Call Number:
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File:
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Title:
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Date(s):
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Note:
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| 1998-038/001 | (1) | Last Supper picture [photograph] | | |
| 1998-038/001 | (2) | The List : Independent Curators Incorporated | 1976-1980 | |
| 1998-038/001 | (3) | Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories, John Pierce and the National Science Foundation as well as a draft of "An Experimental Investigation of Timbre" by Tenney] | 1961-1964 | |
| 1998-038/001 | (4) | Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories and others] | 1965-1966 | |
| 1998-038/001 | (5) | Professional correspondence, PIB (Polytechnic Institute of Brooklyn) and New York | 1966-1969 | |
| 1998-038/001 | (6) | Professional correspondence [includes correspondence with the Kronos Quartet, York University, Gavin Bryars and others] | 1970-1976 | |
| 1998-038/001 | (7) | Professional correspondence | 1976-1978 | |
| 1998-038/001 | (8) | Professional correspondence [includes correspondence with Steve Reich, Reich Music Foundation, York University among others] | 1978-1980 | |
| 1998-038/001 | (9) | Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others] | 1954-1969 | |
| 1998-038/001 | (10) | Personal correspondence [includes correspondence with John Kirkpatrick, John Pierce, Stever Reich and John Cage among others] | 1970-1980 | |
| 1998-038/001 | (11) | Letters from Annie [Ann Holloway], personal | 1973-1977 | |
| 1998-038/001 | (12) | Stan Brakhage [includes poems and notes by Brakhage] | ca. 1953 - 1969 | |
| 1998-038/001 | (13) | Stan Brakhage, correspondence | 1985-1989 | |
| 1998-038/001 | (14) | Michael Byron | 1973-1980 | |
| 1998-038/001 | (15) | Phil Corner | 1972-1979 | |
| 1998-038/001 | (16) | Philip Corner: "Etudes for Non-Pianist" original composition | | |
| 1998-038/001 | (17) | Nancarrow-Amirkhanian | 1978-1989 | |
| 1998-038/001 | (18) | Nam June Paik | 1968 | |
| 1998-038/001 | (19) | Letters from ex-students | | |
| 1998-038/001 | (20) | Brakhage, letters | 1953-1970 | |
| 1998-038/002 | (1) | Peter Garland, correspondence and writings | 1984-1990 | |
| 1998-038/002 | (2) | Peter Garland, correspondence and writings | 1971-1983 | |
| 1998-038/003 | (1) | Correspondence, A | 1985-1990 | |
| 1998-038/003 | (2) | American Musical Festival of Microtonal Music | 1982-1988 | |
| 1998-038/003 | (3) | American Music Centre | 1986-1989 | |
| 1998-038/003 | (4) | Charles Ames | 1983-1988 | |
| 1998-038/003 | (5) | American Society of Composers, Authors and Publishers | | |
| 1998-038/003 | (6) | Correspondence, B and C | 1975-1990 | |
| 1998-038/003 | (7) | Ellen Band | 1985 | |
| 1998-038/003 | (8) | Bell Labs | 1981-1982 | |
| 1998-038/003 | (9) | Bennington College | 1982-1989 | |
| 1998-038/003 | (10) | Bennington College Chorus | 1984-1985 | |
| 1998-038/003 | (11) | William Brooks | 1983-1989 | |
| 1998-038/003 | (12) | Canadian Council Jury | May and November 1989 | |
| 1998-038/003 | (13) | Canadian Music Centre | 1982-1989 | |
| 1998-038/003 | (14) | Cold Blue | 1983 | |
| 1998-038/003 | (15) | Concordia Electroacoustic Composition Group | 1988-1989 | |
| 1998-038/003 | (16) | CRI (Composers Recordings Inc.) | 1982-1985 | |
| 1998-038/003 | (17) | Correspondence, D to L | 1980-1990 | |
| 1998-038/003 | (18) | Anita Feldman | 1983-1985 | |
| 1998-038/003 | (19) | Betty Freeman | 1985-1989 | |
| 1998-038/003 | (20) | Robin Freeman | 1987 | |
| 1998-038/003 | (21) | Frog Peak Music | 1987-1988 | |
| 1998-038/003 | (22) | Fromm Foundation | 1983-1985 | |
| 1998-038/003 | (23) | Fernando Grillo | 1990 | |
| 1998-038/003 | (24) | Haines | 1988 | |
| 1998-038/003 | (25) | Jacqueline Humbert | 1977-1978 | |
| 1998-038/003 | (26) | Institute for Studies in American Music | 1974-1988 | |
| 1998-038/003 | (27) | International Symposium on Electronic Art | 1988 | |
| 1998-038/003 | (28) | Journal of Music Theory | 1981-1988 | |
| 1998-038/003 | (29) | Kolsteeg | 1995 | |
| 1998-038/003 | (30) | Correspondence, M-S | 1975-1990 | |
| 1998-038/003 | (31) | 22nd Merzgedicht - Mac Low | | |
| 1998-038/003 | (32) | Gordon Monahan | 1984 | |
| 1998-038/003 | (33) | Newcomp Big | 1988-1989 | |
| 1998-038/003 | (34) | John R. Pierce | 1982-1983 | |
