1985 | |
| 1994-039/015 | (10) | "The Gift" -- Shooting Schedule | June 1985 | |
| 1994-039/015 | (11) | "The Gift" -- Titling and End Credits (Including Notes) | | |
| 1994-039/015 | (12) | "The Gift" -- Editor's Book | July 1985 | |
| 1994-039/015 | (13) | "Go Boy" -- Feature Film Screenplay, (Final Draft) | September 1981 | |
| 1994-039/015 | (14) | "Go Boy" -- Two-Hour TV Movie Screenplay | July 1983 | |
| 1994-039/015 | (15) | Grands Ballet Tour | 1983 | |
| 1994-039/015 | (16) | "Hockey Night in Montreal" -- Rough Story, Screenplays and Character Lists | | |
| 1994-039/015 | (17) | "Hockey Night in Montreal" -- Script | 1989 | |
| 1994-039/016 | (1) | "In a Shallow Grave" -- Detailed Play by Richard Watson | | |
| 1994-039/016 | (2) | "The Job Offer", (Originally Named "The Career Opportunity"), Screenplay, (First and Second Draft) | | |
| 1994-039/016 | (3) | "The Job Offer" -- Screenplay | October 1985 | |
| 1994-039/016 | (4) | "The Job Offer" -- Screenplay and On-Line Schedules | December 1985 | |
| 1994-039/016 | (5) | "The Job Offer/L'Offre d'Emploi" -- Screenplay, (Third Draft), Including Production Notes | 1985 | |
| 1994-039/016 | (6) | "Le Tarte" -- Screenplay, No Date | | |
| 1994-039/016 | (7) | "Mazelli's Shoes" -- Screenplay, No Date | | |
| 1994-039/016 | (8) | "Memories of Typing", Incomplete Screenplay, No Date | | |
| 1994-039/016 | (9) | "Million Dollar Babies", Part One | 1993 | |
| 1994-039/016 | (10) | "Mine Bucket", Screenplay | | |
| 1994-039/016 | (11) | Mozambique Production Agreements and Other Memos | | |
| 1994-039/016 | (12) | Nicholson: A Study of Lumbering in North Central Ontario, 1885-1930, (Research Material), Thesis by T. Wayne Crossen | | |
| 1994-039/017 | (1) | "Nine Little Acres" -- Screenplay, (First Draft) | | |
| 1994-039/017 | (2) | "No Day of Rest" -- Story and Memos | | |
| 1994-039/017 | (3) | "North of 60" -- Pilot Script, (First Draft) | May 1992 | |
| 1994-039/017 | (4) | "North of 60" -- Pilot Script and Writers Guide | August 1992 | |
| 1994-039/017 | (5) | "Now or Never" -- Outline by Cynthia Scott | | |
| 1994-039/017 | (6) | "Over the Shining Mountains" -- Rough Screenplay | 1978 | |
| 1994-039/017 | (7) | "Peter and Paul" -- Script by Bruce Smith | | |
| 1994-039/017 | (8) | "Peter Keegan" -- Film Treatment by P. MacFadden | | |
| 1994-039/017 | (9) | "Peter Police" -- Scripts | | |
| 1994-039/017 | (10) | "Profiles in Dance" -- Information on Dance Companies and Proposals | | |
| 1994-039/017 | (11) | "The Pyramid Builder" -- Screenplay by Laszlo Gefin | | |
| 1994-039/017 | (12) | "Peggy's Song" -- Play and Feature Film Script by Jim Garrard | | |
| 1994-039/017 | (13) | "Les Quebecois Inconnu" -- Memos and Initial Proposals | | |
| 1994-039/017 | (14) | "Radio Script for Shadd" -- Screenplay by J. Bearden and J. Butler | | |
| 1994-039/017 | (15) | "The Rebellion of Young David" -- Call Sheets | | |
| 1994-039/017 | (16) | "The Rebellion of Young David" -- Screenplays, (Second and Third Drafts) | | |
| 1994-039/017 | (17) | "The Rebellion of Young Davis" -- Screenplay. (Third Draft Revisions) | September 1985 | |
| 1994-039/017 | (18) | "The Rebellion of Young David" - Original Story | | |
| 1994-039/017 | (19) | "The Rebellion of Young David" -- Budget | | |
| 1994-039/017 | (20) | "The Rebellion of Young David" -- Screenplay and Production Notes | | |
| 1994-039/017 | (21) | "Revolution's Orphans" -- Screenplay by Laszlo Gefin and Janos Szanyi, (First Draft) | May 1978 | |
| 1994-039/017 | (22) | "Revolution's Orphans" -- Screenplay, (Third Draft) | June 1978 | |
| 1994-039/017 | (23) | "Revolution's Orphans" -- Teacher's Guide, Story and Rough Portions of Screenplay | | |
| 1994-039/017 | (24) | "Revolution's Orphans" -- Editing | | |
| 1994-039/017 | (25) | "Revolution's Orphans" -- Production Schedules | | |
| 1994-039/018 | (1) | "The Rivers of Canada" -- Notes and Correspondence on Production and Shooting | | |
| 1994-039/018 | (2) | "The Rivers of Canada" -- Research | | |
| 1994-039/018 | (3) | "The Rivers of Canada" -- Budget and Related Items | | |
| 1994-039/018 | (4) | "The Rivers of Canada" -- Treatment for a 10-minute IMAX Film | | |
| 1994-039/018 | (5) | "Sitting in limbo" -- Handwritten Camera Reports | | |
| 1994-039/018 | (6) | "Sitting in Limbo" Programs and Scripts | 1986 | |
| 1994-039/018 | (7) | "Skaters" -- Screenplay | July 1975 | |
| 1994-039/018 | (8) | "The Snob" -- Story and Notes for a Screenplay | | |
| 1994-039/018 | (9) | "Stand Up For Your Rights" -- Story and Notes by Davis B. Smith | | |
| 1994-039/018 | (10) | "Sticks and Stones" -- Outlines 1, 2, & 3, Including a Report on Attachment Disorders | | |
| 1994-039/018 | (11) | "The Story of the Inuvik" -- Story and Research | | |
| 1994-039/018 | (12) | The Stratford Shakespearean Festival -- Producer Contracts, Schedules, Questionnaires and Comments on the Performances | | |
| 1994-039/018 | (13) | "Substitute Teacher" -- Legal Documents | | |
| 1994-039/018 | (14) | "Substitute Teacher" -- Rough Scripts and Outlines | | |
| 1994-039/018 | (15) | "Substitute Teacher" -- Screenplay Drafts and Notes | 1976 | |
| 1994-039/018 | (16) | "Substitute Teacher" -- Shooting Forms, Reports and Budget | | |
| 1994-039/018 | (17) | "Summer Story" -- Brainstorming and Outlines | | |
| 1994-039/018 | (18) | "Summer Story" -- Rough Story | | |
| 1994-039/018 | (19) | "Talk Back" -- Screenplay, (First Draft) | September 1976 | |
| 1994-039/018 | (20) | "Train of Dreams" -- Synopsis, Articles and Advertisements | | |
| 1994-039/018 | (21) | "Train of Dreams" -- Bankruptcy of Cinema Plus | | |
| 1994-039/018 | (22) | "Train of Dreams" -- 4e Festival International du Film et de la Jeunesse, du 20 au 27 juin, 1989 | June 20-27, 1989 | |
| 1994-039/018 | (23) | "Two Worlds" -- Screenplay | May 1993 | |
| 1994-039/019 | (1) | "Welcome to Canada" -- Notes on Shooting, Casting, Call Sheets and Scene Cards | | |
| 1994-039/019 | (2) | "Welcome to Canada" -- Screenplay | | |
| 1994-039/019 | (3) | "Welcome to Canada" -- Casting Notes | | |
| 1994-039/019 | (4) | "Welcome to Canada" -- Production Notes | | |
| 1994-039/019 | (5) | "Welcome to Canada" -- Research, (Notes and Government Documents) | | |
| 1994-039/019 | (6) | "Welcome to Canada" -- Research (Education Kit: Canada's Policies on Refugees/Family Reunification) | | |
| 1994-039/019 | (7) | "Welcome to Canada" -- Photographs, (Mostly of the Cast) | | |
| 1994-039/019 | (8) | "Welcome to Canada" -- Les Cinemas du Canada | | |
| 1994-039/019 | (9) | "Welcome to Canada" -- Newspaper Clippings, Awards and Advertisements | | |
| 1994-039/019 | (10) | "Welcome to Canada" -- Festival Press Coverage Report | October 19, 1989 | |
| 1994-039/019 | (11) | "Welcome to Canada" -- Film Synopsis and Background Information on the Director, Producer and Cast | | |
| 1994-039/019 | (12) | Wexler, Gerald, Scriptwriter (Background, Stories, Scripts and Outlines) | | |
| 1994-039/019 | (13) | "The Winter My Mother Died" -- Editing Notes and Forms | | |
| 1994-039/019 | (14) | "The Winter My Mother Died" -- Crew Calls, Extra Scenes, Meetings and Notes | | |
| 1994-039/019 | (15) | "Youth Employment" -- Screenplay (First Draft) | January 1985 | |
| 1994-039/019 | (16) | Miscellaneous -- Screenplay, No Title, No Date | | |
| 1994-039/019 | (17) | Miscellaneous -- Various Synopses and Stories for Films | | |
| 1994-039/036 | (1) | "Dieppe" -- background research, Top Secret Documents from | 1942 | |
| 1994-039/036 | (2) | "Dieppe" -- Story boards, script of âœGravediggers of 1942" | | |
| 1994-039/037 | (1) | Birthday Present from Co-workers, 50th Birthday | 1973 | |
| 1994-039/037 | (2) | "The Boys of St.Vincent", background research, collection of newspapers, articles on Christian Brothers | | |
| 1994-039/037 | (3) | "The Boys of St.Vincent", collection of newspaper articles on child abuse in Christian Brothers Institutions | | |
| 1994-039/038 | (1) | "The Boys of St.Vincent", Scripts | | |
| 1994-039/038 | (2) | "The Boys of St.Vincent", Research Files | | |
| 1994-039/038 | (3) | "The Boys of St.Vincent", Research Files | | |
| 1994-039/038 | (4) | "The Boys of St.Vincent", Research Files | | |
| 1994-039/038 | (5) | "The Boys of St.Vincent", Research Files | | |
| 1994-039/038 | (6) | "The Boys of St.Vincent", Research Files | | |
| 1994-039/038 | (7) | "The Boys of St.Vincent", Miscellaneous | | |
| 1994-039/038 | (8) | "The Boys of St.Vincent", Supreme Court Actions | | |
| 1994-039/038 | (9) | "The Boys of St.Vincent", Press Clippings | | |
| 1994-039/041 | (1) | Ray Lewers - B.Grohman, Collette Stevenson --Leith, [April 15/93], VHS | April 15, 1993 | |
| 1994-039/041 | (2) | Location Survey, [May 5/93], VHS | May 5, 1993 | |
| 1994-039/041 | (3) | Camera Test (May 6), [May 9/93], VHS | May 6 and 9, 1993 | |
| 1994-039/041 | (4) | Cam Test, Tape X-4629, [May 12/93], VHS | May 12, 1993 | |
| 1994-039/041 | (5) | Rough Assemblies, Scs. 40/40A, 111, 83, 40/40A Alt.at end, [May 21/93], VHS | May 21, 1993 | |
| 1994-039/041 | (6) | Rough Assemblies, Scs. 33, 36/37, 38, 44, 52A, 59, A90, 104C, 114, 120, 126, 128A, 139, 100C, [June 4/93], VHS | June 4, 1993 | |
| 1994-039/041 | (7) | A. Herriot, Tape X-4630, [June 9/93], VHS | June 9, 1993 | |
| 1994-039/041 | (8) | Rough Assemblies, Scs. 9, 17/23, 56, 60, 101,119/120 & 125, [June 11/93], VHS | June 11, 1993 | |
| 1994-039/041 | (9) | Rough Assemblies of battle scenes, [June 19/93], VHS | June 19, 1993 | |
| 1994-039/041 | (10) | Day 25C, Tape H-9024, 5 min, [June 22/93], VHS | June 22, 1993 | |
| 1994-039/041 | (11) | Day 27, Tape X-4750, 58 min, [June 24/93], VHS | June 24, 1993 | |
| 1994-039/041 | (12) | Day 27B, Tape X-4751, 18 min, [June 24/93], VHS | June 24, 1993 | |
| 1994-039/041 | (13) | Scene 160, Man Off Boat -- Select, [June 24/93], VHS (Sony Betacam labelled) | June 24, 1993 | |
| 1994-039/041 | (14) | Rough Assemblies, Scs. 88, 90, 110A, 134, 142, 160, 25, 32 & 35, [June 24/93], VHS (Sony Betacam labelled) | June 24, 1993 | |
| 1994-039/041 | (15) | Day 25/26, Tape 200, 7 min, [June 29/93], VHS | June 29, 1993 | |
| 1994-039/041 | (16) | Day 31, Tape X-4907, 53 min, [June 29/93], VHS | June 29, 1993 | |
| 1994-039/041 | (17) | Day 31B, Tape X-4908, 20 min, [June 29/93], VHS | June 29, 1993 | |
| 1994-039/041 | (18) | Day 33, Tape X-4910, 03:00-03:55, [July 1/93], VHS | July 1, 1993 | |
| 1994-039/041 | (19) | Day 33B, Tape X-4911, 04:00-04:24, [July 1/93], VHS | July 1, 1993 | |
| 1994-039/041 | (20) | Rough Assemblies, Scs. 1-2 / 12-14 / 42 / 53-55 /39 /100 / 145 / 48-49, [July 6/93], VHS | July 6, 1993 | |
| 1994-039/041 | (21) | Day 39B, Tape X-4901, [July 9/93], VHS | Julu 9, 1993 | |
| 1994-039/041 | (22) | Day 41, Tape H-15365, 16:00-16:57, [July 14/93], VHS | July 14, 1993 | |
| 1994-039/041 | (23) | Day 41B, Tape H-15615, 42 min, [July 14/93], VHS | July 14, 1993 | |
| 1994-039/041 | (24) | Day 42, Tape H-27481, 42 min, [July 15/93], VHS | July 15, 1993 | |
| 1994-039/041 | (25) | Day 43, Tape X-5080, 19:00-19:59, [July 16/93], VHS | July 16, 1993 | |
| 1994-039/041 | (26) | Day 43, Tape X-5080, 19:00-19:59, [July 16/93], VHS | July 16, 1993 | |
| 1994-039/041 | (27) | Day 44, Tape X-5081, 27 min, [July 19/93], VHS | July 19, 1993 | |
| 1994-039/041 | (28) | Rough Assemblies, Scs. 145, 147, 149, 151, 156 & 158, [July 19/93], VHS | July 19, 1993 | |
| 1994-039/041 | (29) | Day 45B, Tape X-5083, 48 min, [July 20/93], VHS | July 20, 1993 | |
| 1994-039/041 | (30) | Rough Assemblies, pt.1, Scs. 03, 4-7 (2 versions), 8, 10, 15/16, 24, 26/27, 30/31 Alt. at end of tape, 46 (2 versions), [July 20/93], VHS | July 20, 1993 | |
| 1994-039/041 | (31) | Day 45, Tape X-5082, 55 min, [July 20/93], VHS | July 20, 1993 | |
| 1994-039/041 | (32) | Day 46, Tape X-5084, 58 min, [July 21/93], VHS | July 21, 1993 | |
| 1994-039/041 | (33) | Day 46B, tape X-5095, 22 min, [July 21/93], VHS | Julu 21, 1993 | |
| 1994-039/041 | (34) | Rough Assemblies, pt.2, Scs. 97, 100A, 111A, 121/121A, 123A, 124A, 129, 132, [July 21/93], VHS | July 21, 1993 | |
| 1994-039/041 | (35) | Day 47, Tape X-5086, 1 hr, [July 22/93], VHS | July 22, 1993 | |
| 1994-039/041 | (36) | Day 47B, Tape X-5087, 16 min, [July 22/93], VHS | July 22, 1993 | |
| 1994-039/041 | (37) | April 22 Camera Test -- 7248 xfer only, xfer #2, [July 23/93], VHS | July 23, 1993 | |
| 1994-039/041 | (38) | Scene 61, 2-version, [July 23/93], VHS | July 23, 1993 | |
