Call Number:
|
File:
|
Title:
|
Date(s):
|
Note:
|
|
| 1978-018/005 | (1) | Computer Music Experiences | 1961-1964 | |
| 1978-018/005 | (2) | Choregram | 1964 | |
| 1978-018/005 | (3) | Audience Piece #1 (audience as performer) | 1965 | |
| 1978-018/005 | (4) | Metabolic Music | 1965 | |
| 1998-038/004 | (1) | About composers : Conlon Nancarrow, correspondence | 1974-1989 | |
| 1998-038/004 | (2) | About composers : Conlon Nancarrow, article originals | 1977 | |
| 1998-038/004 | (3) | About composers : Conlon Nancarrow, article | 1977 | |
| 1998-038/004 | (4) | About composers : Conlon Nancarrow, interview | 1968 | |
| 1998-038/004 | (5) | About composers : Conlon Nancarrow, Arch St. liner notes original writing | 1977 | |
| 1998-038/004 | (6) | About composers : Conlon Nancarrow, liner notes | 1977-1989 | |
| 1998-038/004 | (7) | About composers : Conlon Nancarrow, notes | |
moved to OS 1998-038/024 (01)
|
| 1998-038/004 | (8) | About composers : Conlon Nancarrow, general notes, charts, etc. | |
moved to OS 1998-038/024 (02)
|
| 1998-038/004 | (9) | About composers : John Cage | 1954-1989 | |
| 1998-038/004 | (10) | About composers : Analytical notes, Cage works | |
moved to OS 1998-038/024 (03)
|
| 1998-038/004 | (11) | About composers : Phil Corner - pictures, copies of business correspondence | 1972-1977 | |
| 1998-038/004 | (12) | About composers : Analytical notes on Debussy, "Syrinx" | |
moved to OS 1998-038/024 (04)
|
| 1998-038/004 | (13) | About composers : Feldman | 1965-1988 | |
| 1998-038/004 | (14) | About composers : Lou Harrison | 1976-1989 | |
| 1998-038/004 | (15) | About composers : Charles Ives | 1974-1988 | |
| 1998-038/004 | (16) | About composers : Harry Partch | 1974-1983 | |
| 1998-038/004 | (17) | About composers : Carl Ruggles | 1959-1977 | |
| 1998-038/004 | (18) | About composers : Analytical notes re: Carl Ruggles | 1977 |
moved to OS 1998-038/024 (05)
|
| 1998-038/004 | (19) | About composers : Schoenberg, "Suite Op. 25" | |
moved to OS 1998-038/024 (06)
|
| 1998-038/004 | (20) | About composers : New Music Concerts | 1988-1989 | |
| 1998-038/004 | (21) | About composers : Egard Varese-"Density 21.5" | 1946 | |
| 1998-038/004 | (22) | About composers : Webern-"Concerto" Op.24 | 1948 | |
| 1998-038/005 | (1) | Theory : Bell clang materials-Bell timbres | 1962 | |
| 1998-038/005 | (2) | Theory : Bell clang | 1963 | |
| 1998-038/005 | (3) | Theory : Harmon | 1956-1963 | |
| 1998-038/005 | (4) | Theory : Hellier et alia | 1957-1966 | |
| 1998-038/005 | (5) | Theory : Kerstra | | |
| 1998-038/005 | (6) | Theory : National Science Foundation Grant Report, draft | 1966-1977 | |
| 1998-038/005 | (7) | Theory : Sankaran and Deva | 1955-1963 | |
| 1998-038/005 | (8) | Theory : Scherchen Proposal | 1959 | |
| 1998-038/005 | (9) | Theory : Experimental investigation of timbre | 1964 | |
| 1998-038/005 | (10) | Theory : Timbre notes | | |
| 1998-038/005 | (11) | Theory : Timbre project-sound analysis programs | | |
| 1998-038/005 | (12) | Theory : Computer study of violin tones | | |
| 1998-038/005 | (13) | Theory : Violin analyses | 1966 | |
| 1998-038/005 | (14) | Theory : Violin perception | 1959-1976 | |
| 1998-038/006 | (1) | Theory : Illustrations for Yale article (Journal of Music Theory) | 1963 | |
| 1998-038/006 | (2) | Theory : Notes for research reports and article : "Hierarchical Temporal Gestalt Perception" | [1976-1978?] |
part of file moved to OS 1998-038/024 (07)
|
| 1998-038/006 | (3) | Theory : "Hierarchical Temporal Gestalt Perception in Music: A "Metric Space" Model" and "Model" paper has been sent to... | 1978 | |
| 1998-038/006 | (4) | Theory : "Metric Space Model", original | 1978 | |
| 1998-038/006 | (5) | Theory : Computer printouts for "Model" paper | 1978 | |
| 1998-038/006 | (6) | Theory : "Temporal Gestalt Perception in Music" original | 1980 | |
| 1998-038/006 | (7) | Theory : Originals for short versions of "Temporal Gestalt Model" paper | | |
| 1998-038/006 | (8) | Theory : Materials planned as examples for "META Meta + Hodos", but not used | 1961-1969 | |
