| F0096 - John N. Smith fonds |
| Call Number: 1998-012/001 | ||||
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Videocassette List |
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(1) | Cachao | 1994 | |
| (2) | Romeo and Juliet in Sarajevo | May 1995 | ||
| (3) | Dominion '95 Camp Meeting (tape 1) | July 1995 | ||
| (4) | Dominion '95 Camp Meeting (tape 2) | July 1995 | ||
| (5) | Sam & Phyllis | August 1995 | ||
| (6) | Dangerous Minds (tape 1 and 2) | 1995 | ||
| (7) | Dangerous Minds (tape 3 and 4) | 1995 | ||
| (8) | Dangerous Minds (tape 5) | 1995 | ||
| (9) | "Priest" Antonia Bird | |||
| (10) | Cast a Deadly Spell | |||
| (11) | Side Effects: "In Sickness and In Health" | |||
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Call Number: 1998-012/002 |
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| (1) | Sugartime | June 1995 | ||
| (2) | Sugartime (part 1 of 1) | 1995 | ||
| (3) | Sugartime (Cut A) | August 1995 | ||
| (4) | Sugartime (Cut C) | September 1995 | ||
| (5) | Sugartime (Cut D) | September 1995 | ||
| (6) | Sugartime (Cut E) | September 1995 | ||
| (7) | Sugartime (Cut E), (copy 2) | September 1995 | ||
| (8) | Lili | |||
| (9) | "Little Criminals" | |||
| (10) | Where Angels Fear to Tread | |||
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Call Number: 1998-012/003 |
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| (1) | "Dutch Dream" | 1990 | ||
| (2) | Stepping Razor: Red X | 1992 | ||
| (3) | Boys of St. Vincent (part 1) | April 1992 | ||
| (4) | Kessler Irish Films | March 1996 | ||
| (5) | Welcome to Canada (part 1 of 2) | September 1997 | ||
| (6) | Shay Duffin As Brendan Behan | |||
| (7) | The Heritage Minutes Complete Collection | |||
| (8) | "The War Between Us" | |||
| (9) | The Hanging Gale | |||
| (10) | "The Process" | |||
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Call Number: 1998-012/004 |
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| (1) | Million Dollar Babies (part I) | 1994 | ||
| (2) | Million Dollar Babies (part II) | 1994 | ||
| (3) | Dangerous Minds | 1995 | ||
| (4) | Harry Weinberg's Notebook | |||
| (5) | A Cold Day in Conneticut | |||
| (6) | Kitchen Art -- Lucie Coluccina | |||
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Audio Cassette Tapes |
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(7) | Arbus/Terkel | 1968 | |
| (8) | Makem and Clancy | 1989 | ||
| (9) | Glenn Frey | 1993 | ||
| (10) | The Freebird Band Live at Teddy Bob's Bar | 1994 | ||
| (11) | The Freebird Band Live at Weed's Cabaret | |||
| (12) | First and Second Half of a Reading (2 tapes) | 1994 | ||
| (13) | Danny Osmond's Greatest Hits, Frank Sinatra's Hits | |||
| (14) | Angels Hovering 'Round | |||
| (15) | "Knees Up Mother Brown" | |||
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Call Number: 1998-012/005 |
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| (1) | Baseball: A Film by Ken Burns | 1994 | ||
| (2) | Baseball: A Film by Ken Burns | 1994 | ||
| (3) | Baseball: A Film by Ken Burns | 1994 | ||
| (4) | Baseball: A Film by Ken Burns | 1994 | ||
| (5) | Baseball: A Film by Ken Burns | 1994 | ||
| (6) | Baseball: A Film by Ken Burns | 1994 | ||
| (7) | Baseball: A Film by Ken Burns | 1994 | ||
| (8) | Baseball: A Film by Ken Burns | 1994 | ||
| (9) | Baseball: A Film by Ken Burns | 1994 | ||
| (10) | "The Gift", NFB, 7/4/86 | July 4, 1986 | ||
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Call Number: 1998-012/006 |
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| (1) | "Masculine Mystique", 9/8/84 | Septmber 8, 1984 | ||
| (2) | "Masculine Mystique", 9/8/84 | Septmber 8, 1984 | ||
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Call Number: 1998-012/007 |
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| (1) | Archives | |||
| (2) | The Boys of St. Vincent | |||
| (3) | Legal | |||
| (4) | Posse -- Current | |||
| (5) | Sugartime -- Current | |||
| (6) | Good Citizen | |||
| (7) | Projects | |||
| (8) | First Winter and Others -- Press | |||
| (9) | Legal -- Green Card | |||
| (10) | Green Card | |||
| (11) | Academy of Canadian Cinema | |||
| (12) | Affirmative Action | |||
| (13) | Commercials | |||
| (14) | Crystal | |||
| (15) | Crystal -- Budget | |||
| (16) | Dangerous Minds | |||
| (17) | Patty Detroit | |||
| (18) | Dieppe | |||
