| F0428 - James Tenney fonds |
| Call Number: 1998-038/001 | ||||
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Personal and professional correspondence |
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(1) | Last Supper picture [photograph] | ||
| (2) | The List : Independent Curators Incorporated | 1976-1980 | ||
| (3) | Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories, John Pierce and the National Science Foundation as well as a draft of "An Experimental Investigation of Timbre" by Tenney] | 1961-1964 | ||
| (4) | Yale correspondence, professional correspondence in and out [includes correspondence with Bell Telephone Laboratories and others] | 1965-1966 | ||
| (5) | Professional correspondence, PIB (Polytechnic Institute of Brooklyn) and New York | 1966-1969 | ||
| (6) | Professional correspondence [includes correspondence with the Kronos Quartet, York University, Gavin Bryars and others] | 1970-1976 | ||
| (7) | Professional correspondence | 1976-1978 | ||
| (8) | Professional correspondence [includes correspondence with Steve Reich, Reich Music Foundation, York University among others] | 1978-1980 | ||
| (9) | Personal correspondence [indcludes correspondence with Harry Partch, Edgard Varese, George Brecht, John Pierce, John Kirkpatrick and John Cage among others] | 1954-1969 | ||
| (10) | Personal correspondence [includes correspondence with John Kirkpatrick, John Pierce, Stever Reich and John Cage among others] | 1970-1980 | ||
| (11) | Letters from Annie [Ann Holloway], personal | 1973-1977 | ||
| (12) | Stan Brakhage [includes poems and notes by Brakhage] | ca. 1953 - 1969 | ||
| (13) | Stan Brakhage, correspondence | 1985-1989 | ||
| (14) | Michael Byron | 1973-1980 | ||
| (15) | Phil Corner | 1972-1979 | ||
| (16) | Philip Corner: "Etudes for Non-Pianist" original composition | |||
| (17) | Nancarrow-Amirkhanian | 1978-1989 | ||
| (18) | Nam June Paik | 1968 | ||
| (19) | Letters from ex-students | |||
| (20) | Brakhage, letters | 1953-1970 | ||
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Call Number: 1998-038/002 |
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Peter Garland Correspondence |
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(1) | Peter Garland, correspondence and writings | 1984-1990 | |
| (2) | Peter Garland, correspondence and writings | 1971-1983 | ||
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Call Number: 1998-038/003 |
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Alphabetical correspondence and subject files |
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(1) | Correspondence, A | 1985-1990 | |
| (2) | American Musical Festival of Microtonal Music | 1982-1988 | ||
| (3) | American Music Centre | 1986-1989 | ||
| (4) | Charles Ames | 1983-1988 | ||
| (5) | American Society of Composers, Authors and Publishers | |||
| (6) | Correspondence, B and C | 1975-1990 | ||
| (7) | Ellen Band | 1985 | ||
| (8) | Bell Labs | 1981-1982 | ||
| (9) | Bennington College | 1982-1989 | ||
| (10) | Bennington College Chorus | 1984-1985 | ||
| (11) | William Brooks | 1983-1989 | ||
| (12) | Canadian Council Jury | May and November 1989 | ||
| (13) | Canadian Music Centre | 1982-1989 | ||
| (14) | Cold Blue | 1983 | ||
| (15) | Concordia Electroacoustic Composition Group | 1988-1989 | ||
| (16) | CRI (Composers Recordings Inc.) | 1982-1985 | ||
| (17) | Correspondence, D to L | 1980-1990 | ||
| (18) | Anita Feldman | 1983-1985 | ||
| (19) | Betty Freeman | 1985-1989 | ||
| (20) | Robin Freeman | 1987 | ||
| (21) | Frog Peak Music | 1987-1988 | ||
| (22) | Fromm Foundation | 1983-1985 | ||
| (23) | Fernando Grillo | 1990 | ||
| (24) | Haines | 1988 | ||
| (25) | Jacqueline Humbert | 1977-1978 | ||
| (26) | Institute for Studies in American Music | 1974-1988 | ||
| (27) | International Symposium on Electronic Art | 1988 | ||
| (28) | Journal of Music Theory | 1981-1988 | ||
| (29) | Kolsteeg | 1995 | ||
| (30) | Correspondence, M-S | 1975-1990 | ||
| (31) | 22nd Merzgedicht - Mac Low | |||
| (32) | Gordon Monahan | 1984 | ||
| (33) | Newcomp Big | 1988-1989 | ||
| (34) | John R. Pierce | 1982-1983 | ||
| (35) | Perspectives of New Music | 1983-1988 | ||
| (36) | Princeton University | 1984-1985 | ||
| (37) | PRO/Am Music Resources | 1984-1989 | ||
| (38) | Relache | 1984-1990 | ||
| (39) | Soundings Press | 1980-1988 | ||
| (40) | Stuart Smith | 1984-1988 | ||
| (41) | Tom Johnson | 1994 | ||
| (42) | Daniel Wolf | 1984-1985 | ||
| (43) | Work With Dancers Co. | 1980-1988 | ||
| (44) | Gayle Young | 1985 | ||
| (45) | Correspondence, T-Z | 1981-1991 | ||
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Call Number: 1998-038/004 |
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Research and writing files |
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(1) | About composers : Conlon Nancarrow, correspondence | 1974-1989 | |
| (2) | About composers : Conlon Nancarrow, article originals | 1977 | ||
| (3) | About composers : Conlon Nancarrow, article | 1977 | ||
| (4) | About composers : Conlon Nancarrow, interview | 1968 | ||
| (5) | About composers : Conlon Nancarrow, Arch St. liner notes original writing | 1977 | ||
| (6) | About composers : Conlon Nancarrow, liner notes | 1977-1989 | ||
| (7) | About composers : Conlon Nancarrow, notes | moved to OS 1998-038/024 (01) | ||
| (8) | About composers : Conlon Nancarrow, general notes, charts, etc. | moved to OS 1998-038/024 (02) | ||
| (9) | About composers : John Cage | 1954-1989 | ||
| (10) | About composers : Analytical notes, Cage works | moved to OS 1998-038/024 (03) | ||
| (11) | About composers : Phil Corner - pictures, copies of business correspondence | 1972-1977 | ||
| (12) | About composers : Analytical notes on Debussy, "Syrinx" | moved to OS 1998-038/024 (04) | ||
| (13) | About composers : Feldman | 1965-1988 | ||
| (14) | About composers : Lou Harrison | 1976-1989 | ||
| (15) | About composers : Charles Ives | 1974-1988 | ||
| (16) | About composers : Harry Partch | 1974-1983 | ||
| (17) | About composers : Carl Ruggles | 1959-1977 | ||
| (18) | About composers : Analytical notes re: Carl Ruggles | 1977 | moved to OS 1998-038/024 (05) | |
| (19) | About composers : Schoenberg, "Suite Op. 25" | moved to OS 1998-038/024 (06) | ||
| (20) | About composers : New Music Concerts | 1988-1989 | ||
| (21) | About composers : Egard Varese-"Density 21.5" | 1946 | ||
| (22) | About composers : Webern-"Concerto" Op.24 | 1948 | ||
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Call Number: 1998-038/005 |
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| (1) | Theory : Bell clang materials-Bell timbres | 1962 | ||
| (2) | Theory : Bell clang | 1963 | ||
| (3) | Theory : Harmon | 1956-1963 | ||
| (4) | Theory : Hellier et alia | 1957-1966 | ||
| (5) | Theory : Kerstra | |||
| (6) | Theory : National Science Foundation Grant Report, draft | 1966-1977 | ||
| (7) | Theory : Sankaran and Deva | 1955-1963 | ||
| (8) | Theory : Scherchen Proposal | 1959 | ||
| (9) | Theory : Experimental investigation of timbre | 1964 | ||
| (10) | Theory : Timbre notes | |||
| (11) | Theory : Timbre project-sound analysis programs | |||
