F0191 - Jason Sherman fonds |
Call Number: 1999-059/001 | ||||
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WHAT: Administrative Files |
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(1) | Advertising | 1986-1987 | |
(2) | Audit Supplementary | |||
(3) | Statements | 1986-1988 | ||
(4) | Audit | 1987-1989 | ||
(5) | March 5 Benefit | 1986 | ||
(6) | Budget | 1987 | ||
(7) | Business Registration, letters of agreement | 1987 | ||
(8) | Buttons | 1989 | ||
(9) | Clippings, re: WHAT | 1985-1988 | ||
(10) | Contracts | 1988 | ||
(11) | Miscellaneous Correspondence | 1985-1988 | 1 of 2 | |
(12) | Miscellaneous Correspondence | 1985-1988 | 2 of 2 | |
(13) | Miscellaneous Correspondence | 1988-1989 | ||
(14) | Current Visuals | |||
(15) | Current Distribution | |||
(16) | Designers | 1987-1988 | ||
(17) | Distribution Lists | 1985-1989 | ||
(18) | Editorial Development | 1989-1990 | ||
(19) | Editorial Development | 1988-1989 | ||
(20) | Expenses, Sept. 1, 1985-Aug. 31, 1986 | 1985-1986 | ||
(21) | Expenses, Sept. 1, 1986-Aug. 31, 1987 | 1986-1987 | ||
(22) | Expenses | 1987-1988 | ||
(23) | Expenses | 1988-1989 | ||
(24) | Expenses | 1989-1990 | ||
(25) | Experience | 1988 | ||
(26) | Filed back order requests | 1987-1988 | ||
(27) | Futures | 1986 | ||
(28) | Grants | 1986-1988 | ||
(29) | Incorporation/non-profit organization | 1985-1987 | ||
(30) | Investments | 1987 | ||
(31) | Invoices | 1988 | ||
(32) | Invoices receivable | 1987-1988 | ||
(33) | Ledger | 1987-1988 | ||
(34) | Ledger | 1988-1989 | ||
(35) | Letters | 1986-1987 | ||
(36) | Magazine reports and small press | 1988 | ||
(37) | Mailing list: Bits and scraps | |||
(38) | Mailing list: Libraries | |||
(39) | Ministry of Citizenship and Culture | 1987 | ||
(40) | New rate sheet | 1988 | ||
(41) | Ontario Arts Council application | 1988 | ||
(42) | Ontario Arts Council application | 1989 | ||
(43) | Ontario Arts Council Correspondence | 1986-1989 | ||
(44) | Other magazines' rate sheets | |||
(45) | Penguin | 1986-1990 | ||
(46) | Photos and visuals, previous issues | |||
(47) | Playreader, Gina Mallet | 1985 | ||
(48) | Poster | |||
(49) | Printing information | 1986 | ||
(50) | Promotional material | 1985-1986 | ||
(51) | Readings/proposal | 1988 | ||
(52) | Reader survey | |||
(53) | Reading | Feb. 8, 1988 | ||
(54) | Rejections | 1990 | ||
(55) | Release #1, benefit | 1986 | ||
(56) | Release #2, $7800 grant/munro/subscriptions | 1986 | ||
(57) | Release #3, first anniversary, WHAT #7 | 1986 | ||
(58) | Release #4, reading #10 | 1987 | ||
(59) | Release #6, reading | Feb. 8, 1988 | ||
(60) | Release #7, WHAT abstract | 1988 | ||
(61) | RUEBSAAT'S | 1986-1988 | ||
(62) | Small press book fair | 1989-1990 | ||
Call Number: 1999-059/002 |
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File: |
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(1) | Stats | 1988 | ||
(2) | Story ideas | |||
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WHAT: Submissions |
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(3) | 1986-1988 | ||
(4) | 1986-1988 | |||
(5) | 1986-1988 | |||
(6) | 1986-1988 | |||
(7) | 1986-1988 | |||
(8) | 1988-1989 | |||
(9) | 1988-1989 | |||
(10) | Subscriptions | 1986-1988 | ||
(11) | Correspondence, submissions | 1988-1989 | ||