| (19) | Dmitriana | |||
| (20) | Force Majeure | |||
| (21) | I R S | |||
| (22) | Heritage Minutes | |||
| (23) | Libido Factor | |||
| (24) | Lying Doggo | |||
| (25) | Lie Detector | |||
| (26) | Marlowe | |||
| (27) | Medical | |||
| (28) | Paper Bullets | |||
| (29) | Pornography | |||
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Call Number: 1998-012/008 |
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| (1) | Script Letters | |||
| (2) | Sugartime -- Budget | |||
| (3) | Sugartime -- Music | |||
| (4) | Suburbia | |||
| (5) | Archives | |||
| (6) | Arbus | |||
| (7) | Crystal -- Contract | |||
| (8) | Family Dancing | |||
| (9) | Good Citizen -- Contract | |||
| (10) | Hardball -- Casting | |||
| (11) | Hardball | |||
| (12) | Moonflower Vine | |||
| (13) | Posse Contracts | |||
| (14) | Resumes | |||
| (15) | Script Letters | |||
| (16) | Scripts -- General | |||
| (17) | Script Notes -- Misc. | |||
| (18) | Tax Papers | |||
| (19) | Sugartime -- Misc. | |||
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Call Number: 1998-012/009 |
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| (1) | Sugartime -- Shooting Schedule | |||
| (2) | Sugartime -- Script | |||
| (3) | Sugartime -- One Line | |||
| (4) | Sugartime -- Cast Day-o-Days | |||
| (5) | Sugartime -- Misc. Schedules | |||
| (6) | Sugartime -- Set and Site Plans | |||
| (7) | Sugartime -- Music | |||
| (8) | Sugartime -- Crew List | |||
| (9) | Sugartime -- Cast List | |||
| (10) | Sugartime -- Contact List | |||
| (11) | Sugartime -- HBO List | |||
| (12) | Sugartime -- Airline | |||
| (13) | Sugartime -- Memos | |||
| (14) | Dieppe -- Misc. | |||
| (15) | Dieppe -- Script | |||
| (16) | Dieppe -- Schedules | |||
| (17) | Dieppe -- Contact List | |||
| (18) | Dieppe -- Sets and Locations | |||
| (19) | My Posse -- Misc. | |||
| (20) | My Posse -- Schedules | |||
| (21) | My Posse -- Script | |||
| (22) | The Good Citizen -- Screenplay | |||
| (23) | Brave Every Danger -- Screenplay | |||
| (24) | The Shooter -- Screenplay | |||
| (25) | Lumiere dans la tempete -- Screenplay | |||
| (26) | K-Pax -- Screenplay | |||
| (27) | Screenplay -- not named | |||
| (28) | Posse -- Script Notes | |||
| (29) | Fred Levy | |||
| (30) | ICM | |||
| (31) | Crystal | |||
| (32) | L.A. General | |||
| (33) | Posse -- Casting | |||
| (34) | Posse -- Contract | |||
| (35) | Fred Levy (2nd) | |||
| (36) | Northern Run -- Screenplay | |||
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Call Number: 1998-012/010 |
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| (1) | Hardball -- Screenplay (2 copies) | |||
| (2) | Hardball -- Post-Production Schedule | |||
| (3) | Hardball -- Archives | |||
| (4) | Hardball -- Beat Outline | |||
| (5) | Hardball -- Cast | |||
| (6) | Hardball -- Cast Breakdown | |||
| (7) | Hardball -- Casting Sides | |||
| (8) | Casting Agents | |||
| (9) | Casting -- Callbacks | |||
| (10) | Casting -- Leads | |||
| (11) | Correspondence -- Incoming, Personal | |||
| (12) | Correspondence -- Outgoing, Personal | |||
| (13) | Documents | |||
| (14) | Expenses | |||
| (15) | Family Dancing | |||
| (16) | Girlie Night | |||
| (17) | Memos -- Incoming | |||
| (18) | Memos -- Outgoing | |||
| (19) | Travel | |||
| (20) | Oakwood Apartments | |||
| (21) | Contact Lists | |||
| (22) | Hardball -- General | |||
| (23) | Tamara -- Screenplay | |||
| (24) | God's Medicine -- Screenplay | |||
| (25) | Strangers -- Screenplay | |||
| (26) | Force-Majeure -- Screenplay | |||
| (27) | The Libido Factor -- Screenplay | |||
| (28) | By the Sea of Crystal -- Screenplay | |||
| (29) | Lie Detector -- Screenplay (2 copies) | |||
| (30) | The Deep End -- Screenplay | |||
| (31) | Arbus in Wonderland -- Screenplay | |||
| (32) | Dexterity -- Screenplay | |||
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Call Number: 1998-012/011 |
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| (1) | The Day of the Jackal -- Screenplay | |||
| (2) | Josiah's Canon -- Screenplay (2 copies) | |||
| (3) | Dexterity -- Screenplay (another copy) | |||
| (4) | Contact -- Screenplay | |||
| (5) | US Marshals -- Screenplay | |||
| (6) | Juliana Pastrana -- Screenplay | |||
| (7) | Dmitriana -- Screenplay | |||
| (8) | By the Sea of Crystal -- Screenplay (2 copies) | |||