| 1994-039/041 | (39) | Day 48, Tape X-5088, 21 min, [July 25/93], VHS | July 25, 1993 | |
| 1994-039/041 | (40) | Day 49, Tape X-5089, 42 min, [July 26/93], VHS | July 26, 1993 | |
| 1994-039/041 | (41) | Day 50, Tape X-5090, 58 min, [July 27/93], VHS | July 27, 1993 | |
| 1994-039/041 | (42) | Day 50B, Tape X-5091, 43 min, [July 27/93], VHS | July 27, 1993 | |
| 1994-039/041 | (43) | Day 51, Tape X-5092, 44 min, [July 28/93], VHS | July 28, 1993 | |
| 1994-039/041 | (44) | Day 52, Tape X-5093, 51 min, [July 29/93], VHS | July 29, 1993 | |
| 1994-039/041 | (45) | Day 53, Tape X-5094, 43 min, [July 30/93], VHS | July 30, 1993 | |
| 1994-039/042 | (1) | Day 54, Tape X-5095, 14:00-14:47, [Aug 3/93], VHS | August 3, 1993 | |
| 1994-039/042 | (2) | Day 56, Tape X-5097, 16:00-16:58, [Aug 5/93], VHS | August 5, 1993 | |
| 1994-039/042 | (3) | Day 56B, Tape X-5098, 17:00-17:11, [Aug 5/93], VHS | August 5, 1993 | |
| 1994-039/042 | (4) | Day 57, Tape X-5099, 18:00-19:01, [Aug 6/93], VHS | August 6, 1993 | |
| 1994-039/042 | (5) | Day 55, Tape X-5096, 15:00-15:33, [Aug 8/93], VHS | August 8, 1993 | |
| 1994-039/042 | (6) | Part 2 -- Tape 1 of 2, Cut 1, [Aug 17/93], VHS | August 17, 1993 | |
| 1994-039/042 | (7) | Part 2 -- Tape 2 of 2, Cut 1, [Aug 17/93], VHS | August 17, 1993 | |
| 1994-039/042 | (8) | Part 1 -- Cut 4, [Sept 4/93], VHS | September 4, 1993 | |
| 1994-039/042 | (9) | Part 1, Cut 5, [Sept 11/93], VHS | September 11, 1993 | |
| 1994-039/042 | (10) | Part 1, Tape A, [Oct 5/93], VHS | October 5, 1993 | |
| 1994-039/042 | (11) | Part 1, Tape B, [Oct 5/93], VHS | October 5, 1993 | |
| 1994-039/042 | (12) | Part 2, Tape A, [Oct 5/93], VHS | October 5, 1993 | |
| 1994-039/042 | (13) | Part 2, Tape B, [Oct 5/93], VHS | October 5, 1993 | |
| 1994-039/042 | (14) | Rough Assemblies, Scs. 41, 18/20. 22/23, 104A, 115, 124, 135, VHS | | |
| 1994-039/042 | (15) | Part 1A - 7, VHS | | |
| 1994-039/042 | (16) | Part 1B - 7, VHS | | |
| 1994-039/042 | (17) | Part 2A - 4, VHS | | |
| 1994-039/042 | (18) | Part 2B - 4, VHS | | |
| 1994-039/042 | (19) | 16mm Neg. @ 6 fps, Tape 200, Day 25&26, VHS | | |
| 1994-039/042 | (20) | Dieppe -- Leith's, Larissa Lapchinski, Elizabeth Marmur, Jennifer Morehouse, VHS | | |
| 1994-039/042 | (21) | Pronunciation of Names, TDK, DS-X90 Audiocassette tape | | |
| 1994-039/042 | (22) | CBC Radio 740, Dieppe -- MM-Hr 3, [July 20/?], TDK, DS-X90 Audiocassette tape | | |
| 1994-039/042 | (23) | HIX Casting-Chicago, Callbacks, Director Copy, [1/10/94], VHS, GX-Silver | January 10, 1994 | |
| 1994-039/042 | (24) | HIX Casting-Chicago, Tape 5, Anna Open Call + Kate's, Director Copy, [1/10/94], VHS | January 10, 1994 | |
| 1994-039/042 | (25) | HIX Casting-Chicago, Callbacks, Tape 2, Only 2 Kids, Director
Copy, [1/11/94], VHS | January 11, 1994 | |
| 1994-039/042 | (26) | HIX Casting-Chicago, Tape 6, Director Copy, [1/12/94], VHS, GX-Silver | January 12, 1994 | |
| 1994-039/042 | (27) | Director's Session, New York, 2 of 2, Dub, [1/13/94], VHS, HS | January 13, 1994 | |
| 1994-039/042 | (28) | Home Work Prod., #1, [1/25/94], VHS, Hi-Packing | January 25, 1994 | |
| 1994-039/042 | (29) | Home Work Prod., #2, [1/25/94], VHS, Hi-Packing | January 25, 1994 | |
| 1994-039/042 | (30) | Callie Compilation Reel Revised: [1/25/94], VHS dub of 3/4", VHS | January 25, 1994 | |
| 1994-039/042 | (31) | Compilation Reel, Durrell/Lionel Cup Reel Revised, [1/25/94], VHS to 3/4" Dubbing | January 25, 1994 | |
| 1994-039/042 | (32) | Test Reels 1-6, Transfer Date: [2/2/94], VHS, N.T.S.C. | February 2, 1994 | |
| 1994-039/042 | (33) | Rehearsal, [2/18/94], VHS, XL-Hifi | February 18, 1994 | |
| 1994-039/042 | (34) | Tape -- Kids Singing, Audio Test Cast, 1/2" Dub, [2/22/94], VHS | February 22, 1994 | |
| 1994-039/042 | (35) | Daily Reels 1-11, Transfer Date: [3/2/94], VHS, N.T.S.C. Dub | March 2, 1994 | |
| 1994-039/042 | (36) | Daily Reels 14-22, Transfer Date: [3/2/94], VHS, N.T.S.C. Dub | March 2, 1994 | |
| 1994-039/042 | (37) | Daily Reels 23-32, Transfer Date: [3/3/94], VHS, N.T.S.C. Dub | March 3, 1994 | |
| 1994-039/042 | (38) | Daily Reels 33-40, Transfer Date: [3/4/94], VHS to VHS Dub, N.T.S.C. Dub | March 4, 1994 | |
| 1994-039/042 | (39) | Daily Reels 57-68, Transfer Date: [3/9/94], VHS, N.T.S.C. Dub | March 9, 1994 | |
| 1994-039/042 | (40) | Daily Reels 74-87, 89-90, Transfer Date: [3/11/94], VHS, N.T.S.C. Dub | March 11, 1994 | |
| 1994-039/043 | (1) | Reel 90-98, Length: 1:00:35, Sht.Date 3/13/94, Xfer Date: [3/14/94], VHS | March 13 and 14, 1994 | |
| 1994-039/043 | (2) | L.A. Session (Compilation Tape), [3/14/94], VHS | March 14, 1994 | |
| 1994-039/043 | (3) | Buena Vista Sound, Reels 90-98, Length: 1:00:35, [3/14/94], VHS, N.T.S.C. Dub | March 14, 1994 | |
| 1994-039/043 | (4) | Daily Reels 99-109, Transfer Date: [3/15/94], VHS, N.T.S.C. Dub | March 15, 1994 | |
| 1994-039/043 | (5) | Daily Reels 129-136, Transfer Date: [3/17/94], VHS, N.T.S.C. Dub | March 17, 1994 | |
| 1994-039/043 | (6) | Daily Reels 137-141, Transfer Date: [3/18/94], VHS, N.T.S.C. Dub | March 18, 1994 | |
| 1994-039/043 | (7) | Daily Reels 142-153B, Transfer Date: [3/21/94], VHS, N.T.S.C. Dub | March 21, 1994 | |
| 1994-039/043 | (8) | Daily Reels 154, 155, 157-161, Transfer Date: [3/22/94], VHS, N.T.S.C. Dub | March 22, 1994 | |
| 1994-039/043 | (9) | Daily Reels 163-171, Transfer Date: [3/23/94], VHS, N.T.S.C. Dub | March 23, 1994 | |
| 1994-039/043 | (10) | Daily Reels 172-180, Transfer Date: [3/24/94], VHS, N.T.S.C. Dub | March 24, 1994 | |
| 1994-039/043 | (11) | Daily Reels 181-195B, Transfer Date: [3/25/94], VHS, N.T.S.C. Dub | March 25, 1994 | |
| 1994-039/043 | (12) | Daily Reels 202, 206, 210, 213, 216, Transfer Date: [3/29/94], VHS, N.T.S.C. Dub | March 29, 1994 | |
| 1994-039/043 | (13) | Daily Reels 217-231, Transfer Date: [3/30/94], VHS, N.T.S.C. Dub | March 30, 1994 | |
| 1994-039/043 | (14) | Daily Reels 232, 234-241, Transfer Date: [3/31/94], VHS, N.T.S.C. Dub | March 31, 1994 | |
| 1994-039/043 | (15) | Daily Reels 242-255, Transfer Date: [4/4/94], VHS, N.T.S.C. Dub | April 4, 1994 | |
| 1994-039/043 | (16) | Daily Reels 256, 257, 259, 260, Transfer Date: [4/5/94], VHS, N.T.S.C. Dub | April 5, 1994 | |
| 1994-039/043 | (17) | Daily Reels 261-265, Transfer Date: [4/6/94], VHS, N.T.S.C. Dub | April 6, 1994 | |
| 1994-039/043 | (18) | Daily Reels 265-274, Transfer Date: [4/7/94], VHS, N.T.S.C. Dub | April 7, 1994 | |
| 1994-039/043 | (19) | Daily Reels 288, 287, 275-286, Transfer Date: [4/8/94], VHS, N.T.S.C. Dub | April 8, 1994 | |
| 1994-039/043 | (20) | Buena Vista Sound, Reel 303, 305, 306, 309, 310, 311, Length: 34:20, [4/11/94], VHS | April 11, 1994 | |
| 1994-039/043 | (21) | Buena Vista Sound, Reel 303, 305, 306, 309, 310, 311, Length: 34:20, [4/11/94], VHS | April 11, 1994 | |
| 1994-039/043 | (22) | Buena Vista Sound, Reel 303, 305, 306, 309, 310, 311, Length: 34:20,[4/11/94], VHS | April 11, 1994 | |
| 1994-039/043 | (23) | Daily Reels (319,325,327,328,333) MOS 313-318, 320-323, 329-332, 334-335 and 324-326 (In This Order), Transfer Date: [4/12/94], VHS, N.T.S.C. Dub | April 12, 1994 | |
| 1994-039/043 | (24) | Daily Reels 336-352, Transfer Date: [4/14/94], VHS, N.T.S.C. Dub | April 14, 1994 | |
| 1994-039/043 | (25) | Daily Reels 353-359, Transfer Date: [4/14/94], VHS, N.T.S.C. Dub | April 14, 1994 | |
| 1994-039/043 | (26) | Daily Reels 362-371, Transfer Date: [4/15/94], VHS, N.T.S.C. Dub\ | April 15, 1994 | |
| 1994-039/043 | (27) | Daily Reels 372-381, Transfer Date: [4/18/94], VHS, N.T.S.C. Dub | April 18, 1994 | |
| 1994-039/043 | (28) | Daily Reels 382-386, Transfer Date: [4/19/94], VHS, N.T.S.C. Dub | April 19, 1994 | |
| 1994-039/043 | (29) | Daily Reels 389-404, Transfer Date: [4/20/94], VHS, N.T.S.C. Dub | April 20, 1994 | |
| 1994-039/043 | (30) | Daily Reels 405-408, Transfer Date: [4/20/94], VHS, N.T.S.C. Dub | April 20, 1994 | |
| 1994-039/043 | (31) | Daily Reels 409-412, Transfer Date: [4/21/94], VHS, N.T.S.C. Dub | April 21, 1994 | |
| 1994-039/043 | (32) | Selected Reel Edited Footage, Transfer Date: [4/22/94], VHS, N.T.S.C. Dub | April 22, 1994 | |
| 1994-039/043 | (33) | Daily Reels 413-419, Transfer Date: [4/22/94], VHS, N.T.S.C. Dub | April 22, 1994 | |
| 1994-039/044 | (1) | Daily Reels 420-425, Transfer Date: [4/25/94], VHS, N.T.S.C. Dub | April 25, 1994 | |
| 1994-039/044 | (2) | Daily Reels 426-431, Transfer Date: [4/26/94], VHS, N.T.S.C. Dub | April 26, 1994 | |
| 1994-039/044 | (3) | Daily Reels 432-438, Transfer Date: [4/27/94], VHS, N.T.S.C. Dub | April 27, 1994 | |
| 1994-039/044 | (4) | Daily Reels 439-440, Transfer Date: [4/28/94], VHS, N.T.S.C. Dub | April 28, 1994 | |
| 1994-039/044 | (5) | Daily Reels 441-443, Transfer Date: [4/29/94], VHS, N.T.S.C. Dub | April 29, 1994 | |
| 1994-039/044 | (6) | Daily Reels 455-465, Transfer Date: [5/4/94], VHS, N.T.S.C. Dub | May 4, 1994 | |
| 1994-039/044 | (7) | Cr.A1-A3, A227, B1, B156-B157, C61-C65, D5-D8, Film-to-Tape Transfer: [5/6/94], VHS | May 6, 1994 | |
| 1994-039/044 | (8) | Daily Reels 478-495, Transfer Date: [5/9/94], VHS, N.T.S.C. Dub | May 9, 1994 | |
| 1994-039/044 | (9) | Daily Reels 478-496, Transfer Date: [5/10/94], VHS, N.T.S.C. Dub | May 10, 1994 | |
| 1994-039/044 | (10) | Daily Reels 487-507, Transfer Date: [5/10/94], VHS, N.T.S.C. Dub | May 10, 1994 | |
| 1994-039/044 | (11) | Reels 1-12, (Part 1 of 2), Transfer Date: [6/3/94], VHS, N.T.S.C. Dub | June 3, 1994 | |
| 1994-039/044 | (12) | Reels 13-24, (Part 2 of 2), Transfer Date: [6/3/94], VHS, N.T.S.C. Dub | June 3, 1994 | |
| 1994-039/044 | (13) | Comp Reel #1&2 From Post Group 3/4", Transfer Date: [6/6/94], VHS, N.T.S.C. Dub | June 6, 1994 | |
| 1994-039/044 | (14) | Comp Reel #15 From Post Group 3/4", Transfer Date: [6/6/94], VHS, N.T.S.C. Dub | June 6, 1994 | |
| 1994-039/044 | (15) | Reels 1-6, (Pt. 1 of 3), 6/21/94 Screening, Transfer Date: [6/22/94], VHS, N.T.S.C. Dub | June 21 and 22, 1994 | |
| 1994-039/044 | (16) | Reels 8-16, (Pt. 2&3 of 3), Transfer Date: [6/22/94], VHS, N.T.S.C. Dub | June 22, 1994 | |
| 1994-039/044 | (17) | Comp Reel #63, From Post Group 3/4", Transfer Date: [7/6/94], VHS, N.T.S.C. Dub | July 6, 1994 | |
| 1994-039/044 | (18) | MX Temp Cues, Tape #1, R 1-6, [7/21/94], VHS | July 21, 1994 | |
| 1994-039/044 | (19) | MX Temp Cues, Tape #2, R 1-6, [7/21/94], VHS | July 21, 1994 | |
| 1994-039/044 | (20) | MX Tape #1, Reels 8-12, [7/25/94], VHS | July 25, 1994 | |
| 1994-039/044 | (21) | MX Tape #2, Reels 13-16, [7/25/94], VHS | July 25, 1994 | |
| 1994-039/044 | (22) | Full Feature-Off Color, Reels 1-16, Security Graphics, Transfer Date: [7/26/94], VHS, N.T.S.C. Dub | July 26, 1994 | |
| 1994-039/044 | (23) | MX Temp Cues, [7/26/94], VHS | July 26, 1994 | |
| 1994-039/044 | (24) | Reels 1, 2, 3, 4, Transfer Date: [7/26/94], VHS, N.T.S.C. Dub | July 26, 1994 | |
| 1994-039/044 | (25) | 3/4" Outputs Reel - 6/7 thru 12 DIA/MX Comp,Transfer Date: [7/31/94], VHS, N.T.S.C. Dub | July 31, 1994 | |
| 1994-039/044 | (26) | Reels 1, 2, 3, Transfer Date: [8/3/94], VHS, N.T.S.C. Dub | August 3, 1994 | |
| 1994-039/044 | (27) | Reels 12V4, 13V5, 14V4, 15V5, 16V6, 5V4, Transfer Date: [8/3/94],VHS, N.T.S.C. Dub | August 3, 1994 | |
| 1994-039/044 | (28) | Reels 1AB-8AB, Full Feature, Security Graphics - Off Color, Transfer Date: [8/10/94], VHS, N.T.S.C. Dub | | |
| 1994-039/044 | (29) | Selected Music cues, 3/4" to VHS dub, Transfer Date: [8/15/94], VHS, N.T.S.C. Dub | August 15, 1994 | |
| 1994-039/044 | (30) | Full Feature / Rls. 1-13, Off Color/Security Graphics, Transfer Date: [8/26/94], VHS, N.T.S.C. Dub | August 26, 1994 | |
| 1994-039/044 | (31) | Full Feature / Rls. 1-13, Off Color/Security Graphics, Transfer Date: [9/9/94], VHS, N.T.S.C. Dub | September 9, 1994 | |
| 1994-039/044 | (32) | Full Feature Viewing Cassette, J.S.Version-NO DAN 9/13, Security Graphics, Transfer Date: [9/16/94], VHS, N.T.S.C. Dub | September 16, 1994 | |
| 1994-039/044 | (33) | Kim Boley Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/044 | (34) | Durrell Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/044 | (35) | Leroy Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (1) | Janet Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (2) | Jack Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (3) | Martinez Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (4) | Cornelius Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (5) | Mary Daren Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (6) | La Tisha Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (7) | Tyeisha Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (8) | Mrs. Nichols Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (9) | Mikki Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (10) | Casting Compilation Reels #1 & #2, VHS dub of 3/4", VHS, N.T.S.C. | | |