(12) | Correspondence, submissions, visuals | 1988-1990 | ||
(13) | Toronto Arts Council, grants and Correspondence prior to 1984 | |||
(14) | Translation issue | 1987-1991 | ||
(15) | A Tribute to Bob | 1986 | ||
(16) | WHAT ads, production | |||
(17) | WHAT extra | 1987 | ||
(18) | WHAT guidelines | 1985 | ||
(19) | WHAT logos | |||
(20) | Issue 16 | 1988 | ||
(21) | WHAT #17, originals | 1988 | ||
(22) | Issue, 21/22 | 1990 | ||
(23) | WHAT 20, originals | 1988 | ||
(24) | WHAT Club: soliciting letters | 1987 | ||
(25) | WHAT typefaces | |||
(26) | Writers' invoices | |||
(27) | Writers' reserve | 1987-1988 | ||
(28) | Writers' requests | 1988-1989 | ||
(29) | Your Guest is as Good as Mine | |||
(30) | WHAT letterhead | 1990 | ||
(31) | Bookstore directory | 1990 | ||
(32) | Visuals | |||
Call Number: 1999-059/003 |
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WHAT: Writers |
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(1) | A | 1984-1989 | |
(2) | Adamson, Jill | 1988-1989 | ||
(3) | B | 1986-1989 | ||
(4) | Burke, Brian | 1989-1990 | ||
(5) | Bonnie, Fred | 1988-1989 | ||
(6) | Bass, Rick | 1989 | ||
(7) | C | 1988-1991 | ||
(8) | Clark, Eliza | 1991 | ||
(9) | Connolly, Kevin | 1989 | ||
(10) | Corbeil, Carol | |||
(11) | Crosbie, Lynn | 1988-1990 | ||
(12) | Curry, J.W. | 1986-1990 | ||
(13) | D | 1986-1988 | ||
(14) | Dewdney, Chris | 1986 | ||
(15) | Euason, Greg | 1985-1988 | ||
(16) | Fawcett, Brian | 1987-1990 | ||
(17) | Findley, Timothy | 1986 | ||
(18) | Ford, Richard | 1990 | ||
(19) | G | 1986-1989 | ||
(20) | Hannah, Barry | 1987-1989 | ||
(21) | Hawkes, John | 1988 | ||
(22) | Helwig, Maggie | 1988-1989 | ||
(23) | Hillis, Rick | 1989 | ||
(24) | Hoban, Russel | 1988 | ||
(25) | Hollingsworth, Margaret | 1986 | ||
(26) | Holz, Cynthia | |||
(27) | Hotz, comics | 1987 | ||
(28) | Hutter, Richard | 1986-1988 | ||
(29) | Heker, Liliana | 1986 | ||
(30) | James-French, Dayn | 1989-1990 | ||
(31) | Jirgens, Karl | 1986-1987 | ||
(32) | Jones | 1986-1988 | ||
(33) | Jordan, Terry | 1988 | ||
(34) | K | 1985-1989 | ||
(35) | Kahana, Johnathan | 1985-1989 | ||
(36) | The Kinks | 1986-1987 | ||
(37) | Laba, Mark | 1986 | ||
(38) | Laferriere, Dany | 1989 | ||
(39) | Laurence, Margaret | 1987 | ||
(40) | Leedahl, Shelly | 1990 | ||
(41) | Lish, Gordon | 1989 | ||
(42) | Lush, Laura | |||
(43) | M | 1986-1988 | ||
(44) | Manguel, Alberto | 1987-1991 | ||
(45) | McGehee, Peter | 1987-1989 | ||
(46) | McGimpsey, David | 1989 | ||
(47) | Michaels, Ann | 1986 | ||
(48) | Munro, Alice | 1986 | ||
(49) | Nichol, b p | 1984-1988 | ||
(50) | Ondaatje, Michael | 1987-1990 | ||
(51) | Putz, Martin | 1986-1991 | ||
(52) | Quarrington, Paul | 1986-1989 | ||
(53) | R | 1986-1990 | ||
(54) | Richard, Mark | 1989-1990 | ||
(55) | Robinson, Marilynn | 1990 | ||
(56) | Ross, Stuart | 1984-1987 | ||
(57) | Rubinsky, Holly | 1986-1989 | ||
(58) | Rushdie | 1989-1992 | 1 of 2 | |
(59) | Rushdie | 1989-1992 | 2 of 2 | |
(60) | Scott, Gail | 1988 | ||
(61) | Shammas, Anton | 1988-1989 | ||
(62) | Suendsen, Linda | |||
(63) | Truhlar, Richard | 1985-1988 | ||
(64) | V-W | 1985-1989 | ||
(65) | Williams, Diane | 1989-1990 | ||
(66) | Wolff, Tobias | 1989 | ||
(67) | UU, Davis | 1986 | ||