| (12) | Theory : Computer study of violin tones | |||
| (13) | Theory : Violin analyses | 1966 | ||
| (14) | Theory : Violin perception | 1959-1976 | ||
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Call Number: 1998-038/006 |
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| (1) | Theory : Illustrations for Yale article (Journal of Music Theory) | 1963 | ||
| (2) | Theory : Notes for research reports and article : "Hierarchical Temporal Gestalt Perception" | [1976-1978?] | part of file moved to OS 1998-038/024 (07) | |
| (3) | Theory : "Hierarchical Temporal Gestalt Perception in Music: A "Metric Space" Model" and "Model" paper has been sent to... | 1978 | ||
| (4) | Theory : "Metric Space Model", original | 1978 | ||
| (5) | Theory : Computer printouts for "Model" paper | 1978 | ||
| (6) | Theory : "Temporal Gestalt Perception in Music" original | 1980 | ||
| (7) | Theory : Originals for short versions of "Temporal Gestalt Model" paper | |||
| (8) | Theory : Materials planned as examples for "META Meta + Hodos", but not used | 1961-1969 | ||
| (9) | Theory : "Meta + Hodos", 1961 ; "META Meta + Hodos", 1975, "originals" for reprinting | 1961, 1975 | ||
| (10) | Theory : Clifton review original | |||
| (11) | Theory : Book review by James Tenney on "Music as Heard: A Study in Applied Phenomenology", written by Thomas Clifton | 1984 | ||
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Call Number: 1998-038/007 |
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| (1) | Research : Yeats | |||
| (2) | Research : Notes on my music | 1956-1961 | ||
| (3) | Research : Perception-communication | 1963-1966 | ||
| (4) | Research : Word notes-poetry and ideas | 1956-1962 | ||
| (5) | Research : Biology, Reich-Negentropy | 1963-1965 | ||
| (6) | Research : Rhythm | |||
| (7) | Research : Criticism-history | 1963-1965 | ||
| (8) | Research : Miscellaneous notes | |||
| (9) | Research : Computer projects | 1964 | ||
| (10) | Research : 6x6 to 1" graph paper, timbre instruments materials | |||
| (11) | Garland-Revueltas article (Silvestre Revueltas) | 1988 | ||
| (12) | Research : Tone Roads West - Proposals etc. including mailing list | 1973 | ||
| (13) | York University : MFA Music | [1979-1991?] | ||
| (14) | York University : Music Writing Skills Workshop course proposal | 1985-1989 | ||
| (15) | York University : Grad Program | 1984-1993 | ||
| (16) | York University : memos re. music studies | 1988-1989 | ||
| (17) | York University : Library : reserves, music program, new recordings | |||
| (18) | York University : Class materials | 1982-1988 | ||
| (19) | York University : 4110 (fourth year composition course) | 1982-1989 | ||
| (20) | Note : Politics | 1967 | ||
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Call Number: 1998-038/008 |
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Electronic Music |
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(1) | Electronic Music : Hugh LeCaine Project, Canadian Electronic Ensemble | ||
| (2) | Electronic Music : National Research Council of Canada - electronic music technical translation reports | |||
| (3) | Electronic Music : Copies of journal articles related to electronic music | |||
| (4) | Electronic Music : Papers on electronic music | |||
| (5) | Electronic Music : Electronic music studio, Tulane University | 1966 | ||
| (6) | Electronic Music : Electronic music instrument schematics | |||
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Call Number: 1998-038/009 |
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"A History of 'Consonance' and 'Dissonance'" |
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(1) | "A History of 'Consonance' and 'Dissonance'" | 1980 | |
| (2) | "A History of 'Consonance' and 'Dissonance'", loose papers | |||
| (3) | "A History of 'Consonance' and 'Dissonance'", Part three, revision copy | 1980 | ||
| (4) | "A History of 'Consonance' and 'Dissonance'", Part two | 1980 | ||
| (5) | "A History of 'Consonance' and 'Dissonance'", Part one, revision copy | 1980 | ||
| (6) | "A History of 'Consonance' and 'Dissonance'", revision pages | |||
| (7) | "A History of 'Consonance' and 'Dissonance'", Part one, revision copy | 1980 | ||
| (8) | "A History of 'Consonance' and 'Dissonance'", Part two, revision copy | 1980 | ||
| (9) | "A History of 'Consonance' and 'Dissonance'", Part three, revision copy | 1980 | ||
| (10) | James Tenney, Canada 1978, "A History of 'Consonance' and 'Dissonance'", originals of old deleted copies | 1978 | ||
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Call Number: 1998-038/010 |
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David Luce's Thesis |
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(1) | David Luce's Thesis: "Physical Correlates of Nonpercussive Musical Instrument Tones" | 1963 | |
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Call Number: 1998-038/011 |
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Performances |
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(1) | Performances of others' music by James Tenney | 1979 | |
| (2) | Performances of music by James Tenney | 1979 | ||
| (3) | Performances of others' music by James Tenney | 1978 | ||
| (4) | Performances of music by James Tenney | 1978 | ||
| (5) | Performances of others' music by James Tenney | 1977 | ||
| (6) | Performances of James Tenney's music, fliers and announcements | 1977 | ||
| (7) | Performances of others' music by James Tenney | 1976 | ||
| (8) | Performances of music by James Tenney | 1976 | ||
| (9) | Performances of others' music by James Tenney | 1975 | ||
| (10) | Performances of James Tenney's music | 1974 | ||
| (11) | Performances of others' music by James Tenney | 1974 | ||
| (12) | Performances of others' music by James Tenney | 1973 | ||
| (13) | Performances of James Tenney's music | 1973 | ||
| (14) | Performances of others' music by James Tenney | 1972 | ||
| (15) | Performances of James Tenney's music | 1972 | ||
| (16) | Performances of others' music by James Tenney | 1971 | ||
| (17) | Performances of James Tenney's music | 1971 | ||
| (18) | Performances of others' music by James Tenney | 1970 | ||
| (19) | Performances of James Tenney's music | 1970 | ||
| (20) | Performances of others' music by James Tenney | 1969 | ||
| (21) | Performances of James Tenney's music | 1969 | ||
| (22) | Performances of James Tenney's music | 1968 | ||
| (23) | Performances of others' music by James Tenney | 1966 | ||
| (24) | Performances of works by James Tenney | 1965 | ||
| (25) | Performances of others' music by James Tenney | 1965 | ||
| (26) | Performances of others' music by James Tenney | 1961 | ||
| (27) | Performances, James Tenney, composer/conductor | 1960 | ||
| (28) | Performances, James Tenney, composer/performer | 1957 | ||
| (29) | Performances, James Tenney, composer/conductor/performer | 1956-1959 | ||
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Call Number: 1998-038/012 |
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| (1) | Performances, music by James Tenney | 1994 | ||
| (2) | Performances/reviews, awards of James Tenney | 1993 | ||