| 1994-039/045 | (11) | Casting Compilation Reels #3 & #4, VHS dub of 3/4", VHS, N.T.S.C. | | |
| 1994-039/045 | (12) | Casting Compilation Reels #5 & #6, VHS dub of 3/4", VHS, N.T.S.C. | | |
| 1994-039/045 | (13) | Paul Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (14) | Bud Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (15) | Emilio Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (16) | Irene Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (17) | Hal Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (18) | Angela Compilation Reel, VHS dub of 3/4", VHS | | |
| 1994-039/045 | (19) | Compilation Reel, Class/Group/Rappers Reel 3, VHS to 3/4" Dubbing, VHS | | |
| 1994-039/045 | (20) | Dan Dances with Chair | | |
| 1994-039/045 | (21) | Justice #1, [Sept 10-11/89], VHS, Extra HG | September 10-11, 1989 | |
| 1994-039/045 | (22) | Justice #2, On Camera Br.McHugh + Commission of Inquiry Justice System, [Sept/89], VHS, EX | September 1989 | |
| 1994-039/045 | (23) | Justice 9, Hughes Inquiry, VHS, Extra-HG | | |
| 1994-039/045 | (24) | Justice 11, [Oct 12,13/89], VHS, Dynamicron\ | October 12 and 13, 1989 | |
| 1994-039/045 | (25) | Justice 12, [Oct 12-13/89], VHS, EX | October 12-13, 1989 | |
| 1994-039/045 | (26) | Justice 18, [Oct 24/89], VHS | October 24, 1989 | |
| 1994-039/045 | (27) | Justice 19, Gerald Nash, [Oct 26/89], VHS | October 26, 1989 | |
| 1994-039/045 | (28) | Justice 20, [Oct 31/89], VHS, Extra HG | October 31, 1989 | |
| 1994-039/045 | (29) | Justice 21, [Nov 1/89], VHS, Extra HG | November 1, 1989 | |
| 1994-039/045 | (30) | Justice 22, Adjournment to Nov 24, [Nov 2/89], VHS, Extra HG | November 2, 1989 | |
| 1994-039/045 | (31) | Justice 23, [Nov 14/89], VHS, HG | November 14, 1989 | |
| 1994-039/045 | (32) | Justice 24 [Nov 14/89], VHS, HG | November 14, 1989 | |
| 1994-039/045 | (33) | Justice 26, Hillier II, Afternoon Friday Nov.17 + Afternoon [Nov 21/89], VHS | November 21, 1989 | |
| 1994-039/045 | (34) | Justice 27, Xtian Bros History, P.M. Nov 20 + Hillier I, Morning [Nov 21/89], VHS, HG | November 21, 1989 | |
| 1994-039/045 | (35) | Justice 28,Hillier all day, Wednesday [Nov 22/89], VHS, HG | November 22, 1989 | |
| 1994-039/045 | (36) | Justice 29, Hillier, Power, Pike, [Nov 23/89], VHS, HG | November 23, 1989 | |
| 1994-039/046 | (1) | Justice 30, Short Day, [Nov 24/89], VHS, HG | November 24, 1989 | |
| 1994-039/046 | (2) | Justice 31, 11:45 a.m. Nov 28 to 12:27 a.m. [Nov 29/90], VHS, HG | November 28-29, 1990 | |
| 1994-039/046 | (3) | Justice 32, Thistle, starts [Nov 29/90], VHS, HG | November 29, 1990 | |
| 1994-039/046 | (4) | Justice 36, Wed.[Dec 6/89], VHS, HG | December 6, 1989 | |
| 1994-039/046 | (5) | Justice 41, Brother McHugh, [Dec 14/89], VHS, HG | December 14, 1989 | |
| 1994-039/046 | (6) | Justice 42, Br.McHugh Day 2, Cross Commission, Friday [Dec 15/89], VHS, HG | December 15, 1989 | |
| 1994-039/046 | (7) | Justice 43 [Jan 15/90], VHS, HG | January 15, 1990 | |
| 1994-039/046 | (8) | Justice 44, Pitcher RNC, Connors DPP, [Jan 16/90], VHS, HG\ | January 16, 1990 | |
| 1994-039/046 | (9) | Justice 45, Connors II, Wednesday [Jan 17/90], VHS, HG-Hi Fi | January 17, 1990 | |
| 1994-039/046 | (10) | Justice 46, Thursday [Jan 18/90], VHS, HG-Hifi | January 18, 1990 | |
| 1994-039/046 | (11) | Justice 48, Monday [Jan 22/90], VHS, HG-Hifi | January 22, 1990 | |
| 1994-039/046 | (12) | Justice 50, Sheila Devine All Day, [Jan 24/90], VHS | January 24, 1990 | |
| 1994-039/046 | (13) | Justice 53, [Jan 29/90], VHS, HG-Hi Fi | January 29, 1990 | |
| 1994-039/046 | (14) | Justice 57, [Feb 12/90], VHS, HG-Hi Fi | February 12, 1990 | |
| 1994-039/046 | (15) | Justice 58, [Feb 13/90], VHS, HG-Hi Fi | February 13, 1990 | |
| 1994-039/046 | (16) | Justice 59, [Feb 14/90], VHS, HG-Hi Fi | February 14, 1990 | |
| 1994-039/046 | (17) | Justice 60, [Feb 15/90], VHS, HG-Hi Fi | February 15, 1990 | |
| 1994-039/046 | (18) | Justice 61, Frank Sims Whole Day at the Stand, [Feb 19/90], VHS | February 19, 1990 | |
| 1994-039/046 | (19) | Justice 62, Frank Sims, Day 3,[Feb 20/90], VHS, HG | February 20, 1990 | |
| 1994-039/046 | (20) | Justice, Tom Hickey, [Mar 23/90], VHS, HG | March 23, 1990 | |
| 1994-039/046 | (21) | Tape #1, The Hughes Royal Commission, Wednesday [June 27/90], VHS, HG | June 27, 1990 | |
| 1994-039/046 | (22) | Tape #2, The Hughes Royal Commission, Thursday [June 28/90], VHS, HG | June 28, 1990 | |
| 1994-039/046 | (23) | Tape #3, The Hughes Royal Commission, Inquiry Summation,[June 29/90], VHS, HG | June 29, 1990 | |
| 1994-039/046 | (24) | Mt. Cashel Assembly | | |
| 1994-039/046 | (25) | Mt. Cashel Selection 1, Tape 2 | | |
| 1994-039/046 | (26) | Last Day of Hughes Commission, VHS, Extra HG | | |
| 1994-039/046 | (27) | Hughes Royal Commission, Tape #1, 2 Hrs., VHS->VHS, [Aug 26/91], VHS | August 26, 1991 | |
| 1994-039/046 | (28) | Hughes Royal Commission, Tape #2, 2 Hrs., VHS->VHS,[Aug 26/91], VHS | August 26, 1991 | |
| 1994-039/046 | (29) | Roll 27, Sc. 1.41-1.40-1.65-1.36- Delaney's Office, (16 mm Rushes), [Dec 9/91], 3/4" BRS | December 9, 1991 | |
| 1994-039/046 | (30) | Roll 30, Sc. 1.46, Basement, [Dec 10/91], 3/4" | December 10, 1991 | |
| 1994-039/046 | (31) | Reel 33, 16 mm Rushes, Sc.68, [Dec 13/91], 3/4" BRS | December 13, 1991 | |
| 1994-039/046 | (32) | Reels 34-35, Sc.1.30, Dormitory , [Dec 16/91], 3/4" BRS | December 16, 1991 | |
| 1994-039/046 | (33) | Reels 38-39, Sc.42, (16 mm Rushes), 50 min, [Dec 18/91], 3/4" BRS | December 18, 1991 | |
| 1994-039/047 | (1) | Reel 40, Sc.1.78-17-12-92, (16 mm Rushes), [Dec 19/91], 3/4" | December 19, 1991 | |
| 1994-039/047 | (2) | Reels 41-42, Sc.47A, Raffle Shop Street, 3/4" BRS | | |
| 1994-039/047 | (3) | Reels 43-44, Sc. 72, Police Station, [Dec 23/91], 3/4" BRS | December 23, 1991 | |
| 1994-039/047 | (4) | Reels 48-49 + MOS 51B-54B-55-58, Swimming Pool, Showers, 3/4" BRS | | |
| 1994-039/047 | (5) | Reels 50-51,16 mm Rushes, [Jan 1/92], 3/4" BRS | January 1, 1992 | |
| 1994-039/047 | (6) | Boys #2, Jour 2, (16 mm Rushes), cassette 1 of 2, Sc.2.35, 2.47 Royal Commission, 2.63, 2.76, [Jan 27/92], 3/4" BRS | January 27, 1992 | |
| 1994-039/047 | (7) | Boys Episode 2, Jour 3, Sc. 2.38, 2.56, Hearing Room, [Jan 28/92], 3/4" BRS | January 28, 1992 | |
| 1994-039/047 | (8) | Boys Episode 2, RL 3/3, [Jan 29/92], 3/4" BRS | January 29, 1992 | |
| 1994-039/047 | (9) | Reels 54, 16 mm Rushes, [Jan 30/92], 3/4" BRS | January 30, 1992 | |
| 1994-039/047 | (10) | Reels 55-56, 16mm Rushes, [Jan 31/92], 3/4" BRS | January 31, 1992 | |
| 1994-039/047 | (11) | Boys Episode 2, Jour 9, 3 reels, Sc.2.2, 2.11-2.31-2.32, [Feb 4/92], 3/4" BRS | February 4, 1992 | |
| 1994-039/047 | (12) | Boys Episode 2, Jour 11,cam A et B, 1st Tape, [Feb 7/92], 3/4" BRS | February 7, 1992 | |
| 1994-039/047 | (13) | Boys Episode 2, Jour 11,cam A et B, 2nd Tape, [Feb 7/92], 3/4" BRS | February 7, 1992 | |
| 1994-039/047 | (14) | Boys Episode 2, Jour 10+Jour 10 Mos, Jour 11 (1 de 4), Jour 11 (4 de 4), cam A, [Feb 10/92], 3/4" BRS | February 10, 1992 | |
| 1994-039/047 | (15) | Boys Episode 2, Jour 11, cam B (4 de 4), Jour 11, 1et 2 Mos, [Feb 10/92], 3/4" BRS | February 10, 1992 | |
| 1994-039/048 | (1) | Boys Episode #2, Jour 12, 1 Sgnc Roll , [Feb 17/92], 3/4" | February 17, 1992 | |
| 1994-039/048 | (2) | Boys Episode 2, Jour 15 (2 rolls), [Feb 19/92], 3/4" BRS | February 19, 1992 | |
| 1994-039/048 | (3) | Boys Episode 2, Jour 17,(1 roll), 16 mm Rushes, [Feb 20/92], 3/4" | February 20, 1992 | |
| 1994-039/048 | (4) | Boys Episode 2, Jour 18 (2 rolls), [Feb 21/92], 3/4" BRS | February 21, 1992 | |
| 1994-039/048 | (5) | Boys Episode 2, Jour 19 (1 roll), [Feb 25/92], 3/4" BRS | February 25, 1992 | |
| 1994-039/048 | (6) | Boys Episode 1, Jour 20 (2 rolls), [Feb 25/92], 3/4" BRS | February 25, 1992 | |
| 1994-039/048 | (7) | Boys Episode 2, Jour 21 (2 rolls), [Feb 27/92], 3/4" BRS | February 27, 1992 | |
| 1994-039/048 | (8) | Boys # 2, Jour 21, cassette #2, [Feb 27/92], 3/4" BRS | February 27, 1992 | |
| 1994-039/048 | (9) | Boys Episode #2, Jour 23 (2 rolls), 16 mm Rushes, [Mar 2/92], 3/4" BRS | March 2, 1992 | |
| 1994-039/048 | (10) | Boys # 2, Jour 26 (1 roll), Jour 27 (roll 1/2), [Mar 4/92], 3/4" BRS | March 4, 1992 | |
| 1994-039/048 | (11) | The Boys 1st Video Edit Part 1, Rough Cut, [Mar 5/92], 3/4" MBR | March 5, 1992 | |
| 1994-039/048 | (12) | Boys Episode 1, Jour 34 (2 rolls), [Mar 11/92], 3/4" BRS | March 11, 1992 | |
| 1994-039/048 | (13) | Marty Simon, Rough Demo, [Apr 7/92], VHS | April 7, 1992 | |
| 1994-039/048 | (14) | The Boys Part 1, 16mm c.c. + 16mm r.mix, 113 min, T.S. burn in + audio track 2 drop, [May 19/92], VHS | May 19, 1992 | |
| 1994-039/048 | (15) | The Boys, Promo CBC, 20 min Approx, [May 26/92], 1" Master broadcast Videotape C Format | May 26, 1992 | |
| 1994-039/049 | (1) | The Boys Part 1, Smith/Grana Copy, 91:30, Edit [May 27/92], VHS | May 27, 1992 | |
| 1994-039/049 | (2) | The Boys, Promo Silent, 16 mm Ori.Neg, 1 min 25 sec, [May 29/92], 1" Ampex 196 | May 29, 1992 | |
| 1994-039/049 | (3) | The Boys #2, 80 min, [June 8/92], VHS | June 8, 1992 | |
| 1994-039/049 | (4) | The Boys 2nd to last cut, 16mm c.c. + 16 mm r/mix, T.C. visual, 93 min, [June 13/92], VHS | June 13, 1992 | |
| 1994-039/049 | (5) | Burn-In, Length:92:39, [June 26/92], VHS | June 26, 1992 | |
| 1994-039/049 | (6) | Burn-In, Length:92:39, [June 26/92], VHS | June 26, 1992 | |
| 1994-039/049 | (7) | Burn-In, Length:92:39, [June 26/92], VHS | June 26, 1992 | |
| 1994-039/049 | (8) | The Boys Part 1/2, (From VHS), T.C. visual, 98 min, [July 14/92], VHS | July 14, 1992 | |
| 1994-039/049 | (9) | The Boy's 1st Video Edit, Part 2, Master Broadcast Video, (Format Unknown) | | |
| 1994-039/049 | (10) | The Boy's, Version T.V., 1Hr.32.40, VHS | | |
| 1994-039/049 | (11) | Hughes Royal Commission, Tape #3, 2 Hrs., VHS->VHS, VHS | | |
| 1994-039/049 | (12) | Hughes Royal Commission, Tape #3A,15 min, VHS->VHS, VHS | | |
| 1994-039/049 | (13) | Hughes Royal Commission, Tape #4, VHS->VHS, VHS | | |
| 1994-039/049 | (14) | Hughes Royal Commission, Tape #5, VHS->VHS, VHS
(15)
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(24) | | |
| 1994-039/049 | (15) | Hughes Royal Commission, Tape #6, VHS->VHS, VHS | | |
| 1994-039/049 | (16) | Clean dub of sales launch '93 material, VHS | | |
| 1994-039/049 | (17) | Pt. I, VHS | | |
| 1994-039/049 | (18) | Pt. I, VHS | | |
| 1994-039/049 | (19) | Pt.II, VHS | | |
| 1994-039/049 | (20) | Pt.II, VHS | | |
| 1994-039/049 | (21) | (Cover.txt; 7th Draft.txt; Inquiry.txt; June7th.txt), [Nov 2/90], 5.25" Computer Diskette | November 2, 1990 | |
| 1994-039/049 | (22) | (Cover.txt; 7th Draft.txt; Inquiry.txt; June7th.txt), 5.25" Computer Diskette | | |
| 1994-039/049 | (23) | (Cashel.sw), 3.5" Computer Diskette | | |
| 1994-039/049 | (24) | (Story.3)-ascii text, 5.25 Computer Diskette | | |
| 1994-039/049 | (25) | Copy of Beta, [Apt 26/88], 3/4" Broadcast Videocassette | | |
| 1994-039/049 | (26) | National Film Board, [Nov 22/88], VHS | November 22, 1988 | |
| 1994-039/049 | (27) | W/009342, 86:40, [Sept 11/89], VHS, HG | September 11, 1989 | |
| 1994-039/049 | (28) | Length: 1Hr.23' min. 34" sec., Color Plus High Grade PAL | | |
| 1994-039/050 | (1) | Length: 1Hr.3' min. 34" sec., Color Plus High Grade PAL | | |
| 1994-039/050 | (2) | Total Running Time: 90:00, 3/4" | | |
| 1994-039/050 | (3) | Total Running Time: 90:00, 3/4" | | |
| 1994-039/050 | (4) | #1, Music Master, Maid of Nfld., Shule, Audio M.T.R. Cassette Tape | | |
| 1994-039/050 | (5) | #2, Music Master, Strings: Green Shore of fogo, Audio M.T.R. Cassette Tape | | |
| 1994-039/050 | (6) | Mix of Nfld.Music, Recorded on Sony Digital Processor PCM 601 esD, Beta Dynamicron | | |
| 1994-039/050 | (7) | Attn: John Smith/Ralph Brunjes, Super VHS | | |
| 1994-039/050 | (8) | [March 5/81], [March 7/81], 3/4" | March 5 and 7, 1981 | |
| 1994-039/050 | (9) | [March 26/?], [March 27?], 3/4" | | |