| (9) | The Sleep Room (part 1) -- Screenplay | |||
| (10) | Elizabeth I -- Screenplay | |||
| (11) | Girl Interrupted -- Screenplay | |||
| (12) | One Golden Afternoon -- Screenplay | |||
| (13) | Shields Green -- Screenplay | |||
| (14) | Hot Zone -- Screenplay | |||
| (15) | To Brave Every Danger -- Novel | |||
| (16) | Voices in the Dark -- Screenplay | |||
| (17) | Justice - Screenplay | |||
| (18) | John Q. - Screenplay | |||
| (19) | The Lion Sleeps -- Screenplay | |||
| (20) | Devil Boys -- Screenplay | |||
| (21) | The Stone Diaries -- Screenplay | |||
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Call Number: 1998-012/012 |
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| (1) | Seconds -- Screenplay | |||
| (2) | Alicia's Book -- Screenplay | |||
| (3) | The Good Citizen -- Screenplay (2 copies) | |||
| (4) | Curtain Call -- Screenplay | |||
| (5) | Arkansas -- Screenplay | |||
| (6) | Yellow -- Screenplay | |||
| (7) | Love of Seven Dolls -- Novel | |||
| (8) | Girlie Night -- Screenplay (2 copies) | |||
| (9) | the little things... -- Screenplay (2 copies) | |||
| (10) | The Red Corner -- Screenplay | |||
| (11) | Slay the Dreamer -- Screenplay | |||
| (12) | The Moonflower Vine -- Fiction | |||
| (13) | Random Passage -- Script and Treatments | |||
| (14) | The Secret Lives of Dentists -- Screenplay | |||
| (15) | Miscellaneous Lives -- Screenplay | |||
| (16) | Amazing Grace -- Screenplay | |||
| (17) | The Replacement -- Screenplay | |||
| (18) | Family Dancing -- Screenplay (2 copies) | |||
| (19) | Family Dancing -- Screenplay (3rd copy) | |||
| (20) | Everyday -- Screenplay | |||
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Call Number: 1998-012/013 |
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| (1) | Vigilance -- Screenplay | |||
| (2) | Marlowe -- Screenplay (2 copies) | |||
| (3) | The Murderer Next Door -- Screenplay | |||
| (4) | Heaven Can't Wait -- Screenplay | |||
| (5) | Heaven Can't Wait -- Screenplay (2nd copy) | |||
| (6) | Halfback -- Screenplay | |||
| (7) | The Cider House Rules -- Screenplay | |||
| (8) | Safecracker -- Screenplay | |||
| (9) | The Ashley Gang -- Screenplay | |||
| (10) | Affirmative Action -- Screenplay (2 copies) | |||
| (11) | The Voyage of Naparina -- Screenplay | |||
| (12) | The Voyage of Naparina -- Screenplay (2nd copy) | |||
| (13) | Celtic Fury -- Screenplay | |||
| (14) | The Antwone Fisher Story -- Screenplay | |||
| (15) | Screenplay -- Fragment | |||
| (16) | Broken Promise -- Screenplay | |||
| (17) | Doublures -- Screenplay | |||
| (18) | Big Bear -- Screenplay and Notes | |||
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Call Number: 1998-012/014 |
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| (1) | The Nor'westers -- Screenplay | |||
| (2) | Caprice -- Screenplay | |||
| (3) | Les gratte-ciels d'Ahuntsic -- Summary (Eng. copy too) | |||
| (4) | Playing it Close -- Screenplay | |||
| (5) | Playing it Close -- Screenplay (2nd copy) | |||
| (6) | Billy Victor -- Screenplay (2 copies) | |||
| (7) | Big Bear -- Screenplay | |||
| (8) | The Corner -- Notes | |||
| (9) | Big Bear -- Screenplay | |||
| (10) | Big Bear -- Screenplay | |||
| (11) | Pierre's Script | |||
| (12) | Big Bear -- News Articles | |||
| (13) | Earthrise -- People and Personnel | |||
| (14) | Acadian Expression -- Sound and Camera reports | |||
| (15) | Front and Center -- Screenplay | |||
| (16) | Doctor Barnaville -- Screenplay | |||
| (17) | Tucson or Bust -- Screenplay | |||
| (18) | A Cool Dry Place -- Screenplay (2 copies) | |||
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Call Number: 1998-012/015 |
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| (1) | A Cool Dry Place -- Screenplay (2 copies) | |||
| (2) | A Cool Dry Place -- Screenplay (2 copies) | |||
| (3) | The Day-Glo Communique -- Screenplay | |||
| (4) | Revolution's Orphans -- Screenplay and Notes | |||
| (5) | The Good Citizen -- Screenplay (2 copies) | |||
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Call Number: 1998-012/016 |
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BROADSIDES (film posters) |
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(1) | "Dangerous Minds", Michelle Pfeiffer, Directed by John Smith | ||
| (2) | "Sugartime", HBO Pictures Presents....., Directed by John N. Smith | |||