| (3) | Performances of James Tenney's music | 1992 | ||
| (4) | Performances of others' by James Tenney | 1990 | ||
| (5) | Performances, Cagewake | November 30, 1992 | ||
| (6) | Performances of James Tenney's music | 1991 | ||
| (7) | Performances of others' by James Tenney | 1990 | ||
| (8) | Performances of James Tenney's music | 1990 | ||
| (9) | Performances, Darmstadt | 1990 | ||
| (10) | Performances of James Tenney's music | 1989 | ||
| (11) | Performances of James Tenney's music | 1988 | ||
| (12) | Performances of James Tenney's music | 1987 | ||
| (13) | Performances of James Tenney's music | 1986 | ||
| (14) | Performances, Aspen '85, summer, reviews | 1985 | ||
| (15) | Performances of James Tenney's music | 1985 | ||
| (16) | Performances of James Tenney's music | 1984 | ||
| (17) | Performances, '84 summer, New Music America Festival, Real Art Ways | 1984 | ||
| (18) | Performances of James Tenney's music | 1983 | ||
| (19) | Performances of James Tenney's music | 1982 | ||
| (20) | Performances of James Tenney's music | 1981 | ||
| (21) | Performances of James Tenney's music | 1980 | ||
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Call Number: 1998-038/013 |
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Awards and Writings about James Tenney |
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(1) | Awards and Writings about James Tenney : PRO/Am composer datacards, biographical information of James Tenney | [1984?] | |
| (2) | Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy and Institute of Arts and Letters Award | 1982 | ||
| (3) | Awards and Writings about James Tenney : PRO/Am composer datacards, biographical American Academy | 1981-1983 | ||
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Call Number: 1998-038/014 |
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Notes and Computer Outputs |
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(1) | Notes and computer outputs : New pieces, notes | 1968 | |
| (2) | Notes and computer outputs : "Road to Ubud" | 1986 | ||
| (3) | Notes and computer outputs : "Road to Ubud," program | |||
| (4) | Notes and computer outputs : "Bridge" programs | |||
| (5) | Notes and computer outputs : Notes for "Bridge II," unfinished | 1984-1985 | ||
| (6) | Notes and computer outputs : "Pika-Don" | |||
| (7) | Notes and computer outputs : "Rune" | [1988?] | ||
| (8) | Notes and computer outputs : Nexus composition, notes for "Rune" | [1988?] | ||
| (9) | Notes and computer outputs : "Stars," unfinished | [1985?] | ||
| (10) | Notes and computer outputs : Unfinished pieces | [1963-1964?] | ||
| (11) | Notes and computer outputs : Unfinished pieces, notes | |||
| (12) | Notes and computer outputs : "Water on the Mountain...Fire in Heaven" | [1985?] | ||
| (13) | Notes and computer outputs : "Water on the Mountain...Fire in Heaven" | [1985?] | ||
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Call Number: 1998-038/015 |
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"Changes" |
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(1) | Notes and computer outputs : "Changes": 64 studies for six harps | 1985 | |
| (2) | Notes and computer outputs : "Changes": 64 studies for harp sextet | 1985 | ||
| (3) | Notes and computer outputs : Early and obsolete notes Re: "Changes": 64 studies | |||
| (4) | Notes and computer outputs : Later notes on "Changes": 64 studies for harp sextet | 1985 | ||
| (5) | Notes and computer outputs : Programs and data for "Changes": 64 studies for harp sextet | 1985 | ||
| (6) | Notes and computer outputs : Studies #1 and #2 | 1985 | ||
| (7) | Notes and computer outputs leading to study #3 using hexagrams 8 and 56 of "Changes" | 1985 | ||
| (8) | Notes and computer outputs : Study #4 | 1985 | ||
| (9) | Computer outputs leading to study #5 using hexagrams 59 and 59 of "Changes" | 1985 | ||
| (10) | Computer outputs leading to study #6 using hexagrams 41 and 28 of "Changes" | 1985 | ||
| (11) | Computer outputs leading to study #7 using hexagrams 62 and 65 of "Changes" | 1985 | ||
| (12) | Computer outputs leading to study #8 using hexagrams 63 and 5 of "Changes" | 1985 | ||
| (13) | Computer outputs leading to study #9 using hexagrams 36 and 29 of "Changes" | 1985 | ||
| (14) | Computer outputs leading to study #10 using hexagrams 39 and 54 of "Changes" | 1985 | ||
| (15) | Computer outputs leading to study #11 using hexagrams 25 and 62 of "Changes" | 1985 | ||
| (16) | Computer outputs leading to study #12 using hexagrams 32 and 27 of "Changes" | 1985 | ||
| (17) | Computer outputs leading to study #13 using hexagrams 58 and 17 of "Changes" | 1985 | ||
| (18) | Computer outputs leading to study #14 using hexagrams 11 and 32 of "Changes" | 1985 | ||
| (19) | Computer outputs leading to study #15 using hexagrams 61 and 47 of "Changes" | 1985 | ||
| (20) | Computer outputs leading to study #16 using hexagrams 3 and 43 of "Changes" | 1985 | ||
| (21) | Computer outputs leading to study #17 using hexagrams 21 and 15 of "Changes" | 1985 | ||
| (22) | Computer outputs leading to study #18 using hexagrams 7 and 22 of "Changes" | 1985 | ||
| (23) | Computer outputs leading to study #19 using hexagrams 5 and 42 of "Changes" | 1985 | ||
| (24) | Computer outputs leading to study #20 using hexagrams 14 and 6 of "Changes" | 1985 | ||
| (25) | Computer outputs leading to study #21 using hexagrams 20 and 44 of "Changes" | 1985 | ||
| (26) | Computer outputs leading to study #22 using hexagrams 64 and 12 of "Changes" | 1985 | ||
| (27) | Computer outputs leading to study #23 using hexagrams 56 and 2 of "Changes" | 1985 | ||
| (28) | Computer outputs leading to study #24 using hexagrams 38 and 49 of "Changes" | 1985 | ||
| (29) | Computer outputs leading to study #25 using hexagrams 54 and 8 of "Changes" | 1985 | ||
| (30) | Computer outputs leading to study #26 using hexagrams 19 and 25 of "Changes" | 1985 | ||
| (31) | Computer outputs leading to study #27 using hexagrams 29 and 16 of "Changes" | 1985 | ||
| (32) | Computer outputs leading to study #28 using hexagrams 57 and 14 of "Changes" | 1985 | ||
| (33) | Computer outputs leading to study #29 using hexagrams 6 and 35 of "Changes" | 1985 | ||
| (34) | Computer outputs leading to study #30 using hexagrams 1 and 10 of "Changes" | 1985 | ||
| (35) | Computer outputs leading to study #31 using hexagrams 46 and 11 of "Changes" | 1985 | ||
| (36) | Computer outputs leading to study #32 using hexagrams 47 and 51 of "Changes" | 1985 | ||
| (37) | Notes and computer outputs : Studies #33 and #34 | 1985 | ||
| (38) | Notes and computer outputs : Studies #35 and #36 | 1985 | ||
| (39) | Notes and computer outputs : Studies #37 and #38 | 1985 | ||
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Call Number: 1998-038/016 |
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| (1) | Computer Outputs, "Changes", Studies #39 and #40 | 1985 | ||
| (2) | Computer Outputs, "Changes", Studies #41 and #42 | 1985 | ||
| (3) | Computer Outputs, "Changes", Studies #43 and #44 | 1985 | ||
| (4) | Computer Outputs, "Changes", Studies #45 and #46 | 1985 | ||