| 1994-039/050 | (10) | Tape #1B, Audition: [July 7/?], Remarks: Carl, Bruce, Derek, Marc, 3/4" | | |
| 1994-039/050 | (11) | Tape #2B, Recalls: Remarks: Carl, Bruce, Derek, Marc, [July 7/?], 3/4" | | |
| 1994-039/050 | (12) | Tape #3B, Recalls: Remarks: Carl, Bruce, Derek, Marc, [July 7/?], 3/4" | | |
| 1994-039/050 | (13) | Tape #3B, Recalls: Remarks: Carl, Bruce, Derek, Marc, [July 7/?], 3/4" | | |
| 1994-039/050 | (14) | 26 min, Scoop (Montage de 10 min), VHS | | |
| 1994-039/050 | (15) | Grand Ballets Canadiens, Sony, 3/4" | | |
| 1994-039/050 | (16) | Song, 3/4" | | |
| 1994-039/050 | (17) | 35 min, [Mar 29/84], Song 3/4" | March 29, 1984 | |
| 1994-039/050 | (18) | [Apr 23/83], Sony, 3/4" | April 23, 1983 | |
| 1994-039/051 | (1) | OPERATION JUBILEE: Le cinquantieme anniversaire du raid anglo Canadien du 19 aout 1942, Secam VHS | [1992?] | |
| 1994-039/051 | (2) | TEMP. SCORE: Selected Hits, Sept. 20, 1993, Attn: Ralph Brunjes, VHS | September 20, 1993 | |
| 1994-039/051 | (3) | OUR HOME AND NATIVE LAND: Great Plains Productions, Length 87:26, [April 6/93], Broadcast VHS | April 6, 1993 | |
| 1994-039/051 | (4) | DIRECTORS IN ACTION: Directors Guild of America, Inc., TRT: 29:50 | | |
| 1994-039/051 | (5) | | 1994 | |
| 1994-039/051 | (6) | SANTA CRUZ: All-Format Video, [Apr 1/94], VHS | April 1, 1994 | |
| 1994-039/051 | (7) | SANTA CRUZ: Nina Saxon Film Design, VHS | | |
| 1994-039/051 | (8) | THE ENTHUSIASM OF THE SPECIES: Michael McMurtry, Nobel Talent Management Inc., VHS | | |
| 1994-039/051 | (9) | BIG BEAR AUDITIONS: Great Plains Productions, Screening Cassette, Tape #1, Tape #2, Length 39:00, Dub [Sept 7/93] | September 7, 1993 | |
| 1994-039/051 | (10) | GO YOUR OWN WAY: Casting 6, No.1,[Nov 14/82], 3/4" | November 14, 1982 | |
| 1994-039/051 | (11) | GO YOUR OWN WAY: Casting 6, No.2,[Nov 14/82], 3/4" | November 14, 1982 | |
| 1994-039/051 | (12) | BLACK TEENAGERS: [Feb 22/85], 3/4" | February 22, 1985 | |
| 1994-039/051 | (13) | BLACK TEENAGERS: Pat, Fabian and Joy, Tape #1, [Nov 8/?], Beta | | |
| 1994-039/051 | (14) | BLACK TEENAGERS: Pat, Fabian and Joy, Tape #2, [Nov 8/?], Beta | | |
| 1994-039/051 | (15) | BLACK TEENAGERS: Tape #2, [Nov 8/?], Beta | | |
| 1994-039/051 | (16) | FIRST STOP, CHINA: National Film Board of Canada, 80 min 55 sec, Beta | | |
| 1994-039/051 | (17) | STRINGS ATTACHED: #8, Unfinished Product for NFB Internal Preview Use Only, 3/4" | | |
| 1994-039/051 | (18) | YOUTH & CRIME: Running time: 11 m. 11s. (CLIP), Director: John Smith, Producer: Sam Grana, 3/4" Color Plus | | |
| 1994-039/051 | (19) | YOUTH & CRIME: Tape #1, 3/4" | | |
| 1994-039/051 | (20) | YOUTH & CRIME: Tape #2, 3/4" | | |
| 1994-039/051 | (21) | SEASCAPE: Sony, 3/4" | | |
| 1994-039/051 | (22) | CANADA VIGNETTES: From Cobalt to Casa Loma, 2. History for Tomorrow, 3. Angel of Death, 4. Agnes Macphail B&W, 3/4",Q2HD Cassette | | |
| 1994-039/052 | (1) | CANADA VIGNETTES: 1. Crossing Guards, 2. Skier, 3. Men of the Deep, 4. Toronto, 3/4", Q2HD Cassette | | |
| 1994-039/052 | (2) | CANADA VIGNETTES: 1.Bill Reid, 2.Unity Pole, 3.Wooly Mammoth, 4. Alouette, 3/4", Q2HD Cassette | | |
| 1994-039/052 | (3) | CANADA VIGNETTES: 1. Delta Plane, Eng., 2. Delta Plane, Fr., 3. Instant French, 4. Dance, 5. Marine Biologist, 3/4", Q2HD Cassette | | |
| 1994-039/052 | (4) | NORTHERN SEASONS, BRIDGE FOR THE DEMPSTER: 3/4", Q2HD Cassette | | |
| 1994-039/052 | (5) | RED RAINBOW DANCE 450: Publicity Tape, Sony, 3/4" | | |
| 1994-039/052 | (6) | SING ALONG #2: 3M AVX60, Audiocassette tape | | |
| 1994-039/052 | (7) | REVOLUTION'S ORPHANS: F/mix Copy, 33/4ips, Transcription Only, Scotch Magnetic Tape | | |
| 1994-039/052 | (8) | GORDON QUINTAN, JOHN LACEY, [?]: Music Master, Audio M.T.R., Cassette Tape | | |
| 1994-039/052 | (9) | DANCE: Wild Commentary RL.I, NFB Centre Track, [Apr 27/81], 16 mm Magnetic Film | April 27, 1981 | |
| 1994-039/052 | (10) | ART OF ACTING: Eng.F/Mix, 1 of 1, 16 mm transfer of final mix, [Aug 22/80], 16 mm Magnetic Film | August 22, 1980 | |
| 1994-039/052 | (11) | ART OF ACTING: Pix B/W, 45.359, John N.Smith, 3023, 16 mm | | |
| 1994-039/052 | (12) | 1- 3M Color Plus Beta Videocassette | | |
| 1994-039/052 | (13) | 1- 3M Color Plus Beta Videocassette | | |
| 1994-039/052 | (14) | 1-VHS Videocassette | | |
| 1994-039/052 | (15) | 1-VHS Videocassette | | |
| 1994-039/052 | (16) | 1- can of 16 mm film (*S.Wodoslawsky) | | |
| 1994-039/052 | (17) | 1- can of 35 mm (unmod) | | |
| 1994-039/053 | (1) | THE NEW BOYS: John Smith, NFB, 16 mm | | |
| 1994-039/053 | (2) | THE NEW BOYS: C6, 16 mm | | |
| 1994-039/053 | (3) | ACTING CLASS: From clip, Reel 1 of 1, Final Mix, [Feb 25/81], 35 mm | | |
| 1994-039/053 | (4) | NO DAY OF REST: Footage 1026, 27 min 40 sec, 16 mm | | |
| 1994-039/053 | (5) | NO DAY OF REST: Studio E Print, NFB, 16 mm | | |
| 1994-039/053 | (6) | N.F.B. MONTREAL BLDG.: Cutting Copy, B&W, 16 mm | | |
| 1994-039/053 | (7) | NEW BUILDING: Silent, Reel 1, 16 mm | | |
| 1994-039/053 | (8) | DISTRESS SIGNALS: Sub-Titles, Bob Allen, 1 Roll, Process Only, As Reversal, Awind-Original, 16 mm | | |
| 1994-039/053 | (9) | EXPERIMENTAL T.V.: 16 mm | | |
| 1994-039/053 | (10) | WE SING MORE THAN WE CRY: IMPRESSIONS OF ACADIA: 16 mm | | |
| 1994-039/053 | (11) | [?]: Mr.John Smith Original B&W neg. 1 roll = 129 Ft, 16 mm | | |
| 1994-039/053 | (12) | READY WHEN YOU ARE: 16 mm | | |
| 1996-002/001 | (1) | Budgets | | |
| 1996-002/001 | (2) | Casting; includes four black and white photos with resumes; fax paper | | |
| 1996-002/001 | (3) | Contract | | |
| 1996-002/001 | (4) | "Filing -- past stuff" includes one black and white photo, call sheets, schedules etc. | | |
| 1996-002/001 | (5) | Location list, info on Nevada, colour photographs of locations | | |
| 1996-002/001 | (6) | Kate's correspondence | | |
| 1996-002/001 | (7) | Memos | | |
| 1996-002/001 | (8) | Music | | |
| 1996-002/001 | (9) | Post-production | | |
| 1996-002/001 | (10) | Research | | |
| 1996-002/001 | (11) | Resumes -- production staff | | |
| 1996-002/002 | (1) | Draft of Sugartime dated February 9th, 1995 | February 9, 1995 | |
| 1996-002/002 | (2) | Schedules | | |
| 1996-002/002 | (3) | Script Notes | | |
| 1996-002/002 | (4) | Palette for Sugartime | | |
| 1996-002/002 | (5) | Sugartime script | March 2, 1995 | |
| 1996-002/002 | (6) | Sugartime script | April 7, 1995 | |
| 1996-002/002 | (7) | Sugartime script | April 17, 1995 | |
| 1996-002/002 | (8) | Research: photocopy of The Don: The Life and Death of Sam Giancana, William Brashler | | |
| 1996-002/003 | (1) | Research: photocopy of Dearest Madame by Irma Hunt | | |
| 1996-002/003 | (2) | Master Sugartime script: last revision | June 8, 1995 | |
| 1996-002/003 | (3) | Research: photocopy of The Mansions of Limbo, Dominick Dunne | | |
| 1996-002/003 | (4) | Research: photocopy of Judith Exner: My Story, Ovid Demaris | | |
| 1996-002/003 | (5) | "Removed Binder Pages": director's binder with breakdowns: extras, vehicles, script supervisor, music, includes schedules, etc. | | |
| 1996-002/004 | (1) | Suggested Music for Sugartime, seventeen tapes, including The McGuire Sisters | | |
| 1996-002/005 | (1) | Casting: four black and white photos, resumes, and notes | | |
| 1996-002/005 | (2) | Research: photocopy of Doublecross: The Explosive, Inside Story of the Mobster who controlled America, Sam and Chuck Giancana | | |
| 1996-002/005 | (3) | "Sugartime Archives": list of cast measurements, suggested research material, itineraries, resumes, edits, faxes, notes,
sketch of scene layout on brown paper | | |
| 1996-002/005 | (4) | Receipts and reimbursements | | |
| 1996-002/005 | (5) | Shooting Schedule | | |
| 1996-002/005 | (6) | Draft Comparisons | | |
| 1996-002/005 | (7) | Sugartime: Revised Pink Script | April 19, 1995 | |
| 1996-002/006 | (1) | Twenty-seven tapes of daily shoots; numbered 5-48, but missing significant numbers; we do have reels 5, 6, 8, 24-45, 48, and two unnumbered reels of days three and four | | |
| 1996-002/006 | (2) | Tape dated 6-28-95 with inside log | June 28, 1995 | |
| 1996-002/006 | (3) | Tape labelled: Sugartime trt, 7-3-95 | July 3, 1995 | |
| 1996-002/006 | (4) | Tape labelled: Sugartime, hour 2 | | |
| 1996-002/006 | (5) | Sugartime, Rough cuts | | |
| 1996-002/006 | (6) | McGuire Sisters, rehearsal | | |
| 1996-002/006 | (7) | HBO Crime Inc. Series II: "Make it Legitimate," The Old Mob: The New" | | |
| 1996-002/007 | (1) | File labelled "International Introduction: New York"; includes Academy Awards Guidelines, accommodation rental contract | | |
| 1996-002/007 | (2) | Editing issues re: actual editing; editing for airlines; handwritten notes on cuts and shooting; music notes; continuity notes; music spotting notes reshoot cast list, schedule, notes; personal letters to and from Michelle Pfeiffer; suggested casting for lead | | |
| 1996-002/007 | (3) | Script revisions (January 3, 10, 1995), schedules; reshoot scenes | January 3 and 10, 1995 | |
| 1996-002/007 | (4) | Promo info: Smith's resume, lists of awards | | |
| 1996-002/007 | (5) | The National Research Group: "Dangerous Minds" report of recruited audience survey | | |
| 1996-002/007 | (6) | Contracts: Blind Script Commitment, and Memorandum of Agreement | | |
| 1996-002/007 | (7) | Publicity: director's extensive production notes about the evolution of the film; correspondence; working press kit selection | | |
| 1996-002/007 | (8) | Script for reshoot | | |
| 1996-002/007 | (9) | Music Spotting notes -- final | | |
| 1996-002/008 | (1) | Actors: audition notes with resumes, twenty-one black and white, one colour photo | | |
| 1996-002/008 | (2) | Acting coach | | |
| 1996-002/008 | (3) | Assistant Director | | |
| 1996-002/008 | (4) | First Assistant Directors | | |
| 1996-002/008 | (5) | Casting Director | | |
| 1996-002/008 | (6) | Cinematographer | | |
| 1996-002/008 | (7) | Music Composers: contains notations re: artists approached about possible contributions | | |
| 1996-002/008 | (8) | Costume Designer | | |
| 1996-002/008 | (9) | Editors | | |
| 1996-002/008 | (10) | Set locations | | |
| 1996-002/008 | (11) | Production Assistant | | |
| 1996-002/008 | (12) | Writer's Credits | | |
| 1996-002/008 | (13) | Production Manager | | |
| 1996-002/008 | (14) | "Seeking Employment": actors, trailer rentals, musicians, tape editors, assistants, etc.; includes three black and white photos | | |
| 1996-002/008 | (15) | Reviews and Feature Stories: Dangerous Minds (Posse) | | |
| 1996-002/009 | (1) | Correspondence: letters and faxes regarding publicity, etc. | May-June, 1995 | |
| 1996-002/009 | (2) | Correspondence: letters and faxes regarding publicity, etc. | July 1995 | |
| 1996-002/009 | (3) | Correspondence: letters and faxes regarding publicity, reviews, etc. | August 1995 | |
| 1996-002/009 | (4) | Press kit, includes 5 black and white photos | | |
| 1996-002/009 | (5) | Press junket | July 7-11, [1995] | |
| 1996-002/009 | (6) | Staff and Crew lists, one colour photo dated 1994 (includes cast)(Restricted) | | |
| 1996-002/009 | (7) | Correspondence: letters and faxes regarding publicity, rough drafts of letters, production info, notes, resumes, schedules, etc. | December 1993-April 1995 |
includes one colour slide/still
|
| 1996-002/009 | (8) | Copy of Preview magazine and Mouth to Mouth, Sept./Oct. | 1994 | |
| 1996-002/009 | (9) | Published final budget as of | April 14, 1994 | |
| 1996-002/009 | (10) | Boys of St. Vincent -- Some material apparently used as publicity info for Smith as director of Posse | |
includes reviews
|
| 1996-002/010 | (1) | Audiotapes (fourteen total): Posse ref. tape, alterantive #1; Posse ref. tape, alternative #2; Posse ref. tape, r&b, hip hop; Michelle's themes; Posse, media ventures; tape for John from editorial; Natalie music inc.; Posse, Mark Mancina mix; Jane Brockman; Posse, Mark Isham; David Schwartz; Terence Blanchard; Stewart Copeland; Cliff Eidelman | | |
| 1996-002/010 | (2) | Videotapes: posse music demos; music cues; Mind electronic press kit; promo clips rough cut two; featurette; trailer #1; preview #2; main title sequence; home prds; epk; two recut tapes; four full feature viewing cassettes | | |
| 1998-012/001 | (1) | Cachao | 1994 | |
| 1998-012/001 | (2) | Romeo and Juliet in Sarajevo | May 1995 | |
| 1998-012/001 | (3) | Dominion '95 Camp Meeting (tape 1) | July 1995 | |
| 1998-012/001 | (4) | Dominion '95 Camp Meeting (tape 2) | July 1995 | |