| 1998-038/003 | (35) | Perspectives of New Music | 1983-1988 | |
| 1998-038/003 | (36) | Princeton University | 1984-1985 | |
| 1998-038/003 | (37) | PRO/Am Music Resources | 1984-1989 | |
| 1998-038/003 | (38) | Relache | 1984-1990 | |
| 1998-038/003 | (39) | Soundings Press | 1980-1988 | |
| 1998-038/003 | (40) | Stuart Smith | 1984-1988 | |
| 1998-038/003 | (41) | Tom Johnson | 1994 | |
| 1998-038/003 | (42) | Daniel Wolf | 1984-1985 | |
| 1998-038/003 | (43) | Work With Dancers Co. | 1980-1988 | |
| 1998-038/003 | (44) | Gayle Young | 1985 | |
| 1998-038/003 | (45) | Correspondence, T-Z | 1981-1991 | |
| 1998-038/049 | (1) | [Claudia,] correspondence | 1968 | |
| 1998-038/049 | (2) | Loose correspondence | [1965?] | |
| 1998-038/049 | (3) | Carolee Schneemann, writing, published material | 1956-1979 | |
| 1998-038/049 | (4) | Carolee Schneemann, correspondence | [1955-1976?] | |
| 1998-038/049 | (5) | Photographs - Carolee Schneemann? | [1955-1960?] | |
| 1998-038/050 | (2) | "Spectral Canon for Conlon Nancarrow" by James Tenney, piano roll | 1974 | |
| 1998-038/050 | (3) | Large roll of graph paper [ca. 0.7m x 3.0m] with sub-titles : A. Nebular creation and Galactic condensation B. Planetary coolings ; chemical reactions C. Beginnings of life D. no title, a plan or exploration for a composition | | |
| 1998-038/050 | (4) | "3 Songs (II)" : drawing by Alison Knowles, [ca. 3m x 1m] | 1978 | |
| 1998-038/050 | (5) | I hard plastic disc (supporting disc for 3 thin plastic discs below0, [ca. 0.75m] | | |
| 1998-038/050 | (6) | 1 large plastic music disc [ca. 0.75m] : "Wake for Charles Ives" | | |
| 1998-038/050 | (7) | 1 large plastic music disc [ca. 0.75m] : "Tempest" | | |
| 1998-038/050 | (8) | 1 large plastic music disc [ca. 0.75m] : "The Popcorn Effect"
Note : The plastic discs itemized above in (06), (07) and (08) contain code which was played by a mechanical drum. These input control discs are a mechanism for controlling the mechanical drum. The drum was used to produce the above 3 pieces. Stephan Von Huene built this drum as a sound sculpture. | | |
| 1998-038/050 | (9) | "Rune" for Lauren and the Nexus Percussion Ensemble ; 40p (21 sheets of vellum) | September 1988 | |
| 1998-038/050 | (10) | 3 cardboard sheets with circle scores | | |
| 1998-038/050 | (11) | 21 large thin paper sheets with circle scores
Note : The above two listings, (10) and (11), are prints made by Stephan Von Huene. These are made from the 3 plastic circles described in (06), (07) and (08). The prints are artwork. They were created to go with the mechanical drum in a sound sculpture. | | |
| 2000-045/001 | (1) | Correspondence [includes correspondence with Carolee Schneemann, Lionel Nowak and John Pierce among others] | 1976-1985 | |
| 2000-045/001 | (2) | Personal correspondence [includes correspondence with Morton Feldman, John Cage, Lionel Nowak, Steve Reich and Gayle Young among others] | 1978-1986 |
1 of 2
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| 2000-045/001 | (3) | Personal correspondence [includes correspondence with Morton Feldman, John Cage, Lionel Nowak, Steve Reich and Gayle Young among others] | 1978-1986 |
2 of 2
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| 2000-045/001 | (4) | Correspondence | 1984-1988 | |
| 2000-045/001 | (5) | Personal correspondence | 1986-1992 | |
| 2000-045/001 | (6) | Letters | 1989-1992 | |
| 2000-045/001 | (7) | Correspondence | 1991-2000 | |
| 2000-045/001 | (8) | Correspondence, pieces submitted to Tenney | 1992-1994 | |
| 2000-045/001 | (9) | Personal correspondence | 1994-2000 | |
| 2000-045/001 | (10) | Warren Burt | 1985 | |
| 2000-045/001 | (11) | Phil Corner | 1970-1978 | |
| 2000-045/001 | (12) | Phil Corner | 1987 | |
| 2000-045/001 | (13) | Phil Corner | 1998 | |
| 2000-045/001 | (14) | For Jim | 1987 | |
| 2000-045/001 | (15) | From music course, Phil Corner | | |
| 2000-045/001 | (16) | Peter Garland | 1987-1994 | |
| 2000-045/001 | (17) | Malcolm Goldstein | 1959-1986 | |
| 2000-045/001 | (18) | Malcolm Goldstein | 1988-1995 | |
| 2000-045/001 | (19) | Larry Polansky | 1981-1992 | |
| 2000-045/001 | (20) | Carollee Schneemann | 1982-1998 | |
| 2000-045/001 | (21) | Ezra Sims | | |
| 2000-045/001 | (22) | James Tenney playing the kithara [scanned photograph] | | |
| 2000-045/001 | (23) | Yi Jing Jitterbug | 1989-1992 | |
| 2000-045/001 | (24) | Kasemeb, Yi Jing Jitterbug | 1982-1988 | |
| 2000-045/001 | (25) | The Chalmers Awards | 1993 | |