(68) | Reviews and profiles | 1987-1989 | ||
(69) | Young writers, Research Penguin Festival | 1988 | ||
(70) | S | 1986-1989 | ||
Call Number: 1999-059/004 |
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University Papers |
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(1) | University Papers: 1981-1984 | ||
(2) | University Papers: 1981-1984 | |||
(3) | University Papers: 1981-1984 | |||
(4) | University Papers: 1981-1984 | |||
(5) | University Papers: 1981-1984 | |||
(6) | R & D series | |||
(7) | The Wording | 1987 | ||
(8) | Short stories | |||
(9) | Scenes | |||
(10) | Sittin' Shiva | |||
(11) | Tourists | 1989 | ||
(12) | Early Drama | 1981-1985 | ||
(13) | Screen writing | 1983 | ||
(14) | The Day the Earth-rough stuff | 1983 | ||
(15) | School files: report cards | 1974-1981 | ||
(16) | Artist, dealer relationships | 1984 | ||
(17) | Negative Capability, first and second drafts | |||
(18) | Drama dross | 1983 | ||
(19) | See My Friends | [ca. 1983] | ||
(20) | Fiction dross | 1984 | ||
(21) | School photos | 1970-1975 | ||
(22) | Pamela, notes and drafts | 1 of 3 | ||
(23) | Pamela, notes and drafts | 2 of 3 | ||
(24) | Pamela, notes and drafts | 3 of 3 | ||
(25) | English 4170: Literature Criticism | 1984-1985 | ||
(26) | Negative Capability, initial sketches | |||
(27) | Short stories | |||
(28) | Excalibur Articles | 1983-1985 | ||
(29) | New Voices | 1986-1989 | ||
(30) | Books in Canada | 1985-1990 | ||
(31) | Globe & Mail | 1986-1987 | ||
(32) | Toronto Star | 1987-1989 | ||
(33) | Certificate of Honor | 1975 | ||
Call Number: 1999-059/005 |
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File: |
Title: |
Date(s): |
Note: |
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(1) | Schulman | 1994-1996 | ||
(2) | Anne McDermid | 1996 | ||
(3) | CBC Workshop | 1995 | ||
(4) | Newton letters (Michael Healy) | 1986-1987, 1993 | ||
(5) | Correspondence | 1996-1998 | ||
(6) | Tapestry | |||
(7) | Play group | 1991 | ||
(8) | G.S.H. | 1994 | ||
(9) | Training program | 1996 | ||
(10) | N.T.S | 1998 | ||
(11) | Frida K | 1995-1996 | ||
(12) | Behaviour | 1995 | ||
(13) | CDN Brash Correspondence | 1990 | ||
(14) | Coach House | 1986-1991 | 1 of 2 | |
(15) | Coach House | 1986-1991 | 2 of 2 | |
(16) | Coach House Correspondence | 1990-1997 | 1 of 2 | |
(17) | Coach House Correspondence | 1990-1997 | 2 0f 2 | |
(18) | Banff | 1994 | ||
(19) | 8 Men Speak | 1998 | ||
(20) | PACT Conference | 1994 | ||
(21) | All-Stars | 1994 | ||
(22) | Mallory | 1994-1995 | ||
(23) | Germany | 1997-1999 | ||
(24) | Doras | [1993] | ||
(25) | Dora Show, notes/res. | 1993 | ||
(26) | Doras | 1996 | ||
(27) | Dora Show, first half | 1994 | ||
(28) | Investigation leading | 1992 | ||
(29) | Warsaw redings | Apr. 27, 1992 | ||
(30) | Pen Benefit | 1998-1999 | ||
(31) | 3 Plays in a Day | [1998] | ||
(32) | The Canadian Council Project | May 1, 1995 | ||
(33) | Canadian Council, travel | Sept. 15, 1995 | ||
(34) | Toronto Arts Council | 1995 | ||
(35) | Ontario Arts Council project | July, 1995 | ||
(36) | Ontario Arts Council | Oct. 3, 1994 | ||
(37) | "B" Grant: 1, Apr. 1994 | |||
(38) | Canadian Council project grant | Jan., 1993 | ||
(39) | Toronto Arts Council | Apr. 1, 1994 | ||
(40) | 1993 Ontario Arts Council [Residency] | 1993-1994 | ||
