F0245 - Judith Rudakoff fonds |
Call Number: 2003-020/001 | ||||
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(1) | "JR'S Old McGill Theatre Stuff" | 1973-1979 | ||
(2) | Judith Rudakoff, Business Cards | |||
(3) | Correspondence Re: AARHUS, Denmark | 2001 | ||
(4) | Correspondence with British Council | 2001 | ||
(5) | CBRA | 1995 | ||
(6) | C'Town Theatre PEI | April-May 1994 | ||
(7) | Festival des Amerique | 1994 | ||
(8) | The Gathering | 1993 | ||
(9) | Harbourfront Reading | April 23/96 | ||
(10) | Joan of Arc Project | 1999 | ||
(11) | Literary Managers and Dramaturgs of the Americas. Correspondence, Conference Material | 1999 | ||
(12) | Maggie and Pierre Benefit Royal Alex | Mar. 31st 1995 | 1 of 2 | |
(13) | Maggie and Pierre Benefit, Royal Alex | Mar. 31st 1995 | 2 of 2 | |
(14) | NAC, Page To Stage Festival | 1994-1996 | ||
(15) | Correspondence Re. Rum and Cola, Collaboration Between Theatre Passe Muraille (Canada) And Baggasse Theatre(Trinidad) | 2000-2001 | ||
(16) | Miscellaneous Re Trinidad | 2001 | ||
(17) | Script Lab, Correspondence, Minutes of Meeting, Grant Application | 2002 | ||
(18) | Correspondence, TDR | 1994-1997 | ||
(19) | Theatre Topics, Correspondence | August 2002-May 2003 | ||
(20) | Theatre Topics: The Four Elements: New Models for Subversive Dramaturgy, Final Draft | 2003 | ||
(21) | Theatre, Work Related Correspondence | 1995-2000 | ||
(22) | Correspondence, York University | 1997-1998 | ||
(23) | Brecht Interview TDR 164 | 1995-1999 | ||
(24) | Soldier Dreams | 1999 | ||
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CUBA FILES |
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(25) | Cuba Book, Correspondence | 2000-2002 | 1 of 2 |
(26) | Cuba Book, Correspondence | 2000-2002 | 2 of 2 | |
(27) | Correspondence, Notes, Drafts | 1995-1996 | 1 of 2 | |
(28) | Correspondence, Notes, Drafts | 1995-1996 | 2 of 2 | |
(29) | Correspondence, Notes | 1994-1995 | ||
(30) | Sin Tener, Draft Transaction With Notes From Javier Fernandez | 1995 | ||
(31) | Invitations From Cuba | 1994-1995 | ||
(32) | Delegation/Cuba | March 1993 | ||
(33) | Theatre Havana CUBA | Sept. 1993 | ||
(34) | Dance/Santeria CUBA | Nov. 21-28 1993-1994 | ||
(35) | Cuba Research General | 1995 | ||
(36) | Cuba:Current (general) | 1993-1996 | ||
(37) | Teatro Escambray, Correspondence, Itineraries, Notes | 1995 | 1 of 2 | |
(38) | Teatro Escambray, Correspondence, Itineraries, Notes | 1995 | 2 of 2 | |
(39) | Correspondence | 1993-1995 | ||
(40) | Correspondence | 1994-1998 | 1 of 2 | |
(41) | Correspondence | 1994-1998 | 2 of 2 | |
(42) | Letters JFJ of Las Vegas | 1995-1996 | ||
(43) | Correspondence | 1994-1999 | 1 of 2 | |
(44) | Correspondence | 1994-1999 | 2 of 2 | |
Call Number: 2003-020/002 |
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(1) | Correspondence, Student Applications | 1994-1998 | ||
(2) | Itineraries, Resource Material | 1993-1995 | ||
(3) | Cuba - PIGS | 1995 | ||
(4) | Sin Tener (drafts of Spanish translation of Not Having) | 1995 | ||
(5) | I am a War, My Voice is a Weapon -Speech by J.R. | Feb. 1998 | ||
(6) | Lecture Series, drafts of speeches by J.R. | 1995-1996 | ||
(7) | Revolutionary Theatre in Contemporary Cuba: Grupo Teatro Escambray, article in the Drama Review by J.R. | 1996 | ||
(8) | Biography, J.R. | |||
(9) | The Black Dove, by Rafael Gonzalez, Escambray Theatre Group, Cuba | 1997 | ||
(10) | UNEAC Workshop | Apr. 1999 | ||
(11) | Under the Goddess' Cloak: ReCalling the Wild, EnGendering the Power, by J.R. | 1992 | ||
(12) | Germany, Cuba, Correspondence/Fax | 1994 | ||
(13) | More than a Footnote: Dancing from Conneticut to Revolutionary Cuba by Lorna Nell Burdsall, Manuscript | 2000 | ||
(14) | More Than a Footnote, drafts | 2000 | ||
(15) | CAN-MAP | 1994-1995 | ||
(16) | York -Teatro Esc., Cuba | Feb. 1997 | ||
(17) | Press Kits, Cuban Theatre | |||
(18) | The Brass Ring, draft | Nov. 15, 1989 | ||
(19) | The Brass Ring, draft | Dec. 1989 | ||
(20) | The Brass Ring, draft | Dec. 1989 | ||
(21) | The Brass Ring, draft, clean | Dec. 1989 | ||
(22) | The Brass Ring, draft | July 1990 | ||
(23) | The Brass Ring, draft | July 1990 | ||
(24) | Conquest of the South Pole, Contract, draft, resource material | 1991 | 1 of 2 | |
(25) | Conquest of the South Pole, Contract, draft, resource material | 1991 | 2 of 2 | |
(26) | Conquest of the North Pole, contract | 1990 | ||
(27) | Bloodlines, notes, drafts | 1992 | 1 of 2 | |
(28) | Bloodlines, notes, drafts | 1992 | 2 of 2 | |