| 1998-012/001 | (5) | Sam & Phyllis | August 1995 | |
| 1998-012/001 | (6) | Dangerous Minds (tape 1 and 2) | 1995 | |
| 1998-012/001 | (7) | Dangerous Minds (tape 3 and 4) | 1995 | |
| 1998-012/001 | (8) | Dangerous Minds (tape 5) | 1995 | |
| 1998-012/001 | (9) | "Priest" Antonia Bird | | |
| 1998-012/001 | (10) | Cast a Deadly Spell | | |
| 1998-012/001 | (11) | Side Effects: "In Sickness and In Health" | | |
| 1998-012/002 | (1) | Sugartime | June 1995 | |
| 1998-012/002 | (2) | Sugartime (part 1 of 1) | 1995 | |
| 1998-012/002 | (3) | Sugartime (Cut A) | August 1995 | |
| 1998-012/002 | (4) | Sugartime (Cut C) | September 1995 | |
| 1998-012/002 | (5) | Sugartime (Cut D) | September 1995 | |
| 1998-012/002 | (6) | Sugartime (Cut E) | September 1995 | |
| 1998-012/002 | (7) | Sugartime (Cut E), (copy 2) | September 1995 | |
| 1998-012/002 | (8) | Lili | | |
| 1998-012/002 | (9) | "Little Criminals" | | |
| 1998-012/002 | (10) | Where Angels Fear to Tread | | |
| 1998-012/003 | (1) | "Dutch Dream" | 1990 | |
| 1998-012/003 | (2) | Stepping Razor: Red X | 1992 | |
| 1998-012/003 | (3) | Boys of St. Vincent (part 1) | April 1992 | |
| 1998-012/003 | (4) | Kessler Irish Films | March 1996 | |
| 1998-012/003 | (5) | Welcome to Canada (part 1 of 2) | September 1997 | |
| 1998-012/003 | (6) | Shay Duffin As Brendan Behan | | |
| 1998-012/003 | (7) | The Heritage Minutes Complete Collection | | |
| 1998-012/003 | (8) | "The War Between Us" | | |
| 1998-012/003 | (9) | The Hanging Gale | | |
| 1998-012/003 | (10) | "The Process" | | |
| 1998-012/004 | (1) | Million Dollar Babies (part I) | 1994 | |
| 1998-012/004 | (2) | Million Dollar Babies (part II) | 1994 | |
| 1998-012/004 | (3) | Dangerous Minds | 1995 | |
| 1998-012/004 | (4) | Harry Weinberg's Notebook | | |
| 1998-012/004 | (5) | A Cold Day in Conneticut | | |
| 1998-012/004 | (6) | Kitchen Art -- Lucie Coluccina | | |
| 1998-012/004 | (7) | Arbus/Terkel | 1968 | |
| 1998-012/004 | (8) | Makem and Clancy | 1989 | |
| 1998-012/004 | (9) | Glenn Frey | 1993 | |
| 1998-012/004 | (10) | The Freebird Band Live at Teddy Bob's Bar | 1994 | |
| 1998-012/004 | (11) | The Freebird Band Live at Weed's Cabaret | | |
| 1998-012/004 | (12) | First and Second Half of a Reading (2 tapes) | 1994 | |
| 1998-012/004 | (13) | Danny Osmond's Greatest Hits, Frank Sinatra's Hits | | |
| 1998-012/004 | (14) | Angels Hovering 'Round | | |
| 1998-012/004 | (15) | "Knees Up Mother Brown" | | |
| 1998-012/005 | (1) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (2) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (3) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (4) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (5) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (6) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (7) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (8) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (9) | Baseball: A Film by Ken Burns | 1994 | |
| 1998-012/005 | (10) | "The Gift", NFB, 7/4/86 | July 4, 1986 | |
| 1998-012/006 | (1) | "Masculine Mystique", 9/8/84 | Septmber 8, 1984 | |
| 1998-012/006 | (2) | "Masculine Mystique", 9/8/84 | Septmber 8, 1984 | |
| 1998-012/007 | (1) | Archives | | |
| 1998-012/007 | (2) | The Boys of St. Vincent | | |
| 1998-012/007 | (3) | Legal | | |
| 1998-012/007 | (4) | Posse -- Current | | |
| 1998-012/007 | (5) | Sugartime -- Current | | |
| 1998-012/007 | (6) | Good Citizen | | |
| 1998-012/007 | (7) | Projects | | |
| 1998-012/007 | (8) | First Winter and Others -- Press | | |
| 1998-012/007 | (9) | Legal -- Green Card | | |
| 1998-012/007 | (10) | Green Card | | |
| 1998-012/007 | (11) | Academy of Canadian Cinema | | |
| 1998-012/007 | (12) | Affirmative Action | | |
| 1998-012/007 | (13) | Commercials | | |
| 1998-012/007 | (14) | Crystal | | |
| 1998-012/007 | (15) | Crystal -- Budget | | |
| 1998-012/007 | (16) | Dangerous Minds | | |
| 1998-012/007 | (17) | Patty Detroit | | |
| 1998-012/007 | (18) | Dieppe | | |
| 1998-012/007 | (19) | Dmitriana | | |
| 1998-012/007 | (20) | Force Majeure | | |
| 1998-012/007 | (21) | I R S | | |
| 1998-012/007 | (22) | Heritage Minutes | | |
| 1998-012/007 | (23) | Libido Factor | | |
| 1998-012/007 | (24) | Lying Doggo | | |
| 1998-012/007 | (25) | Lie Detector | | |
| 1998-012/007 | (26) | Marlowe | | |
| 1998-012/007 | (27) | Medical | | |
| 1998-012/007 | (28) | Paper Bullets | | |
| 1998-012/007 | (29) | Pornography | | |
| 1998-012/008 | (1) | Script Letters | | |
| 1998-012/008 | (2) | Sugartime -- Budget | | |
| 1998-012/008 | (3) | Sugartime -- Music | | |
| 1998-012/008 | (4) | Suburbia | | |
| 1998-012/008 | (5) | Archives | | |
| 1998-012/008 | (6) | Arbus | | |
| 1998-012/008 | (7) | Crystal -- Contract | | |
| 1998-012/008 | (8) | Family Dancing | | |
| 1998-012/008 | (9) | Good Citizen -- Contract | | |
| 1998-012/008 | (10) | Hardball -- Casting | | |
| 1998-012/008 | (11) | Hardball | | |
| 1998-012/008 | (12) | Moonflower Vine | | |
| 1998-012/008 | (13) | Posse Contracts | | |
| 1998-012/008 | (14) | Resumes | | |
| 1998-012/008 | (15) | Script Letters | | |
| 1998-012/008 | (16) | Scripts -- General | | |
| 1998-012/008 | (17) | Script Notes -- Misc. | | |
| 1998-012/008 | (18) | Tax Papers | | |
| 1998-012/008 | (19) | Sugartime -- Misc. | | |
| 1998-012/009 | (1) | Sugartime -- Shooting Schedule | | |
| 1998-012/009 | (2) | Sugartime -- Script | | |
| 1998-012/009 | (3) | Sugartime -- One Line | | |
| 1998-012/009 | (4) | Sugartime -- Cast Day-o-Days | | |
| 1998-012/009 | (5) | Sugartime -- Misc. Schedules | | |
| 1998-012/009 | (6) | Sugartime -- Set and Site Plans | | |
| 1998-012/009 | (7) | Sugartime -- Music | | |
| 1998-012/009 | (8) | Sugartime -- Crew List | | |
| 1998-012/009 | (9) | Sugartime -- Cast List | | |
| 1998-012/009 | (10) | Sugartime -- Contact List | | |
| 1998-012/009 | (11) | Sugartime -- HBO List | | |
| 1998-012/009 | (12) | Sugartime -- Airline | | |
| 1998-012/009 | (13) | Sugartime -- Memos | | |
| 1998-012/009 | (14) | Dieppe -- Misc. | | |
| 1998-012/009 | (15) | Dieppe -- Script | | |
| 1998-012/009 | (16) | Dieppe -- Schedules | | |
| 1998-012/009 | (17) | Dieppe -- Contact List | | |
| 1998-012/009 | (18) | Dieppe -- Sets and Locations | | |
| 1998-012/009 | (19) | My Posse -- Misc. | | |
| 1998-012/009 | (20) | My Posse -- Schedules | | |
| 1998-012/009 | (21) | My Posse -- Script | | |
| 1998-012/009 | (22) | The Good Citizen -- Screenplay | | |
| 1998-012/009 | (23) | Brave Every Danger -- Screenplay | | |
| 1998-012/009 | (24) | The Shooter -- Screenplay | | |
| 1998-012/009 | (25) | Lumiere dans la tempete -- Screenplay | | |
| 1998-012/009 | (26) | K-Pax -- Screenplay | | |
| 1998-012/009 | (27) | Screenplay -- not named | | |
| 1998-012/009 | (28) | Posse -- Script Notes | | |
| 1998-012/009 | (29) | Fred Levy | | |
| 1998-012/009 | (30) | ICM | | |
| 1998-012/009 | (31) | Crystal | | |
| 1998-012/009 | (32) | L.A. General | | |
| 1998-012/009 | (33) | Posse -- Casting | | |
| 1998-012/009 | (34) | Posse -- Contract | | |
| 1998-012/009 | (35) | Fred Levy (2nd) | | |
| 1998-012/009 | (36) | Northern Run -- Screenplay | | |
| 1998-012/010 | (1) | Hardball -- Screenplay (2 copies) | | |
| 1998-012/010 | (2) | Hardball -- Post-Production Schedule | | |
| 1998-012/010 | (3) | Hardball -- Archives | | |
| 1998-012/010 | (4) | Hardball -- Beat Outline | | |
| 1998-012/010 | (5) | Hardball -- Cast | | |
| 1998-012/010 | (6) | Hardball -- Cast Breakdown | | |
| 1998-012/010 | (7) | Hardball -- Casting Sides | | |
| 1998-012/010 | (8) | Casting Agents | | |
| 1998-012/010 | (9) | Casting -- Callbacks | | |
| 1998-012/010 | (10) | Casting -- Leads | | |
| 1998-012/010 | (11) | Correspondence -- Incoming, Personal | | |
| 1998-012/010 | (12) | Correspondence -- Outgoing, Personal | | |
| 1998-012/010 | (13) | Documents | | |
| 1998-012/010 | (14) | Expenses | | |
| 1998-012/010 | (15) | Family Dancing | | |
| 1998-012/010 | (16) | Girlie Night | | |
| 1998-012/010 | (17) | Memos -- Incoming | | |
| 1998-012/010 | (18) | Memos -- Outgoing | | |
| 1998-012/010 | (19) | Travel | | |
| 1998-012/010 | (20) | Oakwood Apartments | | |
| 1998-012/010 | (21) | Contact Lists | | |
| 1998-012/010 | (22) | Hardball -- General | | |
| 1999-018/001 | (1) | Script | 1997 | |
| 1999-018/001 | (2) | Cool Dry Script -- notes | 1997 | |
| 1999-018/001 | (3) | Archives [call sheets, revised script pages etc.] | 1997 | |
| 1999-018/001 | (4) | First draft | November 29, 1995 | |
| 1999-018/001 | (5) | Second draft | April 30, 1996 | |
| 1999-018/001 | (6) | First polish | May 12, 1996 | |
| 1999-018/001 | (7) | Revised draft | May 26, 1996 | |
| 1999-018/001 | (8) | More Than Just a Game script | 1997 | |
| 1999-018/001 | (9) | Revised draft | 1997 | |
| 1999-018/001 | (10) | Revised draft | January 14, 1997 | |
| 1999-018/001 | (11) | Revised draft | January 22, 1997 | |
| 1999-018/001 | (12) | Revised draft | January 22, 1997 | |
| 1999-018/001 | (13) | Revised draft | January 22, 1997 | |
| 1999-018/001 | (14) | Revised draft | February 22, 1997 | |
| 1999-018/001 | (15) | Revised draft | February 22, 1997 | |
| 1999-018/001 | (16) | Revised script | 1997 |
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| 1999-018/001 | (17) | Revised script | 1997 |
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| 1999-018/001 | (18) | Revised script | 1997 |
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| 1999-018/001 | (19) | Draft | April 8, 1997 | |
| 1999-018/001 | (20) | Draft -- Blue Revision | April 23, 1997 | |
| 1999-018/001 | (21) | Draft -- Vince | May 20, 1997 | |
| 1999-018/001 | (22) | Old Script Pages | 1997 | |
| 1999-018/002 | (1) | Old Script, Photos | 1997 | |
| 1999-018/002 | (2) | Archives | 1997 | |
| 1999-018/002 | (3) | Archives | 1997 | |
| 1999-018/002 | (4) | Cool, Dry -- archives | 1997 | |
| 1999-018/002 | (5) | Archives [correspondence and storyboards] | 1997 | |
| 1999-018/002 | (6) | Archives [correspondence, notes, memoranda, etc.] | 1997 |
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| 1999-018/002 | (7) | Archives [correspondence, notes, memoranda, etc.] | 1997 |
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| 1999-018/002 | (8) | A Cool Dry, Place [correspondence, schedules, notes] | 1997-1998 |
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| 1999-018/002 | (9) | A Cool Dry, Place [correspondence, schedules, notes] | 1997-1998 |
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| 1999-018/002 | (10) | Breakdowns | 1997 | |
| 1999-018/002 | (11) | Call Sheets | 1997 |
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| 1999-018/002 | (12) | Call Sheets | 1997 |
2 of 2
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| 1999-018/002 | (13) | Clearance | 1997 | |
| 1999-018/002 | (14) | Cool Dry Playback Clips | 1997 | |
| 1999-018/002 | (15) | Cool Dry Continuity | 1997 | |
| 1999-018/002 | (16) | Daily Phone Lists and Schedule | | |
| 1999-018/002 | (17) | Editing | 1997 | |
| 1999-018/002 | (18) | Film Index | 1997 | |
| 1999-018/002 | (19) | Final Crew List | 1997 | |
| 1999-018/002 | (20) | Fund Raiser | 1997 | |
| 1999-018/002 | (21) | Letter Head | [1997?] | |
| 1999-018/002 | (22) | Lindsey | 1997 | |
| 1999-018/002 | (23) | T.O. File [Memoranda] | 1997 | |
| 1999-018/002 | (24) | Out-Going Memos | 1997 | |
| 1999-018/002 | (25) | Memos Received | 1997 | |
| 1999-018/002 | (26) | Travel Memo | 1997 | |
| 1999-018/002 | (27) | Miscellaneous | 1997 | |
| 1999-018/002 | (28) | Miscellaneous | 1997 | |
| 1999-018/002 | (29) | Music Cool Dry | 1997 | |
| 1999-018/002 | (30) | The Powder Room | [1997?] | |
| 1999-018/002 | (31) | Playback Stock Footage (Cool Dry) | 1997 | |
| 1999-018/002 | (32) | Rehearsal (Cool Dry) | | |
| 1999-018/002 | (33) | Cool Dry Schedule (Entire) | 1997 | |
| 1999-018/002 | (34) | Cool Dry Script | 1997 | |
| 1999-018/002 | (35) | Shooting Archives | 1997 |
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| 1999-018/002 | (36) | Shooting Archives | 1997 |
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| 1999-018/002 | (37) | Shooting Schedule | 1997 | |
| 1999-018/002 | (38) | Post Schedule | 1997 | |
| 1999-018/003 | (1) | Screen Test Kids | 1997 | |
| 1999-018/003 | (2) | ADR John Smith | 1997 | |
| 1999-018/003 | (3) | [Fisher Farm] | 1997 | |
| 1999-018/003 | (4) | Fisher Farm | 1997 | |