(41) | Toronto Arts Council | 1992 | ||
(42) | "B" Grant, Apr. 1, 1991 | 1991-1994 | ||
(43) | Project | Jan. 15, 1991 | ||
(44) | Writers' Reserve | 1991 | ||
(45) | Playwright Recommendor Program | 1991 | ||
(46) | Residency, Smith-Gilmour | 1991 | ||
(47) | Arts Writers | 1990 | ||
(48) | Writers' Reserve | 1990 | ||
(49) | Residency, Beyond Words | 1990 | ||
(50) | Writers' Reserve/W.I.P | 1989-1990 | ||
(51) | Walking Shadow Theatre: Explorations Program 1990 | 1989-1990 | ||
(52) | Toronto Arts Council | 1991 | ||
(53) | Arts Writers | 1993 | ||
(54) | Recommendor | 1991 | ||
(55) | Toronto Arts Council, Research and Development Grant | 1987 | ||
(56) | Screenwriting, Ontario Arts Council | 1991 | ||
Call Number: 1999-059/006 |
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File: |
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Shorts |
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(1) | Banff | 1994 | |
(2) | Blizzard | 1995 | ||
(3) | Equity Rules | 1994 | ||
(4) | 54 | [ca.1994] | ||
(5) | Kiss Me, Kate | 1997 | ||
(6) | Merchant | 1993 | ||
(7) | My Street | 1992 | ||
(8) | '92' | 1992 | ||
(9) | Picture This | 1990 | ||
(10) | PlayRites' | 1995 | ||
(11) | The Poetics | 1995 | ||
(12) | Stop Slowing Down | 1994 | ||
(13) | Telling Tales: WPG | 1997 | ||
(14) | What the Russians... | 1993 | ||
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The Retreat |
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(15) | The Retreat: July 17, | 1994 | |
(16) | The Retreat: November 28, | 1994 | ||
(17) | The Retreat: December 9, | 1994 | ||
(18) | The Retreat: Reading draft | December 9, 1994 | ||
(19) | The Retreat: First draft | 1994 | ||
(20) | The Retreat: ATP | 1994-1995 | ||
(21) | The Retreat: Notes | 1995 | ||
(22) | The Retreat: ATP revision | March 14, 1995 | ||
(23) | The Retreat: 3rd | 1995 | ||
(24) | The Retreat: December reading revisions | 1996 | 1 of 2 | |
(25) | The Retreat: December reading revisions | 1996 | 2 of 2 | |
(26) | The Retreat: Current, draft | 1996 | ||
(27) | The Retreat: Production cuts, revisions | 1996 | ||
(28) | The Retreat: Tarragon production draft | 1996 | ||
(29) | The Retreat: 1996 | |||
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The Fringe |
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(30) | Fringe | 1994 | |
(31) | Fringe stuff | 1994-1995 | ||
(32) | Harold | 1995 | ||
(33) | Harold | 1996 | ||
(34) | Notes, [Harold] | 1995 | ||
(35) | The Fringe: Press | 1995 | ||
(36) | The Fringe: Shows | 1995 | ||
(37) | The Fringe: Source | 1995 | ||
Call Number: 1999-059/007 |
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Walking Shadow |
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(1) | Walking Shadow: Benefit Ontario Arts Council | 1990 | |
(2) | Walking Shadow: Board of Directors | 1990 | ||
(3) | Walking Shadow | 1990 | ||
(4) | Walking Shadow: Fundraising | 1990 | ||
(5) | Walking Shadow Theatre, history of the company | 1990 | ||
(6) | Walking Shadow Theatre, information package master | 1990 | ||
(7) | Walking Shadow: Miscellaneous | 1990 | ||
(8) | Walking Shadow: Ontario Arts Council | 1990 | ||
(9) | WST, Ontario Arts Council application | August 1, 1990 | ||
(10) | Walking Shadow/Pamela, current file | 1990 | ||