| (5) | Computer Outputs, "Changes", Studies #47 and #48 | 1985 | ||
| (6) | Computer Outputs, "Changes", Studies #49 and #50 | 1985 | ||
| (7) | Computer Outputs, "Changes", Studies #51 and #52 | 1985 | ||
| (8) | Computer Outputs, "Changes", Studies #53 and #54 | 1985 | ||
| (9) | Computer Outputs, "Changes", Studies #55 and #56 | 1985 | ||
| (10) | Computer Outputs, "Changes", Studies #57 and #58 | 1985 | ||
| (11) | Computer Outputs, "Changes", Studies #59 and #60 | 1985 | ||
| (12) | Computer Outputs, "Changes", Studies #61 and #62 | 1985 | ||
| (13) | Computer Outputs, "Changes", Studies #63 and #64 | 1985 | ||
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Call Number: 1998-038/017 |
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Computer Outputs |
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(1) | Computer Outputs, Bell Labs composing programs for "Dialogue", "Phases", etc. | 1963-1982 | |
| (2) | Computer Outputs, TPC "Spectrum 1" notes | |||
| (3) | Computer Outputs, "Spectrum 2" | |||
| (4) | Computer Outputs, "Spectrum 1" | |||
| (5) | Computer Outputs, "Spectrum 2" DPC | |||
| (6) | Computer Outputs, "Spectrum 3" | |||
| (7) | Computer Outputs, "Spectrum 4" | |||
| (8) | Computer Outputs, Used for "Spectrum 4" | |||
| (9) | Computer Outputs, "Spectrum 4," "Maarten Altena Ensemble" | |||
| (10) | Computer Outputs, "Spectrum 5" | |||
| (11) | Computer Outputs, Cosine graphing for "Spectrum" | |||
| (12) | Computer Outputs, "Tableaux Vivants" print-out | 1990 | ||
| (13) | Computer Outputs, "Tableaux" programs | |||
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Call Number: 1998-038/018 |
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Scores, Sketches and Notes |
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(1) | Scores, Sketches and Notes : Compositions | 1954-1973 | |
| (2) | Scores, Sketches and Notes : 1959 "Monody" for solo clarinet negatives; 1974 part for arr. of "Tangled Rag" | 1959, 1974 | ||
| (3) | Scores, Sketches and Notes : String quartet notes, in memoriam for Morton Feldman, unfinished, not "Koan" | |||
| (4) | Scores, Sketches and Notes : "Sneezles" | 1985/1995 | ||
| (5) | Scores, Sketches and Notes : Notes for the "Road to Ubud" | 1986 | ||
| (6) | Scores, Sketches and Notes : Programs and output for "Bridge" | [1982-1984?] | ||
| (7) | Scores, Sketches and Notes : Notes for "Glissade" | |||
| (8) | Scores, Sketches and Notes : Notes for "Tableaux Vivants" | |||
| (9) | Scores, Sketches and Notes : "Tableaux Vivants" for the ensemble "Sound Pressure" | |||
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Call Number: 1998-038/019 |
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Scores |
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(1) | Scores : "Orchestra Chorales #'s 1-6"? | ||
| (2) | Scores : "Chorales for Orchestra" | [1974-1975?] | ||
| (3) | Scores : Old "Chorales for Percussion" | [1973?] | ||
| (4) | Scores : "Symphony for Wind Quintet and Tape-delay System"; "Symphony for Saxophone Player with Tape Loop"; plans to write a family composition | [1975?] | ||
| (5) | Scores : "Clang I", Clang II", "Clang III"? | |||
| (6) | Scores : "Essay #3", "Italy" | 1957 | ||
| (7) | Scores : "Seeds" | 1956-1962 | ||
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Call Number: 1998-038/020 |
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Scores |
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(1) | Scores : "Harmonium #2" and "(Harmonium) #3" | [1975-1977?] | |
| (2) | Scores : Early notes and drafts of "3 Indigenous Songs" | [1972-1976?] | ||
| (3) | Scores : "General William Booth Enters Into Heaven" by Charles Ives; arr. for orchestra by James Tenney | |||
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Call Number: 1998-038/021 |
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Scores |
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(1) | Scores : String parts of "Listen..." | ||
| (2) | Scores : "Stoptime Rag" | 1973 | ||
| (3) | Scores : Larry's transparent copy of "Tangled Rag" | 1969 | ||
| (4) | Scores : "Seeds" C. S. (Carolee Schneemann) cover | 1956-1960 | ||
| (5) | Scores : Arr. prelude #24 in B minor from "The Well-Tempered Clavier" | |||
| (6) | Scores : "Essay for 10 Wind Instruments" by James Tenney | 1956 | ||
| (7) | Scores : "Essay #3 for Chamber Orchestra" | 1957 | ||
| (8) | Scores : "Band" | 1980 | ||
| (9) | Scores : "#2 for Harmonic Player Piano" and sketches | 1974 | ||
| (10) | Scores : "In the Lydian Mode" | 1971 | ||
| (11) | Scores : "Orchestra piece", "Harmonium" | |||
| (12) | Scores : Drand - 88? | 1967 | ||
| (13) | Scores : Drand? | 1967 | ||
| (14) | Scores : "Music for Player Piano #1" | January 21, 1964 | ||
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Call Number: 1998-038/022 |
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"Changes" |
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(1) | Scores : "Changes" #1-16, harp 1 | ||
| (2) | Scores : "Changes" #1-16, harp 2 | |||
| (3) | Scores : "Changes" #1-16, harp 3 | |||
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Call Number: 1998-038/023 |
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"Changes" |
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(1) | Scores : "Changes" #1-16, harp 4 | ||
| (2) | Scores : "Changes" #1-16, harp 5 | |||
| (3) | Scores : "Changes" #1-16, harp 6 | |||
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Call Number: 1998-038/024 |
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Over-sized materials from boxes 1998-038/004 and 1998-038/006 |
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(1) | Nancarrow, notes | ||
| (2) | Nancarrow, general notes, charts, etc. | |||
| (3) | Analytical notes, Cage works | |||
| (4) | Analytical notes on Debussy, "Syrinx" | |||
| (5) | Analytical notes re: Carl Ruggles | 1977 | ||
| (6) | Schoenberg, "Suite Op. 25" | |||
| (7) | Notes for research reports and article: "Hierarchical Temporal Gestalt Perception" | [1976-1978?] | ||
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Call Number: 1998-038/025 |
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Audio Recordings |
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(1) | "Seeds I-VI" 1956-1960 students at Kent State University recorded at Kent recital hall George Faddoul | January 22, 1969 | audio reel |
| (2) | "Collage #1" plus original and work tapes for Carolee Schneemann | April 1961 | audio reel | |
| (3) | The first of three improvisations from "Medea", Feb. 1961;, "Collage #1, Blue Suede", April 1961 | 1961 | audio reel | |
| (4) | "Dialogue" | audio reel | ||
| (5) | "Ergodos/1" | audio reel | ||
| (6) | "Ergodos/2" | audio reel | ||
| (7) | "Ergodos/2/4" second version original from stacked tapes | audio reel | ||
| (8) | "Ergodos/1/3" second version original from stacked tapes | audio reel | ||
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Call Number: 1998-038/026 |
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| (1) | "Ergodos II," Bell Telephone Labs | 1964 | audio reel | |
| (2) | "Ergodos I" (B) 3 dubs | audio reel | ||