| 1999-018/003 | (5) | Fisher Field | 1997 | |
| 1999-018/003 | (6) | Russ and Calvin meet Beth on Horse | 1997 | |
| 1999-018/003 | (7) | [Streets] | 1997 | |
| 1999-018/003 | (8) | [Streets] | 1997 | |
| 1999-018/003 | (9) | [Streets] | 1997 | |
| 1999-018/003 | (10) | Tree | 1997 | |
| 1999-018/003 | (11) | Tree Focal Length Progression | 1997 | |
| 1999-018/003 | (12) | Walk and Talk | 1997 | |
| 1999-018/003 | (13) | Cool and Dry -- Black and White Contact Sheets | |
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| 1999-018/003 | (14) | Cool and Dry -- Black and White Contact Sheets | |
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| 1999-018/003 | (15) | Cool and Dry -- Black and White Contact Sheets | |
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| 1999-018/003 | (16) | Cool and Dry -- Black and White Contact Sheets | |
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| 1999-018/003 | (17) | ADR | 1997 | |
| 1999-018/003 | (18) | Archives (Post-Production) | 1997 | |
| 1999-018/003 | (19) | Archives (Post-Production) | 1997 | |
| 1999-018/003 | (20) | Clearance (Post-Production) | 1997 | |
| 1999-018/003 | (21) | Dailies SC# Breakdown (Post-Production) | 1997 | |
| 1999-018/003 | (22) | Editing (Post-Production) | 1997 | |
| 1999-018/003 | (23) | End Titles | 1997 | |
| 1999-018/003 | (24) | Cool Dry -- Fax Cover | 1997 | |
| 1999-018/003 | (25) | Fax Numbers | 1997 | |
| 1999-018/003 | (26) | Final Crew List (Post-Production) | 1997 | |
| 1999-018/003 | (27) | Movie Preview | 1997 | |
| 1999-018/003 | (28) | Cool Dry Music | 1997 | |
| 1999-018/003 | (29) | Fox Music (Post Production) | 1997 | |
| 1999-018/003 | (30) | Music -- Legal | 1997 | |
| 1999-018/003 | (31) | Music -- Songs (Post-Production) | 1997-1998 | |
| 1999-018/003 | (32) | Temp. Music | 1997 | |
| 1999-018/003 | (33) | Music Supervisor Resumes (Post-Production) | 1997 | |
| 1999-018/003 | (34) | Outgoing Memos (Post-Production) | 1997 | |
| 1999-018/003 | (35) | Post-Production Suff Intro. | 1997 | |
| 1999-018/003 | (36) | Post-Schedule | 1997 | |
| 1999-018/003 | (37) | Preview No. 2 | 1997 | |
| 1999-018/003 | (38) | REM | 1997 | |
| 1999-018/003 | (39) | REM | 1997 | |
| 1999-018/003 | (40) | REM Screening (Post-Production) | 1997 | |
| 1999-018/003 | (41) | Resumes | 1997 | |
| 1999-018/003 | (42) | Script Chronology (Post-Production) | 1997 | |
| 1999-018/003 | (43) | Videotape Forum (Fox) | 1997-1998 | |
| 1999-018/003 | (44) | November 4th -- C.D. Place Rough Cut Screening Questionnaires | [1997?] |
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| 1999-018/003 | (45) | November 4th -- C.D. Place Rough Cut Screening Questionnaires | [1997?] |
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| 1999-018/003 | (46) | Screening Questionnaires | 1997 |
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| 1999-018/003 | (47) | Screening Questionnaires | 1997 |
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| 1999-018/003 | (48) | Screening Questionnaires | 1997 |
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| 1999-018/003 | (49) | Casting (Cool Dry) | 1997 | |
| 1999-018/003 | (50) | Casting (Cool Dry) | 1997 | |
| 1999-018/003 | (51) | Casting (Cool Dry) | 1997 | |
| 1999-018/003 | (52) | Cool Dry Contact Lists | 1997 | |
| 1999-018/003 | (53) | Contact Lists | 1997 | |
| 1999-018/003 | (54) | David Coutsworth | 1997 | |
| 1999-018/003 | (55) | Joey | [1997?] | |
| 1999-018/003 | (56) | Laura Strogoff Publicity | 1997 | |
| 1999-018/003 | (57) | Resumes Acting Coaches | 1997 | |
| 1999-018/003 | (58) | Montreal Editors | 1997 | |
| 1999-018/004 | (1) | [Personnel] | 1997 | |
| 1999-018/004 | (2) | Dr. Phillip | 1997 | |
| 1999-018/004 | (3) | Monica Potter | 1997 | |
| 1999-018/004 | (4) | Resumes -- Cool Dry Editors | 1997 | |
| 1999-018/004 | (5) | Cool Dry Resumes -- Other (Hair, Make-up, etc.) | 1997 | |
| 1999-018/004 | (6) | Resumes -- Photographers | 1997 | |
| 1999-018/004 | (7) | Speech Coach | 1997 | |
| 1999-018/004 | (8) | Vince Vaughn | 1997 | |
| 1999-018/004 | (9) | Cool Dry Budget #2 | 1997 | |
| 1999-018/004 | (10) | Cool Dry Budget Updates | 1997 | |
| 1999-018/004 | (11) | Cool Dry Contract | 1997 | |
| 1999-018/004 | (12) | Contracts | 1997 | |
| 1999-018/004 | (13) | Cool Dry | 1997 | |
| 1999-018/004 | (14) | John N. Smith -- Petty Cash Submitted | 1997 | |
| 1999-018/005 | (1) | A Cool, Dry Place Basketball Rehearsal | June 14, 1997 | |
| 1999-018/005 | (2) | A Cool, Dry Place Productions Ltd. --"A Cool Place" 35mm Pos and Mag Audio -- Roll #1 -- transfer date | May 15, 1997 | |
| 1999-018/005 | (3) | A Cool, Dry Place -- Toronto Casting | May 8, 1997 | |
| 1999-018/005 | (4) | Powder Room -- NFB Documentary Directed by Ann Kennard, Produced by Michael Allder | October 15, 1996 | |
| 1999-018/005 | (5) | A Cool, Dry Place -- Calvin, Bobby Moat, Anthony Fabris, Dyllan Christopher | April 24, 1997 | |
| 1999-018/005 | (6) | Joey Lauren Adams, Jay Leno and David Letterman | | |
| 1999-018/005 | (7) | Joey Lauren Adams, "Chasing Amy" and "Michael" scenes | | |
| 1999-018/005 | (8) | Joey Lauren Adams, David Letterman | April 30, 1997 | |
| 1999-018/005 | (9) | Joey Lauren Adams, David Letterman | April 30, 1997 | |
| 1999-018/005 | (10) | Untitled | | |
| 1999-018/005 | (11) | A Cool, Dry Place -- Toronto Casting | April 29, 1997 | |
| 1999-018/005 | (12) | A Cool, Dry Place -- Toronto Casting | April 28, 1997 | |
| 1999-018/005 | (13) | National High School Cheerleading Championships | | |
| 1999-018/005 | (14) | A Cool, Dry Place -- Compilation Tape | May 6, 1997 | |
| 1999-018/005 | (15) | A Cool, Dry Place -- Monica Potter 'Kate' | April 28, 1997 | |
| 1999-018/005 | (16) | A Cool, Dry Place | May 2, 1997 | |
| 1999-018/005 | (17) | A Cool, Dry Place | March 31, 1997 | |
| 1999-018/005 | (18) | A Cool, Dry Place -- Rose McGowan 'Kate' | April 23, 1997 | |
| 1999-018/006 | (1) | A Cool, Dry Place -- Supporting Cast | |
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| 1999-018/006 | (2) | A Cool, Dry Place -- Supporting Cast | |
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| 1999-018/006 | (3) | A Cool, Dry Place -- Calvin -- L.A. Kids | March 29, 1997 | |
| 1999-018/006 | (4) | A Cool, Dry Place | March 26, 1997 | |
| 1999-018/006 | (5) | A Cool, Dry Place | March 28, 1997 | |
| 1999-018/006 | (6) | A Cool, Dry Place -- Vince Vaughn -- Screen Test | | |
| 1999-018/006 | (7) | A Cool, Dry Place -- Samantha Mathis (Kate) | | |
| 1999-018/006 | (8) | A Cool, Dry Place | | |
| 1999-018/006 | (9) | A Cool, Dry Place -- Scene: Part One, Running time: 2 Hours | September 5, 1997 | |
| 1999-018/006 | (10) | A Cool, Dry Place -- Scene: Part Two, Running time: 2 Hours | September 5, 1997 | |
| 1999-018/006 | (11) | A Cool, Dry Place -- Temp. Music | October 27, 1997 | |
| 1999-018/006 | (12) | A Cool, Dry Place -- Scene: 214, Running time: 27 seconds | August 29, 1997 | |
| 1999-018/006 | (13) | A Cool, Dry Place -- Temp. Music -- Temp. MX from Allen | | |
| 1999-018/006 | (14) | A Cool, Dry Place -- Temp Music, | October 28, 1997 | |
| 1999-018/006 | (15) | A Cool, Dry Place -- Temp. Music, | October 28, 1997 | |
| 1999-018/006 | (16) | A Cool, Dry Place -- Temp. Music, | October 30, 1997 | |
| 1999-018/006 | (17) | A Cool, Dry Place Temp. Music, | October 31, 1997 | |
| 1999-018/007 | (1) | A Cool, Dry Place Reels: 1AB-2AB Pt. 1 of 3 FOX SPECS Approx. 40:00 Transferred | March 6, 1998 | |
| 1999-018/007 | (2) | A Cool, Dry Place Reels: 3AB-4AB Pt. 2 of 3 FOX SPECS Approx. 40:00 Transferred | March 6, 1998 | |
| 1999-018/007 | (3) | A Cool, Dry Place Reels: 5AB Pt. 3 of 3 FOX SPECS Approx. 20:00 Transferred | March 6, 1998 | |
| 1999-018/007 | (4) | A Cool, Dry Place Reels: 1-5 Locked for 3 REV. Pt. 1 of 2 FOX SPECS R/T54:15 Transferred Feb. 24th, 1998 | February 24, 1998 | |
| 1999-018/007 | (5) | A Cool, Dry Place Reels: 1-5 Locked for 3 REV. Pt. 2 of 2 FOX SPECS R/T54:15 Transferred Feb. 24th, 1998 | February 24, 1998 | |
| 1999-018/007 | (6) | A Cool, Dry Place Feb. 20 Cut Part 1 of 2 54:19 Viewing copy for FOX SPECS Transferred Feb. 20th, 1998 | February 20, 1998 | |
| 1999-018/007 | (7) | A Cool, Dry Place Feb. 20 Cut Part 1 of 2 46:04 Viewing copy for FOX SPECS Transferred Feb. 20th, 1998 | February 20, 1998 | |
| 1999-018/007 | (8) | A Cool, Dry Place Sue Edit 1 Alt. Open RLS 1 and 2 Viewing copy for FOX SPECS Transferred Feb. 18th, 1998 | February 18, 1998 | |
| 1999-018/007 | (9) | A Cool, Dry Place Studio Cut#1 Pt. 1 of 2 Viewing copy Transferred Feb. 18th, 1998 | February 18, 1998 | |
| 1999-018/007 | (10) | A Cool, Dry Place Studio Cut #1 Pt. 2 of 2 Viewing Copy Transferred Feb. 18th, 1998 | February 18, 1998 | |
| 1999-018/007 | (11) | A Cool, Dry Place PRE. #3 Reels 1-5 Pt. 1 of 2 54:41 | February 7, 1998 | |
| 1999-018/007 | (12) | A Cool, Dry Place PRE. #3 Feb. 7, 1998 Pt. 2 of 2 46:44 Viewing Copy for FOX SPECS Transferred Feb. 11th, 1998 | February 11, 1998 | |
| 1999-018/007 | (13) | A Cool, Dry Place Producer's Cut #3 Part 1 of 2 FOX SPECS 52:00 Transferred Feb. 2, 1998 | February 2, 1998 | |
| 1999-018/007 | (14) | A Cool, Dry Place Producer's Cut #3 Part 2 of 2 FOX SPECS 52:00 Transferred Feb. 2, 1998 | February 2, 1998 | |
| 1999-018/007 | (15) | A Cool, Dry Place Reels 1AB-5AB First Trial from Interneg Date x-Ferred: | August 6, 1998 | |
| 1999-018/007 | (16) | A Cool, Dry Place Vaughn (V.7) 4/13 Part 1 of 2 FOX SPECS Transferred | April 14, 1998 | |
| 1999-018/007 | (17) | A Cool, Dry Place Vaughn (V.7) 4/13 Part 1 of 2 FOX SPECS Transferred | April 14, 1998 | |
| 1999-018/007 | (18) | A Cool, Dry Place Part 1 of 2 Viewing Copy Kevin McCormick Transferred | March 15, 1997 | |
| 1999-018/007 | (19) | A Cool, Dry Place Part 2 of 2 Viewing Copy Kevin McCormick Transferred | March 15, 1997 | |
| 1999-018/008 | (1) | A Cool, Dry Place David Krystal Temp Music Screening Cassette | August 19, 1997 | |
| 1999-018/008 | (2) | A Cool, Dry Place David 2 Preview Final version Screening Cassette Transfer Dec. 22 1997 (scenes 85, 174 Grampa, 185 Russ/Kate phone) | December 22, 1997 | |
| 1999-018/008 | (3) | Untitled | | |
| 1999-018/008 | (4) | A Cool, Dry Place Editorial REM Assembly RL: #9-#10-#11-#12-#13 | October 15, 1997 | |
| 1999-018/008 | (5) | A Cool, Dry Place Editorial REM Assembly RL: #5-#6-#7-#8 | October 15, 1997 | |
| 1999-018/008 | (6) | A Cool, Dry Place Editorial REM Assembly RL: #1-#2-#2-#4 | October 15, 1997 | |
| 1999-018/008 | (7) | TCL Resources Ltd. A Cool, Dry Place 2 Preview Final Version Dubbed Dec. 13, 1997 | December 13, 1997 | |
| 1999-018/008 | (8) | ASMI Part 1 scene 1-90 and 2 scene 95-145 | October 2, 1997 | |
| 1999-018/008 | (9) | ASMI Part 3 John TCL Resources Ltd. A Cool, Dry Place Scene 146 to end | October 2, 1997 | |
| 1999-018/009 | (1) | Chantal [Kreviazik] -- "Here" song for movie | | |
| 1999-018/009 | (2) | Cool, Dry Place -- Grant Lee Buffalo | | |
| 1999-018/009 | (3) | Cool, Dry Place -- (2) songs | February 10, 1998 | |
| 1999-018/009 | (4) | Cool, Dry Place -- "Nobody Knows Me (Like You Do)" | | |
| 1999-018/009 | (5) | Cool, Dry Place -- "Life Goes On", Gordon Kennedy | November 11, 1997 | |
| 1999-018/009 | (6) | Cool, Dry Place -- "Torn", Natalie Imbruglia | February 13, 1998 | |
| 1999-018/009 | (7) | Cool, Dry Place -- "No Wonder", Michelle Shocked | January 29, 1998 | |
| 1999-018/009 | (8) | Cool, Dry Place -- "Drowning In Flame", Jennifer Stills | | |
| 1999-018/009 | (9) | Jules Shear (New Singer/Songwriter Tunes) | October 10, 1997 | |
| 1999-018/009 | (10) | Cool, Dry Place -- Songs | January 27, 1998 | |
| 1999-018/009 | (11) | Cool, Dry Place - "Maybe", K.D. Lang | November 18, 1997 | |
| 1999-018/009 | (12) | Cool, Dry Place -- Temp. Music | November 25, 1997 | |
| 1999-018/009 | (13) | Cool, Dry Place -- "Live as you Dream", Beth Orton | January 4, 1998 | |
| 1999-018/009 | (14) | Cool, Dry Place -- Shower Scene | April 17, 1997 | |
| 1999-018/009 | (15) | David Masson Commercial Announcer | | |
| 1999-018/009 | (16) | Nathan Demos | | |
| 1999-018/009 | (17) | Cool, Dry Place -- Songs for Scenes | February 13, 1998 | |
| 1999-018/009 | (18) | Cool, Dry Place -- The Jayhawks | January 27, 1998 | |
| 1999-018/009 | (19) | Cool, Dry Place -- Peter Stuart song | December 5, 1997 | |
| 1999-018/009 | (20) | Cool, Dry Place -- REM song | December 12, 1997 | |
| 1999-018/009 | (21) | Cool, Dry Place -- REM tracks | November 4, 1997 | |