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A Place Like Pamela |
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(11) | A Place Like Pamela: Archives | 1990 | |
(12) | A Place Like Pamela: Program | [1990] | ||
(13) | A Place Like Pamela: Reviews, profiles | 1991 | ||
(14) | A Place Like Pamela: Scripts | [ca.1990] | 1 of 2 | |
(15) | A Place Like Pamela: Scripts | [ca.1990] | 2 of 2 | |
(16) | A Place Like Pamela: Drafts, notes | |||
(17) | A Place Like Pamela: Second draft | |||
(18) | A Place Like Pamela: Third draft | |||
(19) | A Place Like Pamela: First draft | 1989 | ||
(20) | A Place Like Pamela: Draft | 1989 | 1 of 2 | |
(21) | A Place Like Pamela: Draft | 1989 | 2 of 2 | |
(22) | A Place Like Pamela: Drafts | [ca.1989] | 1 of 2 | |
(23) | A Place Like Pamela: Drafts | [ca.1989] | 2 of 2 | |
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Theatre Smith-Gilmour |
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(24) | Theatre Smith-Gilmour: Gormenghast | 1994-1995 | |
(25) | Theatre Smith-Gilmour: Faust: Workshop draft | |||
(26) | Theatre Smith-Gilmour: Faust: Workshop | 1991 | ||
(27) | Theatre Smith-Gilmour: Faust: Research | |||
(28) | Theatre Smith-Gilmour: Faust: Contract notes | 1992 | ||
(29) | Theatre Smith-Gilmour: Dean-Church | 1992 | ||
(30) | Theatre Smith-Gilmour: Mini-Communion | 1992 | ||
(31) | Theatre Smith-Gilmour: Diane-Synagogue | 1992 | ||
(32) | Theatre Smith-Gilmour: Walter-Pollo | 1992 | ||
(33) | Theatre Smith-Gilmour: The Bible, current | 1992 | ||
(34) | Theatre Smith-Gilmour: The Bible | 1991-1992 | ||
(35) | Theatre Smith-Gilmour: Cortazar, second workshop, Aug. 27-Sept.1, | 1990 | ||
(36) | Theatre Smith-Gilmour: Cortazar, first workshop, July 9-14, | 1990 | ||
(37) | Theatre Smith-Gilmour: Cortazar, Alberto's material | 1990 | ||
(38) | Theatre Smith-Gilmour: The Cortazar project, note book | |||
(39) | Theatre Smith-Gilmour: To Cry is Not So, earlier material | |||
Call Number: 1999-059/008 |
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(1) | Theatre Smith-Gilmour: To Cry..., letters of agreement | 1992-1993 | ||
(2) | Theatre Smith-Gilmour: To Cry... | 1992 | ||
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The Serpent Woman |
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(3) | The Serpent Woman: Tech draft | 1991 | |
(4) | The Serpent Woman: Clippings | 1991-1992 | ||
(5) | The Serpent Woman: Final draft | 1991 | ||
(6) | The Serpent Woman: Act one, first draft | 1991 | ||
(7) | The Serpent Woman: First draft, (August reading) | 1991 | ||
(8) | The Serpent Woman: Uncorrected workshop drafts | 1991 | ||
(9) | The Serpent Woman: Second draft: reading | 1991 | ||
(10) | The Serpent Woman: Rejected scenes | |||
(11) | The Serpent Woman: Work schedule | 1991 | ||
(12) | The Serpent Woman: Alternative translation | 1991 | ||
(13) | The Serpent Woman: Gozzi | 1991 | ||
(14) | The Serpent Woman: Notes | 1991 | ||
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Interrupt Us |
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(15) | Interrupt Us: Drafts | 1987 | |
(16) | Interrupt Us: Notes, drafts | 1987 | ||
(17) | Interrupt Us: Notes, drafts | 1987 | ||
(18) | Interrupt Us: First draft | 1987 | ||