| 1998-038/006 | (9) | Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting | 1961, 1975 | |
| 1998-038/006 | (10) | Theory : Clifton review original | | |
| 1998-038/006 | (11) | Theory : Book review by James Tenney on "Music as Heard: A Study in Applied Phenomenology", written by Thomas Clifton | 1984 | |
| 1998-038/007 | (1) | Research : Yeats | | |
| 1998-038/007 | (2) | Research : Notes on my music | 1956-1961 | |
| 1998-038/007 | (3) | Research : Perception-communication | 1963-1966 | |
| 1998-038/007 | (4) | Research : Word notes-poetry and ideas | 1956-1962 | |
| 1998-038/007 | (5) | Research : Biology, Reich-Negentropy | 1963-1965 | |
| 1998-038/007 | (6) | Research : Rhythm | | |
| 1998-038/007 | (7) | Research : Criticism-history | 1963-1965 | |
| 1998-038/007 | (8) | Research : Miscellaneous notes | | |
| 1998-038/007 | (9) | Research : Computer projects | 1964 | |
| 1998-038/007 | (10) | Research : 6x6 to 1" graph paper, timbre instruments materials | | |
| 1998-038/007 | (11) | Garland-Revueltas article (Silvestre Revueltas) | 1988 | |
| 1998-038/007 | (12) | Research : Tone Roads West - Proposals etc. including mailing list | 1973 | |
| 1998-038/007 | (13) | York University : MFA Music | [1979-1991?] | |
| 1998-038/007 | (14) | York University : Music Writing Skills Workshop course proposal | 1985-1989 | |
| 1998-038/007 | (15) | York University : Grad Program | 1984-1993 | |
| 1998-038/007 | (16) | York University : memos re. music studies | 1988-1989 | |
| 1998-038/007 | (17) | York University : Library : reserves, music program, new recordings | | |
| 1998-038/007 | (18) | York University : Class materials | 1982-1988 | |
| 1998-038/007 | (19) | York University : 4110 (fourth year composition course) | 1982-1989 | |
| 1998-038/007 | (20) | Note : Politics | 1967 | |
| 1998-038/008 | (1) | Electronic Music : Hugh LeCaine Project, Canadian Electronic Ensemble | | |
| 1998-038/008 | (2) | Electronic Music : National Research Council of Canada - electronic music technical translation reports | | |
| 1998-038/008 | (3) | Electronic Music : Copies of journal articles related to electronic music | | |
| 1998-038/008 | (4) | Electronic Music : Papers on electronic music | | |
| 1998-038/008 | (5) | Electronic Music : Electronic music studio, Tulane University | 1966 | |
| 1998-038/008 | (6) | Electronic Music : Electronic music instrument schematics | | |
| 1998-038/009 | (1) | "A History of 'Consonance' and 'Dissonance'" | 1980 | |
| 1998-038/009 | (2) | "A History of 'Consonance' and 'Dissonance'", loose papers | | |
| 1998-038/009 | (3) | "A History of 'Consonance' and 'Dissonance'", Part three, revision copy | 1980 | |
| 1998-038/009 | (4) | "A History of 'Consonance' and 'Dissonance'", Part two | 1980 | |
| 1998-038/009 | (5) | "A History of 'Consonance' and 'Dissonance'", Part one, revision copy | 1980 | |
| 1998-038/009 | (6) | "A History of 'Consonance' and 'Dissonance'", revision pages | | |
| 1998-038/009 | (7) | "A History of 'Consonance' and 'Dissonance'", Part one, revision copy | 1980 | |
| 1998-038/009 | (8) | "A History of 'Consonance' and 'Dissonance'", Part two, revision copy | 1980 | |
| 1998-038/009 | (9) | "A History of 'Consonance' and 'Dissonance'", Part three, revision copy | 1980 | |
| 1998-038/009 | (10) | James Tenney, Canada | 1978 | |
| 1998-038/010 | (1) | David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones" | 1963 | |
| 1998-038/024 | (1) | Nancarrow, notes | | |
| 1998-038/024 | (2) | Nancarrow, general notes, charts, etc. | | |
| 1998-038/024 | (3) | Analytical notes, Cage works | | |
| 1998-038/024 | (4) | Analytical notes on Debussy, "Syrinx" | | |
| 1998-038/024 | (5) | Analytical notes re: Carl Ruggles | 1977 | |
| 1998-038/024 | (6) | Schoenberg, "Suite Op. 25" | | |
| 1998-038/024 | (7) | Notes for research reports and article: "Hierarchical Temporal Gestalt Perception" | [1976-1978?] | |
| 2000-045/003 | (1) | Clippings | 1964-2000 | |