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Interplay: Sex Gender and Voice in Canadian Theatre |
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(29) | Interplay; correspondence, contracts, submissions | 1991-1992 | 1 of 2 |
(30) | Interplay; correspondence, contracts, submissions | 1991-1992 | 2 of 2 | |
(31) | Interplay; Contributors' photographs | 1991-1992 | ||
(32) | Interplay; Contracts, agreements, grant applications | 1991-1992 | ||
(33) | Interplay; Drafts, submissions | 1992-1993 | 1 of 3 | |
(34) | Interplay; Drafts, submissions | 1992-1993 | 2 of 3 | |
Call Number: 2003-020/003 |
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(1) | Interplay; Drafts, submissions | 1992-1993 | 3 of 3 | |
(2) | Interplay; final versions | 1992 | ||
(3) | Interplay; final | 1992 | ||
(4) | Interplay; manuscript | 1992 | ||
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Dangerous Traditions: Theatre Passe Muraille Anthology |
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(5) | Correspondence, notes | 1992 | |
(6) | Photo Research | ca. 1992 | ||
(7) | Dangerous Traditions, photographic permissions | 1992 | ||
(8) | Before the Guns; introduction | |||
(9) | Before the Guns, John Palmer | |||
(10) | Before the Guns, John Palmer, annotated | |||
(11) | Before the Guns, John Palmer, annotated | |||
(12) | Cold Comfort, Jim Garrard | |||
(13) | Introduction by Jim Garrard, drafts | ca. 1992 | ||
(14) | Lost Souls and Missing Persons, Sally Clark | |||
(15) | Lost Souls and Missing Persons, Sally Clark, annotated | |||
(16) | O.D. on Paradise, Linda Griffiths and Patricia Bryer, annotated | |||
(17) | Peggy's Song, Jim Garrard, annotated | |||
(18) | Photocopies of old programmes | |||
(19) | Galley Proofs | 1992 | 1 of 2 | |
(20) | Galley Proofs | 1992 | 2 of 2 | |
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Between the Lines: The Process of Dramaturgy |
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(21) | Urjo Kareda, interview transcript | 2001 | |
(22) | Bob White, interview transcript | 2001 | ||
(23) | Peter Hinton, interview transcript | 2001 | ||
(24) | Jenny Munday, interview transcript | 2001 | ||
(25) | Lynn M. Thomson, correspondence, interview transcripts | 2001 | RESTRICTED | |
(26) | Draft, edits | 2001 | 1 of 2 | |
(27) | Draft, edits | 2001 | 2 of 2 | |
(28) | Contract, signed permissions | 2001 | ||
(29) | BTL, correspondence | 2001-2002 | 1 of 2; RESTRICTED | |
(30) | BTL, correspondence | 2001-2002 | 2 of 2; RESTRICTED | |
(31) | Bill Glassco, interview transcript | 2001 | ||
(32) | Ten Points of Entry: or, A Context for the Canadian Dramators in Conversation, by J.R. | 2001 | ||
(33) | Maureen Labonte, interview transcipt | 2001 | ||
(34) | Correspondence, notes, drafts | 2001 | 1 of 2 | |
(35) | Correspondence, notes, drafts | 2001 | 2 of 2 | |
(36) | BTL Correspondence | 2000-2001 | 1 of 2; RESTRICTED | |
Call Number: 2003-020/004 |
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(1) | BTL Correspondence | 2000-2001 | 2 of 2; RESTRICTED | |
(2) | Draft | 2001-2002 | 1 of 2 | |
(3) | Draft | 2001-2002 | 2 of 2 | |
(4) | Interview transcipts | 2001 | 1 of 2 | |
(5) | Interview transcipts | 2001 | 2 of 2 | |
(6) | Between the Lines, miscellaneous | 2001 | ||
(7) | Peter Hinton, interview transcript | 2001 | ||
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Revealed By Fire |
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(8) | Revealed By Fire; e-mail correspondence (partial) | 2002 | |
(9) | Soraab-Mirage e-mail correspondence | 2002 | ||
Call Number: 2003-020/005 |
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(1) | Lata Pada, e-mail correspondence (Primarily revealed BA Fire) | August 2000-January 2003 | ||
(2) | RBF Articles for Theatre Forum, drafts, background material | 2001 | 1 of 2 | |
(3) | RBF Articles for Theatre Forum, drafts, background material | 2001 | 2 of 2 | |
(4) | Correspondence, notes, clippings | 2000-2002 | 1 of 2 | |
(5) | Correspondence, notes, clippings | 2000-2002 | 2 of 2 | |
(6) | Notes, drafts, resource material | 2000-2002 | ||
(7) | Drafts, research material, Soraab Mirage | 2002 | 1 of 2 | |
(8) | Drafts, research material, Soraab Mirage | 2002 | 2 of 2 | |
(9) | Soraab Mirage, overview | 2002 | ||
(10) | Soraab, sound designs (two compact discs) | 2002 | ||
(11) | Revealed by Fire, programme, pamphlet | 2001 | ||
Call Number: 2003-020/006 |
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PhD notes |
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(1) | PhD Notes |