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Three in the Back, Two in the Head |
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(19) | Three in the Back, Two in the Head: Pittsburgh C.M.U. Rehearsal, 1993 | 1994 | |
(20) | Three in the Back, Two in the Head: Pittsburgh C.M.U. | 1994 | ||
(21) | Three in the Back, Two in the Head: Pittsburgh, final | 1994 | ||
(22) | Three in the Back, Two in the Head: Draft | December 1993 | ||
(23) | Three in the Back, Two in the Head: Rehearsal | 1993 | ||
(24) | Three in the Back, Two in the Head: Rehearsal-deletes | 1993 | ||
(25) | Three in the Back, Two in the Head: November 15, 1993 | |||
(26) | Three in the Back, Two in the Head: October re-writes | 1993 | ||
(27) | Three in the Back, Two in the Head: New scenes | [1993] | ||
(28) | Three in the Back, Two in the Head: Notes | September 1993 | ||
(29) | Three in the Back, Two in the Head: Post-workshop draft, working copy | June 1993 | ||
(30) | Three in the Back, Two in the Head: Post-workshop draft, clean | 1993 | ||
(31) | Three in the Back, Two in the Head: Workshop | June 6, 1993 | ||
(32) | Three in the Back, Two in the Head: Workshop discards | 1 of 2 | ||
(33) | Three in the Back, Two in the Head: Workshop discards | 2 of 2 | ||
(34) | Three in the Back, Two in the Head: Workshop | |||
(35) | Three in the Back, Two in the Head: Readings draft | |||
(36) | Three in the Back, Two in the Head: Three in the Back | April 1992 | ||
(37) | Three in the Back (2) | April 1993 | ||
(38) | Three in the Back (1) | April 1993 | ||
(39) | Three in the Back, Two in the Head: Bull, fifth draft | |||
(40) | Three in the Back, Two in the Head: Bull, fourth draft | |||
(41) | Three in the Back, Two in the Head: Bull, third draft | 1992 | ||
(42) | Three in the Back, Two in the Head: Bull, second draft | 1992 | ||
(43) | Three in the Back, Two in the Head: Bull, first draft | 1992 | ||
(44) | Three in the Back, Two in the Head: Bull project, notes, scenes | 1992 | ||
Call Number: 1999-059/009 |
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File: |
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Date(s): |
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(1) | Three in the Back, Two in the Head: AJAX, various translations | 1991 | ||
(2) | Three in the Back, Two in the Head: Bull project, related research | |||
(3) | Three in the Back, Two in the Head: Bull, Gerald | 1990-1996 | ||
(4) | Three in the Back, Two in the Head: Bull/CIA Arms Trade | |||
(5) | Three in the Back, Two in the Head: Bull/Iron Mountain | |||
(6) | Three in the Back, Two in the Head: Bull/ 'War' and 'Peace' | 1992 | ||
(7) | Three in the Back, Two in the Head: Bull/Canada | |||
(8) | Three in the Back, Two in the Head: Bull/Iraq | 1992 | ||
(9) | Three in the Back, Two in the Head: Bull/'Peace' in Media | |||
(10) | Three in the Back, Two in the Head: Wilderness of Mirrors: The life of Gerald Bull/Dale Grant, advance proofs | 1991 | ||
(11) | Three in the Back, Two in the Head: Awards, 3/2 1994-1996 | |||
(12) | Three in the Back, Two in the Head: Three in the Back, MCC | 1996 | ||
(13) | Three in the Back, Two in the Head: MCC | 1995-1996 | ||
(14) | Three in the Back, Two in the Head: MCC Draft | 1996 | ||
(15) | Three in the Back, Two in the Head: Pittsburgh | 1993-1994 | ||