| 1999-018/009 | (22) | Jim Cuddy 5 Song Sampler, Unmastered | | |
| 1999-018/009 | (23) | Vezi Tayyeb (693-7822) Demo | | |
| 1999-018/009 | (24) | Claudia Theriault, French Narration | | |
| 1999-018/009 | (25) | Ron Sexsmith | | |
| 1999-018/009 | (26) | Chantal [Kreviazik], "Here" | | |
| 1999-018/009 | (27) | Country Classics -- A Cool Dry Place | |
Compact Disc
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| 1999-018/009 | (28) | Bourne Music Co., Selected Standards, "Unforgettable That's What We Are" | 1995 |
Compact Disc
|
| 2001-030/001 | (1) | Correspondence: Notes, Miscellaneous | 1998-1999 | |
| 2001-030/001 | (2) | My Posse Don't Do Homework: (First Draft) | July 7, 1993 | |
| 2001-030/001 | (3) | My Posse Don't Do Homework: Ronald Bass (Second Draft) | January 3, 1994 | |
| 2001-030/001 | (4) | My Posse Don't Do Homework: (Revised Draft) | | |
| 2001-030/001 | (5) | Sugartime: Revised By Smith | April 21, 1995 | |
| 2001-030/001 | (6) | Two Worlds: Contract | 1996 | |
| 2001-030/001 | (7) | Two Worlds: Correspondence, Memos | 1996-1998 | |
| 2001-030/001 | (8) | Two Worlds: Production Binder | 1998 |
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| 2001-030/001 | (9) | Two Worlds: Production Binder | 1998 |
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| 2001-030/001 | (10) | Love and Savagery: Production Binder | 1996-1999 |
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| 2001-030/001 | (11) | Love and Savagery: Production Binder | 1996-1999 |
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| 2001-030/001 | (12) | God's Witness: Script | 1997 | |
| 2001-030/001 | (13) | The Bubble Room: Production Binder | 1998-1999 | |
| 2001-030/001 | (14) | Schaeffer: Thurling | 1995-1996 | |
| 2001-030/001 | (15) | Devil Boys: Peter Thurling and Inger Howse (First Draft) | April 10, 1994 | |
| 2001-030/001 | (16) | Devil Boys: (Draft) | October 3, 1994 | |
| 2001-030/001 | (17) | Devil Boys: (Draft) | December 15, 1994 | |
| 2001-030/001 | (18) | Devil Boys: Outline Notes | 1994 | |
| 2001-030/001 | (19) | Devil Boys: (Draft) | February 14, 1995 | |
| 2001-030/001 | (20) | Revised Draft | April 25, 1997 | |
| 2001-030/001 | (21) | First Final Draft | July 10, 1997 | |
| 2001-030/001 | (22) | Reframe | December 1997 | |
| 2001-030/001 | (23) | Draft | January 17, 1998 | |
| 2001-030/001 | (24) | Draft | February 6, 1998 | |
| 2001-030/001 | (25) | Draft | February 18, 1998 | |
| 2001-030/001 | (26) | Draft | March 15, 1998 | |
| 2001-030/001 | (27) | Revisions | March 19, 1998 | |
| 2001-030/001 | (28) | Revisions | March 25, 1998 | |
| 2001-030/001 | (29) | Revisions | March 26, 1998 | |
| 2001-030/001 | (30) | Revisions | March 31, 1998 | |
| 2001-030/001 | (31) | Revisions: Pages 55-95 | April 2, 1998 | |
| 2001-030/001 | (32) | Revisions | April 8, 1998 | |
| 2001-030/001 | (33) | Draft | April 15, 1998 | |
| 2001-030/001 | (34) | Draft | June 30, 1998 | |
| 2001-030/001 | (35) | Rough Final | October 9, 1999 | |
| 2001-030/002 | (1) | Devil Boys: Production Binder | 1998 |
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| 2001-030/002 | (2) | Devil Boys: Production Binder | 1998 |
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| 2001-030/002 | (3) | Photographs | [ca. 1999] | |
| 2001-030/002 | (4) | Draft | October 25, 1999 | |
| 2001-030/002 | (5) | Final Draft | November 25, 1999 | |
| 2001-030/002 | (6) | Miscellaneous Notes, Revisions | | |
| 2001-030/002 | (7) | Production Binder | 1998-1999 |
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| 2001-030/002 | (8) | Production Binder | 1998-1999 |
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| 2001-030/002 | (9) | Production Binder | 1998-1999 |
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| 2001-030/003 | (1) | Acting Coach | | |
| 2001-030/003 | (2) | Alex Contract | 1998 | |
| 2001-030/003 | (3) | Archives | 1998 | |
| 2001-030/003 | (4) | Breakdowns | 1998 | |
| 2001-030/003 | (5) | Casting | 1998 | |
| 2001-030/003 | (6) | Character Breakdown | 1998 | |
| 2001-030/003 | (7) | CINAR | 1998 | |
| 2001-030/003 | (8) | Clearance | 1998 | |
| 2001-030/003 | (9) | John Contract | 1998 | |
| 2001-030/003 | (10) | Composer | 1998 | |
| 2001-030/003 | (11) | Credit List | 1998 | |
| 2001-030/003 | (12) | Internet | 1998 | |
| 2001-030/003 | (13) | Invoices: Dunany | 1998 | |
| 2001-030/003 | (14) | Letterhead | | |
| 2001-030/003 | (15) | Locations | 1998 | |
| 2001-030/003 | (16) | Memo Ad Department | 1998 | |
| 2001-030/003 | (17) | Music | 1998 | |
| 2001-030/003 | (18) | Outgoing Memos | 1998 | |
| 2001-030/003 | (19) | Parking Permits: Montreal | 1998 | |
| 2001-030/003 | (20) | Per Diem | 1998 | |
| 2001-030/003 | (21) | Petty Cash | 1998 | |
| 2001-030/003 | (22) | PO's | | |
| 2001-030/003 | (23) | Photos | | |
| 2001-030/003 | (24) | Rehearsals | 1998 | |
| 2001-030/003 | (25) | Resumes | 1998 | |
| 2001-030/003 | (26) | Sasktel | 1998 | |
| 2001-030/003 | (27) | Script Chronology (old) | 1998 | |
| 2001-030/003 | (28) | Script | 1998 | |
| 2001-030/003 | (29) | Second Unit Photo | 1998 | |
| 2001-030/003 | (30) | SPFX | 1998 | |
| 2001-030/003 | (31) | Stephen Hau | 1998 | |
| 2001-030/003 | (32) | Story Boards | 1998 | |
| 2001-030/003 | (33) | Travel Memo | 1998 | |
| 2001-030/003 | (34) | Travel Memos | 1998 | |
| 2001-030/003 | (35) | Trains | 1998 | |
| 2001-030/003 | (36) | Wrap Party | 1998 | |
| 2001-030/003 | (37) | Sean Gallagher | 1998 | |
| 2001-030/003 | (38) | Ken Welsh/Hawke | 1998 | |
| 2001-030/003 | (39) | Revenge of The Land | 1998 | |
| 2001-030/003 | (40) | Revenge Script | 1998 | |
| 2001-030/003 | (41) | Revenge Contract | 1998 | |
| 2001-030/003 | (42) | Research Photos | | |
| 2001-030/003 | (43) | Publicity | 1998 | |
| 2001-030/003 | (44) | Casting | 1998 | |
| 2001-030/003 | (45) | Casting, Resumes | 1998 | |
| 2001-030/003 | (46) | Revenge of The Land | 1998 | |
| 2001-030/003 | (47) | Story Boards | 1998 | |
| 2001-030/003 | (48) | Notebook: Alex LaLonde | 1998 | |
| 2001-030/003 | (49) | Research | 1998 | |
| 2001-030/003 | (50) | Third Draft | February 26, 1998 | |
| 2001-030/003 | (51) | Fourth Draft | May 11, 1998 | |
| 2001-030/003 | (52) | Fourth Draft Annotated | May 11, 1998 | |
| 2001-030/003 | (53) | Fifth Draft | April 23, 1998 | |
| 2001-030/003 | (54) | Shooting Draft | June 15, 1998 |
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| 2001-030/003 | (55) | Shooting Draft | June 15, 1998 |
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| 2001-030/003 | (56) | Fifth Draft Revised | June 26, 1998 | |
| 2001-030/004 | (1) | Script Part One: Revised | 1998 |
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| 2001-030/004 | (2) | Script Part One: Revised | 1998 |
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| 2001-030/004 | (3) | Revised Draft | 1998 | |
| 2001-030/004 | (4) | Production/Shooting Schedules | 1998 |
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| 2001-030/004 | (5) | Production/Shooting Schedules | 1998 |
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| 2001-030/004 | (6) | Production/Shooting Schedules | 1998 |
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| 2001-030/004 | (7) | Production/Shooting Schedules | 1998 |
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| 2001-030/004 | (8) | Production/Shooting Schedules | 1998 |
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| 2001-030/004 | (9) | Production/Shooting Schedules | 1998 |
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| 2001-030/004 | (10) | Production/Shooting Schedules | 1998 | |
| 2001-030/004 | (11) | Call Sheets | 1998 | |
| 2001-030/004 | (12) | Scripts: Revised | November 27, 1997 | |
| 2001-030/004 | (13) | Scripts First Draft | November-December 1997 | |
| 2001-030/004 | (14) | Scripts | September 1997 | |
| 2001-030/004 | (15) | Scripts: Revised | April 18, 1998 | |
| 2001-030/004 | (16) | Story Meeting, Notes | 1998 | |
| 2001-030/004 | (17) | Scripts | September 1999 |
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| 2001-030/004 | (18) | Scripts | September 1999 |
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| 2001-030/004 | (19) | Scripts | September 1999 |
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| 2001-030/005 | (1) | Script | 1999 | |
| 2001-030/005 | (2) | Casting | 2000 | |
| 2001-030/005 | (3) | Casting | 2000 | |
| 2001-030/005 | (4) | Casting: Britain | 2000 | |
| 2001-030/005 | (5) | Casting: UK and Ireland | 2000 | |
| 2001-030/005 | (6) | Casting: Nfld and Canada | 2000 | |
| 2001-030/005 | (7) | Workshops | 2000 | |
| 2001-030/005 | (8) | Art Department | 2000 | |
| 2001-030/005 | (9) | Set Designs, Visualization | 2000 |
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| 2001-030/005 | (10) | Set Designs, Visualization | 2000 |
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| 2001-030/005 | (11) | Selected Story Board Scenes | 2000 | |
| 2001-030/005 | (12) | Archives | 2000 | |
| 2001-030/005 | (13) | John Smith | 2000 | |
| 2001-030/005 | (14) | Breakdowns and Shooting Schedule | 2000 | |
| 2001-030/005 | (15) | Budget and Cost Reports | 2000 |
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| 2001-030/005 | (16) | Budget and Cost Reports | 2000 |
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| 2001-030/005 | (17) | Random, General | 2000 | |
| 2001-030/005 | (18) | Correspondence, Memos | 2000 | |
| 2001-030/005 | (19) | Correspondence, Set Designs, Production Notes | 2000 |
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| 2001-030/005 | (20) | Correspondence, Set Designs, Production Notes | 2000 |
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| 2001-030/005 | (21) | Correspondence, Memos, Production Notes | 2000 |
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| 2001-030/005 | (22) | Correspondence, Memos, Production Notes | 2000 |
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| 2001-030/005 | (23) | Correspondence, Memos, Production Notes | 2000 |
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| 2001-030/005 | (24) | Correspondence, Set Designs, Production Notes | 2000 | |
| 2001-030/005 | (25) | Production Reports | 2000 | |
| 2001-030/005 | (26) | Production Schedule | 2000 | |
| 2001-030/005 | (27) | Production Notes, Schedules | 2000 |
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| 2001-030/006 | (1) | Production Notes, Schedules | 2000 |
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| 2001-030/006 | (2) | Production Notes, Schedules | 2000 |
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| 2001-030/006 | (3) | Production Notes, Schedules | 2000 |
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| 2001-030/006 | (4) | Dieppe: Story By Greg Ellwand | | |
| 2001-030/006 | (5) | Dieppe: Publicity | 1994 | |
| 2001-030/006 | (6) | A Cool, Dry Place: Shooting Draft | 1997 | |
| 2001-030/006 | (7) | A Cool, Dry Place: Production Binder | 1997 | |
| 2001-030/006 | (8) | A Cool, Dry Place: Phone Directory | 1997 | |
| 2001-030/006 | (9) | Levy 4: Income Tax Returns, Including Unaudited Financial Statements | 1996-1997 | |
| 2001-030/007 | (1) | Bad Karma: Cary Soloman and Chuck Konzelman Annotated Draft | | |
| 2001-030/007 | (2) | The Comeback: Toinette Terry Bryant | 1999 | |
| 2001-030/007 | (3) | Crustless Sandwiches (Girlie Night): Sharen Heldt and Larissa Lapchinsia | April 1, 1995 | |
| 2001-030/007 | (4) | Charlie's Progress: Richard Oleksiak Draft | January 20, 1998 | |
| 2001-030/007 | (5) | The Englishman's Boy: Guy Vanderhaeghe In-House Draft | April 19, 1999 | |
| 2001-030/007 | (6) | The Englishman's Boy: Guy Vanderhaeghe | June 30, 1999 | |
| 2001-030/007 | (7) | The Englishman's Boy: Guy Vanderhaeghe Annotated Draft | 1999 | |
| 2001-030/007 | (8) | The Englishman's Boy: Guy Vanderhaeghe Correspondence, Outlines | 1999 | |
| 2001-030/007 | (9) | The Last Outlaw: James Lee Barrett | 1998 | |
| 2001-030/007 | (10) | Florence: Annotated Draft | | |
| 2001-030/007 | (11) | Florence: Sharon Riis | January 8, 1999 | |
| 2001-030/007 | (12) | Florence: Research | 1999 | |
| 2001-030/007 | (13) | Florence: Sharon Riis, Second Draft | December 1, 1997 | |
| 2001-030/007 | (14) | Florence: Sharon Riis | | |
| 2001-030/007 | (15) | Deux Monde: Gerald Wexler | | |
| 2001-030/007 | (16) | Love and Savagery: Des Walsh | 1998 | |