| (3) | Second "Tone Roads" Concert : 1-Malcolm Goldstein "Illuminations from Fantasia Gardens" 2-James Tenney "Ergodos II" with responses | April 4, 1964 | audio reel | |
| (4) | "Ergodos II" (18 min.) | audio reel | ||
| (5) | "Ergodos II (18 min.) (reverse) | audio reel | ||
| (6) | 'Collage #2 "Viet-Flakes"' for the film "Viet-Flakes" by Carolee Schneemann | December 1966 | audio reel | |
| (7) | "Fabric" | November 1967 | audio reel | |
| (8) | "Fabric" | November 1967 | audio reel | |
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Call Number: 1998-038/027 |
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| (1) | "Fabric," "A" copy | November 1967 | audio reel | |
| (2) | A version "For Ann (rising)" | audio reel | ||
| (3) | "For Ann (rising)" | audio reel | ||
| (4) | "Quiet Fan for Erik Satie" whoops! | audio reel | ||
| (5) | "Clang Composition #1" | audio reel | ||
| (6) | "Clang" | audio reel | ||
| (7) | "Quintext" Cal Arts (California Institute of the Arts) | May 27, 1973 | audio reel | |
| (8) | "In the Aeolian Mode" (Japanese performance) | audio reel | ||
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Call Number: 1998-038/028 |
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| (1) | "Orchestral Studies," "Three Harmonic Studies", University of South Florida | 1974 | audio reel | |
| (2) | "Spectral Canon" for Conlon Nancarrow (a) mm=50, (b) mm=70, (c) mm=100 | audio reel | ||
| (3) | "Spectral Canon" for Conlon Nancarrow | audio reel | ||
| (4) | "York New Music Ensemble" concert, second half : 1) Cage, "Forever and Sunsmell" 2) Ives, "Scherzo-All the Way Around and Back" 3) Tenney-"Harmonium #1" | 8 December 1976 | audio reel | |
| (5) | "Harmonium 4" | audio reel | ||
| (6) | "Saxony" (re-run with new tape delay York Electronic studios (10/1/79) from original tape of performance by Don MacMillan | April 1978 | audio reel | |
| (7) | "Saxony" edited solo tape | audio reel | ||
| (8) | "Saxony" final tapes dub, version sent to CRI (Composers Recordings Inc.) | audio reel | ||
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Call Number: 1998-038/029 |
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| (1) | "Saxony 2" | audio reel | ||
| (2) | "Harmonium #3" | audio reel | ||
| (3) | "Chromatic Canon" : 1) 2 parts 2) 1st part only | audio reel | ||
| (4) | "Glissade" : 1)I-(IV cut short at end) 2) IV-V | audio reel | ||
| (5) | "Voices" mix without delay | audio reel | ||
| (6) | "Deus ex Machina" 1st part | audio reel | ||
| (7) | "Bridge" (not the best performance) | May 31, 1984 | audio reel | |
| (8) | "Bridge" new reel masters from cassette of Music Gallery rehearsal | June 1, 1984 | audio reel | |
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Call Number: 1998-038/030 |
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| (1) | "Bridge", dub from the Dolby C cassette of the best version so far | June 1, 1984 | audio reel | |
| (2) | "Pika-Don" | audio reel | ||
| (3) | 1) Ben Johnston, "Suite for Microtonal Piano" (1977), "String Quartet No. 4" (1973), John Cage "Music for Wind Instruments" ; 2) Henry Brant, "Inside Track", James Tenney, "Band" | 1973, 1977 | audio reel | |
| (4) | Varese: "Octandre," Schoenberg, Budd: "Juno", Tenney: "Blues", Satie (Timar), Revueltas: "1st and 2nd Little Serious Pieces," Ives: "Two Little Flowers," "General William Booth...," New Music Concert | March 23, 1977 | audio reel | |
| (5) | "Three Pieces for Mechanical Drum" : 1) "Wake" 2) "The Popcorn Effect" 3) "Tempest" | audio reel | ||
| (6) | "In the Lydian Mode" | audio reel | ||
| (7) | "Medea"-organized sound | 1960 | audio reel | |
| (8) | "Replay" | May 9, 1984 | audio reel | |
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Call Number: 1998-038/031 |
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| (1) | "Music for Player Piano," Jan. 21st 1964 : recorded Feb. 22nd 1969 at Aeolian Co. by J. Lawrence Cook, four sections in the order RI-O-R-I or (letting RI=O), O-RI-I-R | February 22, 1969 | audio reel | |
| (2) | "Ergodos II" with responses (strings, winds and bass), Tone Roads Ensemble | April 24, 1964 | audio reel | |
| (3) | "Quiet Fan for Erik Satie" | May 1970 | audio reel | |
| (4) | 1)"Concord Sonata" Spring 1974 2) "Chorales for Orchestra" | 1974 | audio reel | |
| (5) | "Wake for Charles Ives", "Crystal Canon for Edgar Varese" from a concert by the San Fransisco Conservatory's New Music Ensemble | November 13, 1975 | audio reel | |
| (6) | "Three Pieces for Drum Quartet" "University of Toronto Percussion Ensemble" James Tenney conducting | January 1977 | audio reel | |
| (7) | Harmonium, University of California at Santa Cruz | December 1, 1975 | audio reel | |
| (8) | "Saxony" Don MacMillan saxophone, Music Gallery : 1) performance tape 2) rehearsal tape | April 10, 1978 | audio reel | |
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Call Number: 1998-038/032 |
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| (1) | "Harmonium #5", Galliard Trio, CBC (Canadian Broadcasting Corporation), 2 channel | November 6, 1978 | audio reel | |
| (2) | "Deus ex machina" (part one), Ann Holloway (tam-tam), The Music Gallery | October 16, 1982 | audio reel | |
| (3) | "Water on the Mountain....Fire in Heaven" for six electric guitars, J. McKay conducting | October 1985 | audio reel | |
| (4) | "Psaltery" dedicated to Lou Harrison, Dub #1 for James Tenney, Urbana, Illinois | March 16, 1979 | audio reel | |
| (5) | "#1 Six Instruments" 1956-1961 ; "#2 for Tuba, Alto Flute, 2 Piccolos, 2 Percussion" | April 13, 1983 | audio reel | |
| (6) | Bismillahi Rrahmahi Rrahim, 1974 tape ; "Butterfly Sunday," 1973 ; "Let us go into the house of the Lord," 1974 ; "Lirio," 1971 ; "Dragonfly Cymbal," 1973 ; "Sweet Earth Flying," Marion Brown, 1974 | February 23, 1977 | audio reel | |
| (7) | Happy New Year Jim and Ann, love David and Jackie and Willie | 1980 | audio reel | |
| (8) | "Metal Meditations" three sections for Merce Cunningham dancers, aired on KUSP-FM | April 18, 1976 | audio reel | |
| (9) | One unidentified tape which reads "Dad- seems to be recorded over "Octandre" rehearsal, good run of "Octandre" here" | audio reel | ||
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Call Number: 1998-038/033 |
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| (1) | Blackearth Percussion Group, Penn (Pennsylvania) State University at the Acoustics Society of America's International meeting; Stacey Bowers, David Johnson, Garry Kvistad, Allen Otte, John Cage-"Third Construction", James Tenney-"Wake for Charles Ives" | June 1977 | audio reel | |
| (2) | "Phases" | December 1963 | audio reel | |
| (3) | "Harmonium #2", Larry Polansky, Carla Scalatti (harp), University of Illinois | December 13, 1979 | audio reel | |
| (4) | "Saxony", David Mott studio recording May 1984, dub of "Voice(s)" but poor quality | May 1984 | audio reel | |
| (5) | "Quintext I-IV" (forward direction), "Quintext" and "Clang" (reversed direction) | audio reel | ||
| (6) | "Tone Roads West "concert ; reel #1, Joplin Rags, James Tenney piano | October 26, 1973 | audio reel | |