(16) | Three in the Back, Two in the Head: Clean draft | [1996] | ||
(17) | Three in the Back, Two in the Head: Interact | 1996-1997 | ||
(18) | Three in the Back, Two in the Head: Theatre de la Manufacture | 1996-1997 | ||
(19) | Ottawa, 3/2 1994 | |||
(20) | Three in the Back, Two in the Head: Charlotte | 1995 | ||
(21) | Three in the Back, Two in the Head: Festival des Ameriques | 1995 | ||
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The League of Nathans |
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(22) | Nathans: Chalmers '92 | 1992-1993 | |
(23) | Nathans: WNPG | 1995-1996 | ||
(24) | Nathans: original, large print | |||
(25) | Nathans: drafts | |||
(26) | Nathans: theatrum | 1994-1995 | ||
(27) | Nathans: current | [1995] | ||
(28) | Nathans | November 3, 1995 | ||
(29) | Nathans: Winnipeg, revisions, cuts | 1996 | ||
(30) | Nathans: Winnipeg, production draft | 1998 | ||
(31) | Nathans: Banff | 1991 | ||
(32) | Nathans: current draft, Healey is genius | [ca. 1990] | ||
(33) | Nathans: draft | [ca.1990] | ||
(34) | Nathans: ODT workshop | [ca. 1990] | ||
(35) | Nathans: rehearsal | 1992 | ||
(36) | Nathans: ODT, TPM | 1991 | ||
Call Number: 1999-059/010 |
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File: |
Title: |
Date(s): |
Note: |
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(1) | Nathans: Rhubarb | 1991 | ||
(2) | Nathans: draft | [ca.1991] | ||
(3) | Nathans | April 1992 | ||
(4) | Nathans: New | 1994-1995 | ||
(5) | Nathans: Rhubarb '91, information | 1991 | ||
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Reading Hebron |
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(6) | Hebron | September, 1996 | |
(7) | Hebron | September 1996 | ||
(8) | Hebron: SM copy | 1996 | ||
(9) | Hebron: UTU | 1995 | ||
(10) | Hebron: PWM | 1995 | ||
(11) | Hebron: PWM, Reading Draft | 1996 | ||
(12) | Hebron: Hebron | March 14,1995 | ||
(13) | Hebron: Cut scenes | |||
(14) | Hebron: Last PWM reading | 1996 | ||
(15) | Hebron: PWM notes and scenes | 1996 | ||
(16) | Hebron: Playwrights' Workshop Montreal | 1995-1997 | ||
(17) | Hebron: Under the Umbrella 1994 | |||
(18) | Hebron: FWAL draft | 1996 | ||
(19) | Hebron: Factory | 1996 | ||
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None Is Too Many |
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(20) | None Is Too Many: January 1997 | ||
(21) | None Is Too Many: March '97, before previews | 1997 | ||
(22) | None Is Too Many: December 1996 | |||
(23) | None Is Too Many: Notes, production draft | 1997 | ||
(24) | None Is Too Many: First workshop, scenes | 1994 | ||
(25) | None Is Too Many: Second workshop | 1996 | ||
(26) | None Is Too Many: Source | 1996 | ||
(27) | None Is Too Many: Contract | 1997 | ||
Call Number: 1999-059/011 |
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File: |
Title: |
Date(s): |
Note: |
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(1) | Voices, original artwork by Aron | |||
(2) | Original artwork | 1994 | ||
(3) | Original artwork | 1998 | ||
(4) | Poster for production of Three in the Back at the National Arts Centre in Ottawa | |||
(5) | Poster for production of Trois dans le dos, deux dans la tete at La Licome, Montreal, Quebec, 12 March-4 April | 1998 |