F0096 - John N. Smith fonds

FILE LIST


Call Number: 1996-002/001
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PRODUCTION FILES: Sugartime


(1)Budgets
(2)Casting; includes four black and white photos with resumes; fax paper
(3)Contract
(4)"Filing -- past stuff" includes one black and white photo, call sheets, schedules etc.
(5)Location list, info on Nevada, colour photographs of locations
(6)Kate's correspondence
(7)Memos
(8)Music
(9)Post-production
(10)Research
(11)Resumes -- production staff


Call Number: 1996-002/002
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(1)Draft of Sugartime dated February 9th, 1995February 9, 1995
(2)Schedules
(3)Script Notes
(4)Palette for Sugartime
(5)Sugartime scriptMarch 2, 1995
(6)Sugartime scriptApril 7, 1995
(7)Sugartime scriptApril 17, 1995
(8)Research: photocopy of The Don: The Life and Death of Sam Giancana, William Brashler


Call Number: 1996-002/003
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(1)Research: photocopy of Dearest Madame by Irma Hunt
(2)Master Sugartime script: last revisionJune 8, 1995
(3)Research: photocopy of The Mansions of Limbo, Dominick Dunne
(4)Research: photocopy of Judith Exner: My Story, Ovid Demaris
(5)"Removed Binder Pages": director's binder with breakdowns: extras, vehicles, script supervisor, music, includes schedules, etc.


Call Number: 1996-002/004
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PRODUCTION FILES: Sugartime (Cassette tapes)


(1)Suggested Music for Sugartime, seventeen tapes, including The McGuire Sisters


Call Number: 1996-002/005
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(1)Casting: four black and white photos, resumes, and notes
(2)Research: photocopy of Doublecross: The Explosive, Inside Story of the Mobster who controlled America, Sam and Chuck Giancana
(3)"Sugartime Archives": list of cast measurements, suggested research material, itineraries, resumes, edits, faxes, notes, sketch of scene layout on brown paper
(4)Receipts and reimbursements
(5)Shooting Schedule
(6)Draft Comparisons
(7)Sugartime: Revised Pink ScriptApril 19, 1995
(8)Sugartime: Revised Script by John SmithApril 21, 1995


Call Number: 1996-002/006
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PRODUCTION FILES: Sugartime (Videotapes)


(1)Twenty-seven tapes of daily shoots; numbered 5-48, but missing significant numbers; we do have reels 5, 6, 8, 24-45, 48, and two unnumbered reels of days three and four
(2)Tape dated 6-28-95 with inside logJune 28, 1995
(3)Tape labelled: Sugartime trt, 7-3-95July 3, 1995
(4)Tape labelled: Sugartime, hour 2
(5)Sugartime, Rough cuts
(6)McGuire Sisters, rehearsal
(7)HBO Crime Inc. Series II: "Make it Legitimate," The Old Mob: The New"


Call Number: 1996-002/007
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PRODUCTION FILES: Posse: "Dangerous Minds"


(1)File labelled "International Introduction: New York"; includes Academy Awards Guidelines, accommodation rental contract
(2)Editing issues re: actual editing; editing for airlines; handwritten notes on cuts and shooting; music notes; continuity notes; music spotting notes reshoot cast list, schedule, notes; personal letters to and from Michelle Pfeiffer; suggested casting for lead
(3)Script revisions (January 3, 10, 1995), schedules; reshoot scenesJanuary 3 and 10, 1995
(4)Promo info: Smith's resume, lists of awards
(5)The National Research Group: "Dangerous Minds" report of recruited audience survey
(6)Contracts: Blind Script Commitment, and Memorandum of Agreement
(7)Publicity: director's extensive production notes about the evolution of the film; correspondence; working press kit selection
(8)Script for reshoot
(9)Music Spotting notes -- final


Call Number: 1996-002/008
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(1)Actors: audition notes with resumes, twenty-one black and white, one colour photo
(2)Acting coach
(3)Assistant Director
(4)First Assistant Directors
(5)Casting Director
(6)Cinematographer
(7)Music Composers: contains notations re: artists approached about possible contributions
(8)Costume Designer
(9)Editors
(10)Set locations
(11)Production Assistant
(12)Writer's Credits
(13)Production Manager
(14)"Seeking Employment": actors, trailer rentals, musicians, tape editors, assistants, etc.; includes three black and white photos
(15)Reviews and Feature Stories: Dangerous Minds (Posse)


Call Number: 1996-002/009
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(1)Correspondence: letters and faxes regarding publicity, etc.May-June, 1995
(2)Correspondence: letters and faxes regarding publicity, etc.July 1995
(3)Correspondence: letters and faxes regarding publicity, reviews, etc.August 1995
(4)Press kit, includes 5 black and white photos
(5)Press junketJuly 7-11, [1995]
(6)Staff and Crew lists, one colour photo dated 1994 (includes cast)(Restricted)
(7)Correspondence: letters and faxes regarding publicity, rough drafts of letters, production info, notes, resumes, schedules, etc.December 1993-April 1995 includes one colour slide/still
(8)Copy of Preview magazine and Mouth to Mouth, Sept./Oct. 1994
(9)Published final budget as of April 14, 1994
(10)Boys of St. Vincent -- Some material apparently used as publicity info for Smith as director of Posse includes reviews


Call Number: 1996-002/010
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PRODUCTION FILES: Posse: "Dangerous Minds" (Audio cassettes and videotapes)


(1)Audiotapes (fourteen total): Posse ref. tape, alterantive #1; Posse ref. tape, alternative #2; Posse ref. tape, r&b, hip hop; Michelle's themes; Posse, media ventures; tape for John from editorial; Natalie music inc.; Posse, Mark Mancina mix; Jane Brockman; Posse, Mark Isham; David Schwartz; Terence Blanchard; Stewart Copeland; Cliff Eidelman
(2)Videotapes: posse music demos; music cues; Mind electronic press kit; promo clips rough cut two; featurette; trailer #1; preview #2; main title sequence; home prds; epk; two recut tapes; four full feature viewing cassettes



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