| (7) | Charles Ives #1-13 songs Norma Marder, soprano; James Tenney, pianist, #2-"Hawthorne", James Tenney, pianist; Bell labs concert | March 8, 1963 | audio reel | |
| (8) | Stockhausen, "Kontakte", Tenney, Neuhaus | audio reel | ||
| (9) | "Kontakte" Stockhausen | audio reel | ||
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Call Number: 1998-038/034 |
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| (1) | Charles Ives "Pianoforte Sonata #2" ; Side I : movements 1 and 2, Side II : movements 3 and 4 | audio reel | ||
| (2) | "Sonata #2" movements 1 and 2 | audio reel | ||
| (3) | Charles Ives "Sonata #2" movements 3 and 4 | audio reel | ||
| (4) | Charles Ives "Concord Sonata" January 9th 1976, University of California at Santa Cruz | January 9, 1976 | audio reel | |
| (5) | Piano concert | January 9, 1976 | audio reel | |
| (6) | Lon Harrison "Canticle #3" California Institute of the Arts Percussion Concert | audio reel | ||
| (7) | Charles Ives, "Concord Sonata" with Linny Kammer | May 1974 | audio reel | |
| (8) | Schoenberg : Piano-piece op, 11, no. 1 Denver 1955 ; Ives : "Emerson" from Bennington 1958 ; Ruggles : "Angels" University Of Illinois 1959 ; Ives "Scherzo : Over the Pavements" University Of Illinois, 1960 | 1955, 1958, 1959, 1960 | audio reel | |
| (9) | Piano Recital, Denver : Brahms, Schoenberg, Bach, Beethoven | 1955 | audio reel | |
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Call Number: 1998-038/035 |
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| (1) | Tone Roads West Percussion concert conducted by James Tenney : 1) Cage-"First Construction(in Metal)" 2) John Adams-"Always Very Soft" 3) Lou Harrison-"Canticle #3" | audio reel | ||
| (2) | Instrumental Ensemble Pieces, 1956-1973, California Institute of the Arts Spring : 1)"Seeds" 2) "In the Phrygian Mode" 3) "13 Ways of Looking at a Blackbird" 4) "For 12 Strings (rising)" 5) "Hey when I Sing" 6) "In the Lydian Mode" (reverse direction) | 1973 | audio reel | |
| (3) | 1)"In the Lydian Mode" 2) "In the Phrygian Mode" concert May 27th California Institute of the Arts | audio reel | ||
| (4) | From Music Gallery Concert : 1) "Tone" 2) "Monody," Bob Stevenson 3) "Koan," Anne Lindsay | June 2, 1984 | audio reel | |
| (5) | Charles Ives : 1) "Largo" 2) "From the Steeples and the Mountains" 3) "Tone Roads #1" 4) "Tone Roads #3" 5) "Scherzo: Over the Pavements" | audio reel | ||
| (6) | James Tenney: Selected Works 1956-1978 1) "Seeds I-IV for 6 Instruments" (1956-1978) 2) "Dialogue" (computer generated sound, 1963) 3) "Wake for Charles Ives," For 4 tenor drums from "Three Pieces for Drum Quartet" 1974-1975, "Harmonium #5 for String Trio" for John Cage 1978 | audio reel | ||
| (7) | Two pieces, Electronic music : 1) "Fabric for Che" (November 1967) in memory of Che Guevara, "For Ann (rising)" March 1969 | 1967-1969 | audio reel | |
| (8) | "Chromatic Canon" (one voice only) "Glissade I, IV, V" | audio reel | ||
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Call Number: 1998-038/036 |
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| (1) | 1) 1 kHZ tone 2) "Spectral Canon" for Conlon Nancarrow 1974 3) "Music for Player Piano" (1964) | 1974 | audio reel | |
| (2) | 1)1 KHZ tone C 2) "Spectral Canon" for Conlon Nancarrow, 1974 3) "Music for Player Piano," 1964 | audio reel | ||
| (3) | Computer music, 1961-63 1) "Analog #1-Noise Study," December 1961 2) "Five Stochastic Studies," December 1962 3) "Dialogue," April 1963 4) "Phases," December 1963, for Edgar Varese | audio reel | ||
| (4) | Electronic and computer music 1) "Noise Study," 1961 2) "Stochastic Studies," 1962 3) "Dialogue," 1963 4) "Phases," 1963 | audio reel | ||
| (5) | Electronic and computer music 1) "Improvisations for Medea," 1961 2) "Collage#1 Blue Suede" 3) "Stochastic String Quartet" 1963 4) "Music for Player Piano" 1964 5) "Collage #2 Viet Flakes" 1966 | audio reel | ||
| (6) | 1) "Improvisations for Medea," 1961 2) "Collage #1 Blue Suede," 1961 3) Stochastic String Quartet, 1963 4) "Collage #2 Viet-Flakes," 1966 | audio reel | ||
| (7) | Electronic and computer music, 1961-1969 1) "Ergodos I," 1963 2) "Ergodos II," 1964 | audio reel | ||
| (8) | Computer Music 1) "Five Stochastic Studies," December 1962 2)"Dialogue," April 1963 3) "Phase" December 1962 | audio reel | ||
| (9) | 1) "Collage #1 Blue Suede," April 1961 2) "Collage #2 Viet Flakes" for the film by Carolee Schneemann, December 1966 | audio reel | ||
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Call Number: 1998-038/037 |
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| (1) | 1) "Collage #1 Blue Suede" 2) "Noise Study" 3) "Phases" (good dub) | audio reel | ||
| (2) | 1) "Three pieces for Drum Quartet," 1975 University of Toronto Percussion Ensemble conducted by James Tenney 2) "Spectral Canon" for Conlon Nancarrow (1974) for Harmonic Player Piano 3) "Quintext four and five" (string quartet and bass) (1972) Faculty and student players, California Institute of the Arts 4) "Collage #1 - Blue Suede" (concrete music)(1961) | audio reel | ||
| (3) | a) "Voice(s)", Joan La Barbara, Symphony Space, New York City, 15 May 1985 b) "Koan" for solo violin, Anne Lindsay, The Music Gallery | audio reel | ||
| (4) | "Three Drum Pieces", "Crystal Canon" | audio reel | ||
| (5) | 1) "Quintext" (1972)(string quartet and bass) 2) "Wake for Charles Ives (1974) 3) "Chorales for Orchestra" (1974) | audio reel | ||
| (6) | 1) "Music for Player Piano" (1964) 2) "Quintext V" (1972) String Quartet and Bass played by the Sequoia Quartet with Ed Mears, bassist | audio reel | ||
| (7) | 1) "Dialogue" (Noise Stratum) 1963 "Ergodos 4" (original) August 1963 (1st version) | audio reel | ||
| (8) | 1) "Dialogue" (Tonal Stratum); "Ergodos 4" (original)(1st version) | 1963 | audio reel | |
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Call Number: 1998-038/038 |
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| (1) | Two pieces :"QUINTEXT l-V" (String quartet and bass) "Clang" for orchestra | 1972 | audio reel | |
| (2) | 1) "Seeds" (I-IV) for six instruments, 1956, Henry Brant-Bennington Composers Conference 2) "From the 'Blue Books'"-Bennington, 1956 3) "Dance Trio"-Bennington, 1957 4) "Essay #3 for Chamber Orchestra"-Brant, Bennington Composers Conference, 1957 5) "13 Ways of Looking at a Blackbird" (Wallace Stevens)-1958-Tenney-Bennington Composers Conference 6) "Sonata for Ten Wind Instruments," 1959 (revised version)-Tenney-Midwestern Composers Symposium 7) "Sonata ( for nine wind instruments)"-Paul Wolfe-Bennington Composers Conference, 1959 | audio reel | ||
| (3) | 1) "Noise Study" 2) "Ergodos II" (for John Cage)(1964) 3) untitled (1969) | audio reel | ||
| (4) | "Ergodos II," "Collage #2" | audio reel | ||
| (5) | 1) "Koan" for solo violin (Yoko Matsuda) 2) "August Harp" (Susan Allen) 3) "Beast for String Bass" ( Nick Pap) 4) "Having Never Written a Note for Percussion" (John Bergamo) | audio reel | ||
| (6) | 1) "Analog #1 (Noise Study)," Dec. 1961 2) "Five Stochastic Studies," Oct.-Dec. 1962 3) "Stochastic Quartet," Feb. 1963 4) "Radio Piece," July 1963 5) "Dialogue" (monophonic version), April 1963 5) "Dialogue" (monophonic version), April 1963 | audio reel | ||
