| F0096 - John N. Smith fonds |
| Call Number: 1996-002/001 | ||||
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PRODUCTION FILES: Sugartime |
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(1) | Budgets | ||
| (2) | Casting; includes four black and white photos with resumes; fax paper | |||
| (3) | Contract | |||
| (4) | "Filing -- past stuff" includes one black and white photo, call sheets, schedules etc. | |||
| (5) | Location list, info on Nevada, colour photographs of locations | |||
| (6) | Kate's correspondence | |||
| (7) | Memos | |||
| (8) | Music | |||
| (9) | Post-production | |||
| (10) | Research | |||
| (11) | Resumes -- production staff | |||
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Call Number: 1996-002/002 |
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| (1) | Draft of Sugartime dated February 9th, 1995 | February 9, 1995 | ||
| (2) | Schedules | |||
| (3) | Script Notes | |||
| (4) | Palette for Sugartime | |||
| (5) | Sugartime script | March 2, 1995 | ||
| (6) | Sugartime script | April 7, 1995 | ||
| (7) | Sugartime script | April 17, 1995 | ||
| (8) | Research: photocopy of The Don: The Life and Death of Sam Giancana, William Brashler | |||
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Call Number: 1996-002/003 |
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| (1) | Research: photocopy of Dearest Madame by Irma Hunt | |||
| (2) | Master Sugartime script: last revision | June 8, 1995 | ||
| (3) | Research: photocopy of The Mansions of Limbo, Dominick Dunne | |||
| (4) | Research: photocopy of Judith Exner: My Story, Ovid Demaris | |||
| (5) | "Removed Binder Pages": director's binder with breakdowns: extras, vehicles, script supervisor, music, includes schedules, etc. | |||
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Call Number: 1996-002/004 |
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PRODUCTION FILES: Sugartime (Cassette tapes) |
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(1) | Suggested Music for Sugartime, seventeen tapes, including The McGuire Sisters | ||
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Call Number: 1996-002/005 |
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| (1) | Casting: four black and white photos, resumes, and notes | |||
| (2) | Research: photocopy of Doublecross: The Explosive, Inside Story of the Mobster who controlled America, Sam and Chuck Giancana | |||
| (3) | "Sugartime Archives": list of cast measurements, suggested research material, itineraries, resumes, edits, faxes, notes, sketch of scene layout on brown paper | |||
| (4) | Receipts and reimbursements | |||
| (5) | Shooting Schedule | |||
| (6) | Draft Comparisons | |||
| (7) | Sugartime: Revised Pink Script | April 19, 1995 | ||
| (8) | Sugartime: Revised Script by John Smith | April 21, 1995 | ||
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Call Number: 1996-002/006 |
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PRODUCTION FILES: Sugartime (Videotapes) |
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(1) | Twenty-seven tapes of daily shoots; numbered 5-48, but missing significant numbers; we do have reels 5, 6, 8, 24-45, 48, and two unnumbered reels of days three and four | ||
| (2) | Tape dated 6-28-95 with inside log | June 28, 1995 | ||
| (3) | Tape labelled: Sugartime trt, 7-3-95 | July 3, 1995 | ||
| (4) | Tape labelled: Sugartime, hour 2 | |||
| (5) | Sugartime, Rough cuts | |||
| (6) | McGuire Sisters, rehearsal | |||
| (7) | HBO Crime Inc. Series II: "Make it Legitimate," The Old Mob: The New" | |||
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Call Number: 1996-002/007 |
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PRODUCTION FILES: Posse: "Dangerous Minds" |
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(1) | File labelled "International Introduction: New York"; includes Academy Awards Guidelines, accommodation rental contract | ||
| (2) | Editing issues re: actual editing; editing for airlines; handwritten notes on cuts and shooting; music notes; continuity notes; music spotting notes reshoot cast list, schedule, notes; personal letters to and from Michelle Pfeiffer; suggested casting for lead | |||
| (3) | Script revisions (January 3, 10, 1995), schedules; reshoot scenes | January 3 and 10, 1995 | ||
| (4) | Promo info: Smith's resume, lists of awards | |||
| (5) | The National Research Group: "Dangerous Minds" report of recruited audience survey | |||
| (6) | Contracts: Blind Script Commitment, and Memorandum of Agreement | |||
| (7) | Publicity: director's extensive production notes about the evolution of the film; correspondence; working press kit selection | |||
| (8) | Script for reshoot | |||
| (9) | Music Spotting notes -- final | |||
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Call Number: 1996-002/008 |
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| (1) | Actors: audition notes with resumes, twenty-one black and white, one colour photo | |||
| (2) | Acting coach | |||
| (3) | Assistant Director | |||
| (4) | First Assistant Directors | |||
| (5) | Casting Director | |||
| (6) | Cinematographer | |||
| (7) | Music Composers: contains notations re: artists approached about possible contributions | |||
| (8) | Costume Designer | |||
| (9) | Editors | |||
| (10) | Set locations | |||
| (11) | Production Assistant | |||
| (12) | Writer's Credits | |||
| (13) | Production Manager | |||
| (14) | "Seeking Employment": actors, trailer rentals, musicians, tape editors, assistants, etc.; includes three black and white photos | |||
| (15) | Reviews and Feature Stories: Dangerous Minds (Posse) | |||
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Call Number: 1996-002/009 |
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| (1) | Correspondence: letters and faxes regarding publicity, etc. | May-June, 1995 | ||
| (2) | Correspondence: letters and faxes regarding publicity, etc. | July 1995 | ||
| (3) | Correspondence: letters and faxes regarding publicity, reviews, etc. | August 1995 | ||
| (4) | Press kit, includes 5 black and white photos | |||
| (5) | Press junket | July 7-11, [1995] | ||
| (6) | Staff and Crew lists, one colour photo dated 1994 (includes cast)(Restricted) | |||
| (7) | Correspondence: letters and faxes regarding publicity, rough drafts of letters, production info, notes, resumes, schedules, etc. | December 1993-April 1995 | includes one colour slide/still | |
| (8) | Copy of Preview magazine and Mouth to Mouth, Sept./Oct. | 1994 | ||
| (9) | Published final budget as of | April 14, 1994 | ||
| (10) | Boys of St. Vincent -- Some material apparently used as publicity info for Smith as director of Posse | includes reviews | ||
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Call Number: 1996-002/010 |
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PRODUCTION FILES: Posse: "Dangerous Minds" (Audio cassettes and videotapes) |
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(1) | Audiotapes (fourteen total): Posse ref. tape, alterantive #1; Posse ref. tape, alternative #2; Posse ref. tape, r&b, hip hop; Michelle's themes; Posse, media ventures; tape for John from editorial; Natalie music inc.; Posse, Mark Mancina mix; Jane Brockman; Posse, Mark Isham; David Schwartz; Terence Blanchard; Stewart Copeland; Cliff Eidelman | ||
| (2) | Videotapes: posse music demos; music cues; Mind electronic press kit; promo clips rough cut two; featurette; trailer #1; preview #2; main title sequence; home prds; epk; two recut tapes; four full feature viewing cassettes | |||