| 2001-030/007 | (17) | Love and Savagery: Des Walsh, Script Notes, Draft | April 16, 1999 | |
| 2001-030/007 | (18) | Love and Savagery: Des Walsh | 1999 | |
| 2001-030/007 | (19) | Love and Savagery: Des Walsh Annotated Drafts | 1999 | |
| 2001-030/007 | (20) | Machine Gun Molly (Part One): First Draft | July 4, 1999 | |
| 2001-030/007 | (21) | Random Passage: Des Walsh Drafts | 1998 |
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| 2001-030/007 | (22) | Random Passage: Des Walsh Drafts | 1998 |
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| 2001-030/007 | (23) | Random Passage: Des Walsh Drafts | 1999 |
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| 2001-030/007 | (24) | Random Passage: Des Walsh Drafts | 1999 |
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| 2001-030/007 | (25) | Rockaway | | |
| 2001-030/007 | (26) | Sticks and Stones: Bruce M. Smith (Draft One) | 1994 | |
| 2001-030/007 | (27) | Sticks and Stones: Bruce M. Smith (Draft Two) | 1994 | |
| 2001-030/008 | (1) | Sticks and Stones: Bruce M. Smith (Draft Three) | October 18, 1994 | |
| 2001-030/008 | (2) | Sticks and Stones: Bruce M. Smith (Draft Four) | January 1995 | |
| 2001-030/008 | (3) | Suburban Motel: George F. Walker (Draft Two) | September 1999 |
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| 2001-030/008 | (4) | Suburban Motel: George F. Walker (Draft Two) | September 1999 |
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| 2001-030/008 | (5) | Suburban Motel: George F. Walker (Draft Two) | October 1999 |
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| 2001-030/008 | (6) | Suburban Motel: George F. Walker (Draft Two) | October 1999 |
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| 2001-030/008 | (7) | Suburban Motel: George F. Walker | 1999 |
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| 2001-030/008 | (8) | Suburban Motel: George F. Walker | 1999 |
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| 2001-030/012 | (1) | Dunany Productions Inc.: Revenge of the Land (Part #01) | October 7, 1999 |
VHS
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| 2001-030/012 | (2) | Dunany Productions Inc.: Revenge of the Land (Part #02) | October 7, 1999 |
VHS
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| 2001-030/012 | (3) | Perfect Son Productions Inc.: The Perfect Son (92:44 min) | March 21, 2000 |
VHS
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| 2001-030/012 | (4) | Revenge of the Land (Tape One) | June 8, 1998 |
VHS
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| 2001-030/012 | (5) | Revenge of the Land (Tape Two) | June 8, 1998 |
VHS
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| 2001-030/012 | (6) | Revenge of the Land: Regina Auditions | July 18, 1998 |
VHS
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| 2001-030/012 | (7) | Marcus Macauley Auditioning for "Johnny"; (Acting Coach Tammy Rae Beltrami) | July 30, 1998 |
VHS
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| 2001-030/012 | (8) | Camera Canada: Opening of the West | |
VHS-2
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| 2001-030/012 | (9) | Dust Cloud Productions: Revenge of the Land, Assembly Episode 1, (1 hour 30 minutes) | October 25, 1998 |
VHS
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| 2001-030/012 | (10) | Dust Cloud Productions: Revenge of the Land, Episode 1, Act 1-7 (90 minutes) | November 18, 1998 |
VHS
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| 2001-030/012 | (11) | Dust Cloud Productions: Revenge of the Land, 2nd Cut Episode 1 Act 1 & 8 (90 minutes) | December 8, 1998 |
VHS
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| 2001-030/012 | (12) | Dust Cloud Productions: Revenge of the Land, Episode 2, Act 1-7 (88 minutes) | November 29, 1998 |
VHS
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| 2001-030/012 | (13) | Dust Cloud Productions: Revenge of the Land, Episode 2, Cut #3, Act 1-7 (90 minutes) | December 15, 1998 |
VHS
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| 2001-030/012 | (14) | Dust Cloud Productions: Revenge of the Land, Rough Cut (30 minutes) | October 4, 1998 |
VHS
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| 2001-030/013 | (1) | Revenge of the Land: Master Copy | July 6, 1998 |
VHS
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| 2001-030/013 | (2) | Revenge of the Land: Casting | August 20, 1998 |
VHS
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| 2001-030/013 | (3) | Selections For: Revenge of the Land (Back-Up) | June 5, 1998 |
VHS
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| 2001-030/013 | (4) | Selections For: Revenge of the Land (1st Choices) | June 5, 1998 |
VHS
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| 2001-030/013 | (5) | Casting: Revenge of the Land | June 15, 1998 |
VHS
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| 2001-030/013 | (6) | Casting: Revenge of the Land | June 25, 1998 |
VHS
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| 2001-030/013 | (7) | Casting: Revenge of the Land (Cassette 1) | June 3, 1998 |
VHS
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| 2001-030/013 | (8) | Tests De Camera: Revenge of the Land | August 6, 1998 |
VHS
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| 2001-030/013 | (9) | Revenge of the Land (Tape 1) | |
VHS
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| 2001-030/013 | (10) | CBC/BBC TV Movie: Lyddie | October 13, 1996 |
VHS
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| 2001-030/013 | (11) | K. Lauallee: Audition Tape | |
VHS
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| 2001-030/013 | (12) | Laura Bertram: Audition Tape | |
VHS
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| 2001-030/013 | (13) | Ellie's Recording for John Smith | |
Tape Cassette
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| 2001-030/013 | (14) | Marcus Macauley: Auditioning For "Johnny" | July 30, 1998 |
Fugi M221E E6-60 Tape
|
| 2001-030/014 | (1) | Revenge of the Land: On-Lined Screen Test With Lisa Repo Martel | July 2, 1998 |
VHS
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| 2001-030/014 | (2) | Jacques "Jackson" Girard: Camera Operator, Director of Photography Demo | July 22, 1998 |
VHS
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| 2001-030/014 | (3) | Chandra West: Seasons of Love | |
VHS
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| 2001-030/014 | (4) | Chandra West: 1st on the Tape (11:45 Minutes) | |
VHS
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| 2001-030/014 | (5) | Revenge of the Land: Chandra West Audition | July 22, 1998 |
VHS
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| 2001-030/014 | (6) | Chandra West: Audition Tape for the Role Ceilioh in Revenge of the Land | |
VHS
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| 2001-030/014 | (7) | Revenge of the Land: Regina Auditions | July 18, 1998 |
VHS
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| 2001-030/014 | (8) | Casting Session for Revenge of the Land | July 13, 1998 |
VHS
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| 2001-030/014 | (9) | Toronto Casting for Revenge of the Land ("Johnny") | July 30, 1998 |
VHS
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| 2001-030/014 | (10) | Toronto Casting for Revenge of the Land | July 21, 1998 |
VHS
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| 2001-030/014 | (11) | Toronto Casting for Revenge of the Land | July 22, 1998 |
VHS
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| 2001-030/014 | (12) | Tanya Allen's Audition for Revenge of the Land | May 29, 1998 |
VHS
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| 2001-030/014 | (13) | Auditions for "Agnes" in Alberta: Revenge of the Land | |
VHS
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| 2001-030/014 | (14) | Alberta Auditions for Agnes | |
VHS
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| 2001-030/015 | (1) | Ryan Black: Two Scenes From Traders | |
VHS
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| 2001-030/015 | (2) | Riopelle Esterel 90: Un Film de Pierre Letarte (35:00 minutes) | June 27, 2000 |
VHS
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| 2001-030/015 | (3) | Oria Brady: Random Passage | |
VHS
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| 2001-030/015 | (4) | Random Passage: Casting | April 4, 2000 |
VHS
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| 2001-030/015 | (5) | #45 Henry (or Girl) 3 yrs, #16 George 8yrs, #17 Jacob 5yrs | |
VHS
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| 2001-030/015 | (6) | Greeneyes Productions | |
VHS
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| 2001-030/015 | (7) | Subotica Films: Aoifa McMahon Casting Tape | May 10, 2000 |
VHS
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| 2001-030/015 | (8) | Random Passages: John Smith (Hubbard Casting) | May 4, 2000 |
VHS
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| 2001-030/015 | (9) | Random Passages: John Smith (Darragh Kelly Hubbard Casting) | |
VHS
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| 2001-030/015 | (10) | Pat Laffan: Reading for "Bishop" in Random Passages (4:30) | |
VHS
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| 2001-030/015 | (11) | John Smith: Random Passages (Hubbard Casting) | May 12, 2000 |
VHS
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| 2001-030/015 | (12) | Shiney's Head/On the Nose: Casting Tape Copy (Hubbard Casting) | |
VHS
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| 2001-030/016 | (1) | Random Passage, set designs | [ca. 2000] | |
| 2001-030/016 | (2) | Various movie posters | | |
| 2006-007/001 | (1) | Directors Guild of America : correspondence | 2005 | |
| 2006-007/001 | (2) | "To do" lists and notes | 2005 | |
| 2006-007/001 | (3) | The boys of St. Vincent : publicity | 2005 | |
| 2006-007/001 | (4) | Geraldine's fortune : poster | [2005] | |
| 2006-007/001 | (5) | The Robin Hudson mysteries : script | 2005 | |
| 2006-007/001 | (6) | Race to Mars : part two, first draft | 15 June 2005 | |
| 2006-007/001 | (7) | Love and savagery : screenplay | 1998 | |
| 2006-007/001 | (8) | Love and savagery : screenplay | 6 December 1999 | |
| 2006-007/001 | (9) | Love and savagery (Dr. Olds of Twillingate) : draft | | |
| 2006-007/001 | (10) | Love and savagery : (Dr. Olds of Twillingate) : first drafts (John's copy) | | |
| 2006-007/001 | (11) | Love and savagery : clean draft | [2005] | |
| 2006-007/001 | (12) | Love and savagery : draft | 13 May 2005 | |
| 2006-007/001 | (13) | Love and savagery : seventh draft | November 2005 | |
| 2006-007/001 | (14) | Love and savagery : beat sheet | 9 November 2005 | |
| 2006-007/001 | (15) | Love and savagery : casting | 2005 | |
| 2006-007/001 | (16) | Love and savagery : casting : American | 2005 | |
| 2006-007/001 | (17) | Love and savagery : casting : Australia / New Zealand | 2005 | |
| 2006-007/001 | (18) | Love and savagery : casting : British | 2005 | |
| 2006-007/001 | (19) | Love and savagery : casting : Canadian | 2005 | |
| 2006-007/001 | (20) | Love and savagery : casting : Irish | 2005 | |
| 2006-007/002 | (1) | Prairie giant : the Tommy Douglas Story : notebook | | |
| 2006-007/002 | (2) | Prairie giant : the Tommy Douglas Story : casting | 2004-2005 |
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| 2006-007/002 | (3) | Prairie giant : the Tommy Douglas Story : casting | 2004-2005 |
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| 2006-007/002 | (4) | Prairie giant : the Tommy Douglas Story : production binder | 2005 |
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| 2006-007/002 | (5) | Prairie giant : the Tommy Douglas Story : production binder | 2005 |
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| 2006-007/002 | (6) | Prairie giant : the Tommy Douglas Story : production binder | 2005 |
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| 2006-007/002 | (7) | Prairie giant : the Tommy Douglas Story : scene outtakes, musical notes | 2005 | |
| 2006-007/002 | (8) | Prairie giant : the Tommy Douglas Story : publicity | 2005 | |
| 2006-007/002 | (9) | Prairie giant : the Tommy Douglas Story : poster | 2005 | |
| 2006-007/002 | (10) | Prairie giant : the Tommy Douglas Story : correspondence | 2005 | |
| 2006-007/002 | (11) | Prairie giant : the Tommy Douglas Story : production e-mails | 2006 | |