| (7) | 1) "Analog #1-Noise Study," Dec. 1961 2) "Five Stochastic Studies," Dec. 1962 3) "Collage #2 ("Viet-Flakes")," Dec. 1966 for the film by Carolee Schneemann 4) "Fabric for Che," Nov. 1967 | audio reel | ||
| (8) | Instrumental Music, 1956 to 1959 : 1) "Seeds (I-IV) for Six Instruments," 1956, Henry Brant conductor, Bennington Composers Conference 2) "Dance Trio" (flute, clarinet, oboe), 1957, James Tenney conductor, Bennington Students 3) Essay for chamber orchestra, 1957 Brant conductor, Bennington Composers Conference 4) "Thirteen Ways of looking at a Blackbird" (Wallace Stevens) James Tenney conductor, Bennington Composers Conference 5) "Sonata for 10 Wind Instruments," 1959, James Tenney conductor, Midwestern Composers Symposium (dedicated to Carl Ruggles) | audio reel | ||
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Call Number: 1998-038/039 |
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| (1) | 1) "Collage #1" 2) "Analog #1" (first noise study) Two track version but without reverberation 3) "Dialogue" | April 22, 1963 | audio reel | |
| (2) | Instrumental Music by James Tenney, "Seeds" (1956/62), "Thirteen Ways of Looking at a Blackbird" (1957), "Quiet Fan for Eric Satie" (1970), "Clang" (1972) | audio reel | ||
| (3) | 1) "Hey When I Sing these 4 Songs, Hey Look What Happens" 2) "Seeds I-IV for Six Instruments" 3) "Thirteen ways of Looking at a Blackbird" (Marvin Hayes) 4) "Monody for Solo Clarinet" (1959) 5) "Poem for Solo Flute" (1955) | audio reel | ||
| (4) | Electronic and Computer Music 1) "For Ann (rising)" 2) "Fabric for Che" (1969) | audio reel | ||
| (5) | Computer Music Fragments 1) Timbre Tests(1962) 2) Bell Clang tests (1962) 3) Stochastic Quartet (1963) 4) Radio Piece (7,63) 5) "Entrance/Exit Music" (Brecht-Tenney) (8/62) 6) "Improvisation for Medea" (2/61) 7) "Collage #1-Blue Suede" (4/61) 8) "Analog #1-Noise Study" (12/61) | audio reel | ||
| (6) | Computer music work tapes 1) "Analog #1-Noise study," December 1961 a) Original (full track) b) Dubbings at half and double speed (two track timed) 2) "Dialogue," April 1963 a) tonal stratum (original, converted in Dec. 1963) b)noise stratum (original, converted in Dec. 1963) c) tonal stratum (original of April 1963) d) noise stratum with reverberation (2 track, col. Lab.) e) noise stratum (original of April 3) f ) tonal stratum with reverberation (2 track, Col. Lab.) | audio reel | ||
| (7) | "Three Indigenous Songs" (Dec. 1979) 1) New music concerts, Feb. 2, 1980 2) Cal Arts (California Institute of the Arts) ensemble L. Mosko, conducting, Mar. 1982 | audio reel | ||
|
Call Number: 1998-038/040 |
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| (1) | Music of Harry Partch 1) "Castor and Pollux" (1952) 2) "The Letter" (1943) 3) "Windsong" (1958) 4) "Cloud-Chamber Music" (#11 of eleven intrusions, 1949-50) 5) "The Bewitched" (Scene 10 and epilogue) (1955) 6) "Daphne of the Dunes" (="Windsong")(1967) | audio reel | ||
| (2) | Side A 1) Ben Johnston-"Second String Quartet" 2) Cage-Hiller-"HPSCHD" 3) Hiller-"Computer Music for Percussion and Tape"; Side B: Ben Johnston-"Sonata for Microtonal Piano," "Fourth String Quartet" (this has a "drop-out" in it) (1973) | audio reel | ||
| (3) | Cage-"String Quartet", "Nocturne" (violin and piano), "Williams Mix", "Imaginary Landscape #1" (1939) | audio reel | ||
| (4) | Cage - "Atlas Eclipticallis", Feldman - "Out of Last Pieces", Brown - "Available Forms II"; Leonard Bernstein New York Philharmonic | February 7, 1964 | audio reel | |
| (5) | John Cage: "Fontana Mix with piano solo" | audio reel | ||
| (6) | John Cage - lecture, "Evenings on the Roof", San Francisco | March 2, 1962 | audio reel | |
| (7) | John Cage rehearsal San Francisco | March 2, 1962 | audio reel | |
| (8) | John Cage - Lecture in 014 Steacie, tape 1 | January 27, 1982 | audio reel | |
| (9) | John Cage - Lecture in 014 Steacie, tape 2 | January 27, 1982 | audio reel | |
|
Call Number: 1998-038/041 |
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File: |
Title: |
Date(s): |
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| (1) | Oct. 28, Nov.6, Nov. 28 "Test of Alternations"; first Tone Roads concert, Ruggles: "Angels," Cage "Concert for eight instruments", Ives: "Scherzo: Over the Pavements" | December 20, 1963 | audio reel | |
| (2) | Tone Roads Concert, Ives: "Tone Roads #1 and #3", Feldman: "Projection 2", Varese: "Octandre" | December 20, 1963 | audio reel | |
| (3) | Second Tone Roads concert : 1) Charles Ives "Largo Risoluto #1", "Largo Risoluto #2", "In Re CON MOTO Et Al" 2) Philip Corner-"Brass Orchestra Baby Directors" | April 24, 1964 | audio reel | |
| (4) | Second Tone Roads concert : 1) Earle Brown "November 1952 (Synergy)" 2) Carl Ruggles-"Toys" 3) Charles Ives-Songs 4) Charles Ives-"Aeschylus and Sophocles" 5) Charles Ives-"In Re CON MOTO At Al" 6) John Cage-"Radio Music" | April 24, 1964 | audio reel | |
| (5) | Tone Roads West Concert Ives: "Scherzo," Joplin : "Showtime" (2 takes) | audio reel | ||
| (6) | Tone Roads West Concert ; Ives : "Largo", "Hawthorne" | 26 October 1973 | audio reel | |
| (7) | Tone Roads rehearsal ; Ives : "Tone Roads #1 and #3" | audio reel | ||
|
Call Number: 1998-038/042 |
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File: |
Title: |
Date(s): |
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| (1) | Nancarrow Studies 46, 47, 48(a,b,c) | audio reel | ||
| (2) | Nancarrow Studies 49(a,b,c), 50, 2b, "Tango" | audio reel | ||
| (3) | Nancarrow "Studies for Player Piano #1", "Sonatina" (1941), #1, #2, #2, #3(a,b,c,d,e), #4, #5, #6, #7 | audio reel | ||
| (4) | "Studies for Player Piano": #4, #5, #6, #9 (transferred to Reel #2 of collection), #11, #14, Canon 4/5, #16 | audio reel | ||
| (5) | Nancarrow "Studies for Player Piano #2" #8-#19 | audio reel | ||
| (6) | Nancarrow "Studies for the Player Piano" #10, #11, #12, #13, #14 (canon 4/5), #15 (canon 3/4), #16, #17 (canon 12/15/20), #18 (canon 3/4), #19 (canon 12/15/20) | audio reel | ||
| (7) | Nancarrow "Studies for Player Piano" #20-#27 | audio reel | ||
| (8) | Nancarrow "Studies for Player Piano #24 [and] #25: Reel #3 of coll; #33: Reel #4 of Coll | audio reel | ||
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Call Number: 1998-038/043 |
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| (1) | Nancarrow "Studies for Player Piano" #28, #29, #30 (Prepared), #31-#36 | audio reel | ||
| (2) | Nancarrow "Studies for Player Piano" #37, #40a, #40b, #40b (Mumma's "ideal" version), #41a, #41b, #41c (41a +41b) | audio reel | ||
| (3) | Nancarrow "Studies 42 - 45": #42, #43, #44, #45(a,b,c) | audio reel | ||
| (4) | Tenney - "Chorales for Percussion" | audio reel | ||
| (5) | Kievman, "Kosmos"; after leader, take 2 of "Kosmos", then "No More Good Water" | audio reel | ||
| (6) | Morton Feldman "For John Cage" (1982), violin: Paul Zukofsky, Piano: Aki Takahashi | audio reel | ||
| (7) | Daniel Goode: Excerpts and condensations from three pieces: 1) "Circular Thoughts" transcribed for Gamelan, (1977) 2) "Five Thrushes-Two Fiddles and Piano" (1978) 3) "Selected Chambers" (1977) | audio reel | ||
| (8) | C-copy | audio reel | ||
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Call Number: 1998-038/044 |
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| (1) | James Tenney "Fabric" work tape A, Nov. 67 1) Mar. 64 single voice 2) "#1" (=A1 + B2) 3) "#3" (from Mar. 64) 4) "#1" and "#2" mixed 5) "#3" and "#4" mixed at half-speed | audio reel | ||
| (2) | James Tenney "Fabric" work tape B, Nov. 67 1) Nov. 67 (stereo copy) 2) Nov. 67 (mono original) 3) "#2" (Dec. 64) 4) "#4" (from Mar. 64) 5) "#3" and "#4" mixed | audio reel | ||
| (3) | "Fabric"; #3 and #4 (half-speed) repeated, 1) work-tape #68 (#3 and #4 (half-speed) repeated) 2) work-tape HI (all of 12 + 34 + 68 at the higher speed) | audio reel | ||
| (4) | "Fabric" work tapes 1) #12 (#1 and #2 repeated) 2) LO-1 (first half of 12 + 34 + 68 at normal (slow) speed) | audio reel | ||
| (5) | Tenney "Fabric" work tapes #34 and LO-2 | audio reel | ||
| (6) | Ives "Concord Sonata", Tone Roads at Something Else Gallery | June 15, 1966 | audio reel | |
| (7) | Ives songs, original on Mylar | April 14, 1963 | audio reel | |
| (8) | Pitts St., "Complement I", "Hawthorne" | audio reel | ||
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Call Number: 1998-038/045 |
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| (1) | James Tenney "For Ann (rising)" | audio reel | ||
| (2) | James Tenney "Pika-Don" | audio reel | ||
| (3) | Tone roads West, Percussion Concert-conducted by James Tenney 1) Cowell-"Ostinato Pianissimo" 2) Peter Garland-"The Three Strange Angels" 3) Varese-"Ionisation" | June 19, 1973 | audio reel | |
| (4) | Woodwind Quintet Symphony (direct copy) | audio reel | ||
| (5) | James Tenney - "Quiet Fan for Erik Satie" (Oberlin performance) | audio reel | ||
| (6) | Second half of Tenney concert | audio reel | ||
| (7) | Contemporary Music Ensemble, "Three Pieces for Flute Duet" (1935) ; John Cage, "Two Songs for E. E. Cummings" ; Jon Siddall, "Allegretto Sombreoso"-Charles Ives, "Yosha's Morning Song Extended"- Malcolm Goldstein, "Projection 2"-Morton Feldman, "Three Rimbaud Settings"-Larry Polansky, "Homage to Ferico Garcia Lorca"- Silvestre Reveultas [program inside reel case] | 7 December 1977 | audio reel | |
| (8) | "York New Music Ensemble" Concert" ; First Half 1) Ives: "Scherzo-Over the Pavements" 2) Cowell: "Vocalise" 3) Cage: "Inventions" (1933) | 8 December 1976 | audio reel | |
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Call Number: 1998-038/046 |
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| (1) | First day from New Paltz, New York to Winchester, Virginia (last half private) | July 8, 1968 | audio reel | |
| (2) | Second and beginning of Third day | audio reel | ||
| (3) | Third- Knoxville to Little Rock | audio reel | ||
| (4) | #4A Thurs. before Little Rock - Albuquerque | audio reel | ||
| (5) | #4B Friday night in Albuquerque with Steve and Carol | audio reel | ||
| (6) | #5-Saturday and Sunday Albuquerque to Salford | audio reel | ||
| (7) | #6-Walt and Willie Chandler in Thatcher, Arizona | July 15, 1968 | audio reel | |
| (8) | #6B- Thatcher to Phoenix | July 15, 1968 | audio reel | |
| (9) | #7 Carl Tenney Mon July 15 | July 15, 1968 | audio reel | |
| (10) | Tues July 17, Dad talking about sex | audio reel | ||
| (11) | Carl and me talking about the drone, etc. | audio reel | ||
| (12) | Talking with Carl and Helen, Tuesday | audio reel | ||
| (13) | First half Phoenix beginning, second half, Denver Mother July 24 | audio reel | ||
| (14) | Phoenix Party July 17 | audio reel | ||
| (15) | Phoenix party July 17 | audio reel | ||
| (16) | Phoenix party at Dad's July 17th | audio reel | ||
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Call Number: 1998-038/047 |
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| (1) | 9-A, Phoenix, July 19, first tape | audio reel | ||
| (2) | 9-B, Phoenix, July 19, second tape | audio reel | ||
| (3) | 9-C, Phoenix, July 19, third tape | audio reel | ||
| (4) | 9-D, Phoenix, July 19, fourth tape | audio reel | ||
| (5) | 9-E, Phoenix, July 19, fifth tape | audio reel | ||
| (6) | 10, July 20, Phoenix to Taos?; Steve and Carol, July 22 | audio reel | ||
| (7) | 11, July 22 to 24, Taos to Denver | audio reel | ||
| (8) | #3 | audio reel | ||
| (9) | #4 | audio reel | ||
| (10) | #5 | audio reel | ||
| (11) | #6 | audio reel | ||
| (12) | #7 | audio reel | ||
| (13) | #8 | audio reel | ||
| (14) | #9 | audio reel | ||
| (15) | #10 | audio reel | ||
| (16) | #11 | audio reel | ||
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Call Number: 1998-038/048 |
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| (1) | #12 | audio reel | ||
| (2) | #12 Denver, July 24 | audio reel | ||
| (3) | Toy Specialist, Jim; Ridino, Ballet One | audio reel | ||
| (4) | "In the Aeolian Mode", KPFK, ; "Cornfield Intro" | May 27, 1973 | audio reel | |
| (5) | "Ann Rising", I, #1 | audio reel | ||
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Call Number: 1998-038/049 |
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Documents |
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(1) | [Claudia,] correspondence | 1968 | |
| (2) | Loose correspondence | [1965?] | ||
| (3) | Carolee Schneemann, writing, published material | 1956-1979 | ||
| (4) | Carolee Schneemann, correspondence | [1955-1976?] | ||
| (5) | Photographs - Carolee Schneemann? | [1955-1960?] | ||
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Call Number: 1998-038/050 |
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Over-sized Items |
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(1) | "Music for Player Piano" : original piano roll by James Tenney | ||
| (2) | "Spectral Canon for Conlon Nancarrow" by James Tenney, piano roll | 1974 | ||
| (3) | Large roll of graph paper [ca. 0.7m x 3.0m] with sub-titles : A. Nebular creation and Galactic condensation B. Planetary coolings ; chemical reactions C. Beginnings of life D. no title, a plan or exploration for a composition | |||
| (4) | "3 Songs (II)" : drawing by Alison Knowles, [ca. 3m x 1m] | 1978 | ||
| (5) | I hard plastic disc (supporting disc for 3 thin plastic discs below0, [ca. 0.75m] | |||
| (6) | 1 large plastic music disc [ca. 0.75m] : "Wake for Charles Ives" | |||
| (7) | 1 large plastic music disc [ca. 0.75m] : "Tempest" | |||
| (8) | 1 large plastic music disc [ca. 0.75m] : "The Popcorn Effect" Note : The plastic discs itemized above in (06), (07) and (08) contain code which was played by a mechanical drum. These input control discs are a mechanism for controlling the mechanical drum. The drum was used to produce the above 3 pieces. Stephan Von Huene built this drum as a sound sculpture. | |||
| (9) | "Rune" for Lauren and the Nexus Percussion Ensemble ; 40p (21 sheets of vellum) | September 1988 | ||
| (10) | 3 cardboard sheets with circle scores | |||
| (11) | 21 large thin paper sheets with circle scores Note : The above two listings, (10) and (11), are prints made by Stephan Von Huene. These are made from the 3 plastic circles described in (06), (07) and (08). The prints are artwork. They were created to go with the mechanical drum in a sound sculpture. | |||